Category: News

  • Old School RnB and Friends takes Kampala back in time

    “Ooh, it’s somethin’ about, just somethin’ about the way she move…”

    The opening lines of Ne-Yo’s Miss Independent were enough to send a section of the crowd at Mestil Hotel into an immediate singalong on Sunday. It was not just the song they remembered, but the feeling attached to it.

    For a generation that grew up when RnB, hip-hop and slow jams dominated the airwaves, songs like Miss Independent are something of a time machine. And lately, Kampala appears to be enjoying the trip back.

    From the Millennials Picnic to the Old School Picnic in recent weekends, and now RnB and Friends at Mestil, old-school music experiences have continued to attract crowds looking for more than a night out. They are looking for familiar songs and feelings and, perhaps, a temporary escape from the music of today.

    That desire for nostalgia is what these gatherings have in common. The crowds may not be identical, but the attraction is remarkably similar: people who want to sing along to songs they know from beginning to end, reconnect with friends and revisit a period of their lives through music.

    At Mestil, that connection was evident from the start, with the crowd needing little encouragement to join in. As the DJs moved through the catalogue, voices rose with almost every chorus, with revelers singing word for word. Even some of the younger faces in the crowd appeared well acquainted with songs released long before they became old-school.

    DJs Anselm and Selector Jay moved between classic RnB, old-school hip-hop and Ugandan throwbacks, occasionally going off the expected RnB menu to throw in a familiar favourite. Each detour seemed to bring another reaction from the crowd, proving that the nostalgia was not tied to one genre.

    With the music providing the soundtrack, food and drinks naturally became part of the experience too.

    That is where Tusker Cider found its place in the afternoon. The cider was enjoyed in the relaxed manner that has become synonymous with social occasions, often served with ice and paired with food as friends settled into conversations between songs.

    For Tusker Cider Brand Manager Sandra Againe, that easy-going atmosphere is exactly what makes an event like RnB and Friends relevant to the brand.

    “There is something very natural about enjoying old-school music with friends. These are songs people already have a relationship with, so the atmosphere is relaxed and familiar. You can have your food, enjoy a cold Tusker Cider and still be part of the music and conversation around you. That is what makes experiences like this relevant to us,” she said.

    MC Derrick Dasha called on the audience to observe a minute of silence and pray for the soul of Rukirabasaija Omukama Oyo Nyimba Kabamba Iguru Rukidi IV, the late King of Tooro, who died on August 27 at the age of 34.

    Members of the Tooro community joined in prayer, while Tooro royal songs were played in his honour, bringing a moment of remembrance to the gathering before the music resumed.

    From there, the afternoon gradually shifted from a laid-back Sunday gathering into a full-blown throwback party.

    The food on offer helped sustain that transition, giving people another reason to settle in rather than simply pass through the venue. An additional 20 per cent discount on purchases made through MTN MoMo inside the venue also made it easier for guests to pick up something to eat and continue enjoying the afternoon.

    For Joanita Grey, a regular at old-school music experiences, that familiarity is exactly what keeps drawing her back.

    “I come for the music and the vibes, but I also enjoy meeting people. Even when I come with my friends, I can still end up talking to someone I have never met before. There is something fulfilling about making new friends over good music and food,” she said.

    That may explain why old-school gatherings have continued to find an audience in Kampala. Beyond the music, they offer people a chance to travel back in time without leaving the city – to remember songs, moments and versions of themselves that might otherwise remain buried in the past.

  • JUSTICE FOR HUSSEIN! Family Demands Swift Arrests After Kamuli Municipality NRM Boss’ Bodyguards ‘Shoot’ Young Man Dead at Muzuri Guest House

    JUSTICE FOR HUSSEIN! Family Demands Swift Arrests After Kamuli Municipality NRM Boss’ Bodyguards ‘Shoot’ Young Man Dead at Muzuri Guest House

    Relatives of Hussein Tenywa have asked police to expedite investigations into the circumstances surrounding his shooting at Muzuri Guest House in Kamuli Municipality.

    Tenywa was shot dead at about 12:30 am on Sunday by plain-clothed bodyguards attached to Erick Mugabi, the National Resistance Movement (NRM) chairperson for Kamuli Municipality.

    According to eyewitnesses, the incident followed a disagreement after Mugabi’s bodyguards reportedly asked Tenywa to surrender his seat to their boss. Tenywa allegedly refused, leading to a scuffle between him and the armed guards, during which he was shot.

    Tenywa’s relatives say his death has left the family devastated, describing him as the sole breadwinner who supported his younger siblings through income from his furniture business.

    Siraje Isabirye, Tenywa’s brother, described him as a committed businessman whose earnings from his furniture shop helped pay for the education and welfare of the family’s younger members.

    Isabirye said Tenywa’s death had dealt a major blow to the family’s well-being, leaving them without their main source of financial support. He urged police to swiftly identify and arrest those responsible for the shooting, particularly the armed guards who were allegedly involved in the incident.

    “We want justice,” Isabirye said, adding that the family expects police to act quickly because Tenywa was allegedly killed by people attached to an armed security detail.

    Tenywa’s younger sister, Shamim Nabirye, said she learnt about his death through social media and has been devastated by the loss.

    Nabirye described her brother as a peaceful man and a well-known supporter of local boxing tournaments, saying she had never known him to engage in violence during the events he attended.

    She urged police to keep the family informed about the progress of the investigation, saying regular updates would help reassure relatives who are struggling to come to terms with his death.

    Busoga North Police spokesperson Samson Lubega said police are investigating the incident and that Mugabi and his guards had reportedly gone into hiding.

    Lubega said efforts were underway to trace and apprehend them, while urging Tenywa’s relatives to remain patient as investigators pursue the matter. He said the investigation was progressing and that police expected to make a breakthrough in due course.


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  • NIRA has 5.4 million uncollected national IDs — here’s why

    The National Identification and Registration Authority (NIRA) is holding about 5.4 million newly printed national identity cards that have not yet been collected by citizens.

    The backlog was revealed on Monday when NIRA officials appeared before the Committee on Commissions, Statutory Authorities and State Enterprises (COSASE), where they attributed the delays largely to a shortage of permanent staff.

    NIRA Executive Director Rosemary Kisembo told the committee that the authority has printed approximately 15.4 million new national identity cards but has issued only about 10 million.

    She said the authority’s current workforce is too small to handle its growing responsibilities, particularly after the temporary staff recruited to support the mass registration and renewal exercise left.

    “The authority’s existing workforce is insufficient for the scale of its statutory responsibilities,” Kisembo told MPs.

    “The workload vis-à-vis the staffing structure does not match.”

    NIRA has an approved staffing structure of 571 positions, but only 418 are currently filled. Of these, just 201 employees are directly involved in serving clients.

    The staffing gap comes as NIRA’s responsibilities have expanded. Under the Registration of Persons Act, 2015, as amended in 2024, the authority is responsible for maintaining the National Identification Register, registering citizens and lawful non-citizens, and handling birth and death registration.

    The 2024 amendments also transferred several civil-registration functions from the Uganda Registration Services Bureau (URSB) to NIRA, including marriage registration.

    Kisembo said NIRA would need about nine months to clear the current backlog of uncollected identity cards if its staff concentrated entirely on distributing them.

    The authority is therefore seeking approval to increase its permanent workforce from 571 to 998 positions. It is also asking for at least 2,700 temporary workers for 18 months to support its growing workload.

    The additional temporary staff would help NIRA complete the renewal of identity cards for about six million people, register an estimated 10.9 million Ugandans who are still outside the national register, process changes in personal details and support birth and death registration.

    NIRA’s staffing challenges were partly exposed during the mass registration and renewal exercise that began on 27 May 2025. The authority recruited between about 9,800 and 12,000 temporary workers at different stages, although the number fluctuated because of staff turnover.

    For the current financial year, NIRA received about Shs15 billion for temporary staffing and recruited between 3,000 and 3,600 workers for three months, paying each approximately Shs40,000 per day.

    However, Kisembo warned that the arrangement would provide only temporary relief.

    “At the end of three months, we shall go back to the point of 418 staff, of which 201 are client-facing,” she said.

    Some COSASE members, however, questioned whether the delays could be blamed entirely on the shortage of staff.

    George Musisi, the committee’s Deputy Chairperson and Kira Municipality MP, said inefficiency, staff motivation and internal service standards could also be contributing to the poor service.

    “It is not just about the numbers of the staff… just picking a card, not registration, picking a card is problematic,” Musisi said, recounting his own experience at a NIRA office.

    Committee Chairperson Muwada Nkunyingi also raised complaints from citizens whose newly issued identity cards had not been activated or linked to other government systems.

    Bungokho County South MP Geofrey Wokuri highlighted the impact of the delays on young people applying for driving permits. He said some applicants risk losing money paid for driving training while waiting for their identification details to become operational.

    NIRA told the committee that the driving-permit system is still being integrated with the new identification platform but that an interim solution is in place.

    The authority is also dealing with the challenge of transferring marriage records from URSB.

    NIRA inherited about 1.2 million physical marriage records stored in approximately 302 archival boxes that had previously been kept off-site under a URSB contract.

    Officials said NIRA has since procured and migrated a system that mirrors the one previously used by URSB.

    “The system is the same. It was just moved from… URSB because now URSB doesn’t have a marriage function,” the officials told the committee.

    NIRA is now responsible for registering civil, church, customary, Hindu and Muslim marriages.

    The backlog of identity cards is part of a wider registration challenge. NIRA estimates that about 10.9 million Ugandans are still not registered in the national identification system, while approximately six million people already on the register have yet to renew their identity cards.

  • UWA IMPUNITY! Trigger-Happy Rangers Kill 32-year-old Woman in Ajai Reserve

    UWA IMPUNITY! Trigger-Happy Rangers Kill 32-year-old Woman in Ajai Reserve

    The West Nile regional Police are investigating the fatal shooting of a woman in Ajai Game Reserve over the weekend.

    The victim has been identified as Santina Afakoru 32 years old from Terego District but resident of Loli village Okollo Sub County in Madi Okollo District.

    According to reports, the victim on Saturday at 4:30 pm together with her co-wife Anteza Amviko went to collect firewood inside Ajai Wild Game Reserve.

    As they started collecting the firewood, two Game Rangers, a man and woman armed with guns approached and started chasing them.

    Upon citing them, the women reportedly took off but one of the rangers fired at them and a bullet caught Santina on the back and she collapsed and died on the spot.The deceased’s her co-wife Amviko reportedly  escaped, without noticing she had been shot dead.

    On arrival home, relatives of Santina waited for her to arrive home but in vain and on Sunday, they first moved to Lali UWA detach but were told they had nobody in custody but referred them to Okollo Police.

    The relatives filed a case of disappeared person at Okollo Police who later mounted a search leading to the discovery of the body of Santina inside Ajai Game Reserve on Sunday.

    Josephine Angucia, the Spokesperson for West Nile Police confirmed the incident and said the police at Okollo Station launched a search in the game reserve only to find the body of Santina lying on her face in a pool of blood and covered with a black polythene bag.

    Angucia added that upon checking the body, bullet wounds were found on her back suggesting she was shot at, adding that the body was taken to Nebbi General Hospital for postmortem as inquiries and search for the killers continue.

    A case of murder has been registered under Madi Okollo CRB 148/2026 as investigations continue.

    Efforts to get a comment from officials Uganda Wildlife Authority Lali detach in Ajai Game Reserve failed as known phone contacts were not available.

    Since the introduction of wildlife animals in Ajai game reserve more than two years ago, leaders and other stakeholders in Madi Okollo district have been advocating for continuous sensitization to minimize on human-animal conflicts and harmonious existence between UWA and the locals.


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  • LIKDUL outdances MICO styles to claim historic national title – Sqoop

    LIKDUL outdances MICO styles to claim historic national title – Sqoop

    Abdul Malik, better known as freestyle dancer LIKDUL, has made history as Uganda’s first-ever Red Bull Dance Your Style champion after defeating MICO Styles in a high-energy national final at Motiv, Kampala, over the weekend.

    The victory capped a night that placed Uganda’s dance culture at the centre of the country’s entertainment scene, bringing together dancers, musicians, celebrities, creatives and hundreds of dance enthusiasts.

    But unlike conventional dance competitions, Red Bull Dance Your Style has a different kind of judge — the crowd.

    The competition is built around freestyle, unpredictability and personality, with dancers battling one-on-one across different styles while responding to unexpected music and attempting to convince the audience that they deserve to advance.

    There are no rehearsed routines to fall back on. Every song brings a new challenge, forcing dancers to rely on their musicality, creativity and ability to connect with the audience in real time.

    When the competition reached its decisive stages, LIKDUL had done enough to win over the crowd.

    Four dancers — LIKDUL, MICO Styles, KiiNESIS and PEZZ MUSTAFA — made it to the semi-finals, setting up two intense battles for a place in the championship round.

    LIKDUL and MICO Styles eventually emerged as the final two, turning the last battle into a contest of musicality, creativity, confidence and crowd appeal.

    When the votes were counted, LIKDUL had the edge.

    The victory makes him the first Ugandan to claim the Red Bull Dance Your Style title, earning him more than a national trophy. He will now take Uganda’s dance culture onto an international stage.

    LIKDUL will represent Uganda at the Red Bull Dance Your Style World Final in Zurich, Switzerland, this October, where he will compete against national champions from around the world.

    The opportunity comes at a time when Uganda’s street-dance community continues to grow beyond informal dance spaces and into major entertainment platforms.

    For LIKDUL, however, the challenge now shifts from winning over a Kampala crowd to convincing a global audience.

    The national final also doubled as a celebration of Uganda’s wider creative scene, with performances from Big Trill and Urban Dance Crew, Ava Peace and Thee Boys, MPERE, Paul Selah and Crew, and STKA Boys entertaining the crowd between the dance battles.

    After the competition, Karole Kasita took the stage for the after-party before DJ Vans closed out the night.

    The Kampala final was the culmination of a campaign that had taken the competition to different parts of the city, including activations at Makerere University and MUBS.

    The Kampala qualifier was held at Somewhere Else on August 28, followed by a dance workshop led by Verb on August 29.

    For LIKDUL, the journey now moves beyond Uganda. The first-ever national title has opened the door to a much bigger stage — one where he will be dancing not only for a Ugandan crowd, but alongside some of the world’s best freestyle dancers.

    Don’t want to miss out on any story? For updates on all Sqoop stories, follow this link on Telegram:https://t.me/Sqoop

  • Dread Lazer Brings a Whole New Energy to the Second Turn Up

    Dread Lazer Brings a Whole New Energy to the Second Turn Up

    “The groove is mob lit.” That was the verdict from one reveller as Dread Lazer took over the stage, and judging by the energy in the room, the crowd couldn’t have agreed more.

    The second edition of the Dread Lazer Turn Up brought together party lovers for a night of music, dancing and a showcase of Uganda’s growing creative talent, with Smirnoff adding its signature touch to the experience..

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    Dread Lazer’s performance brought together a team of live instrumentalists, creating a hybrid DJ set that turned the familiar art of mixing music into something much bigger. One minute the crowd was riding along to Hip Hop, the next they were deep into Dancehall, with live instruments adding a completely different feel to songs the audience already knew.

    Every transition brought a new surprise, and the crowd responded with exactly what you’d expect dancing, cheering and trying to keep up with the next beat.

    Joshua Baraka Takes Over

    Just when the energy seemed to have reached its peak, Joshua Baraka stepped onto the stage. The singer performed some of his latest hits to loud cheers from the crowd, giving the night another major highlight. Earlier, City Girl, Linus, Life of the Party and other DJs had already set the pace, keeping the crowd entertained and warmed up for the main performances.

    Away from the stage, Smirnoff kept the party experience going with a vibrant setup and several cocktail stations spread around the venue. The colourful Smirnoff experience added to the atmosphere as revellers moved between the dance floor, performances and cocktail stations throughout the night.

    According to Raymond Karama, Smirnoff Brand Manager, the aim was to create an experience that matched the spirit of the brand.

    “Our plan tonight was to release the party spirit and we did exactly that. Smirnoff is a party spirit and wherever we go, we ensure that the party is lit and give our consumers a flavorful experience.”

    By the end of the night, it was clear that the Dread Lazer Turn Up was not just another night out but combination of a hybrid DJ set, live instrumentalists, exciting performances and a crowd ready to party created a different kind of music experience.

  • Pallaso reveals where the ‘real money’ is in concerts – Sqoop

    Pallaso reveals where the ‘real money’ is in concerts – Sqoop

    According to Pallaso, the price of an ordinary ticket tells only part of the financial story behind a concert, with artists able to make significant returns through premium tables, sponsorships and the networks they have built around them.

    The singer explained that money collected from regular ticket sales is often consumed by the cost of putting on the show, including payments to various service providers and statutory obligations such as taxes to the Uganda Revenue Authority (URA).

    As a result, the gate collections should not always be viewed as the artist’s profit.

    Instead, Pallaso believes artists should think beyond the ordinary entrance ticket and take advantage of the people and businesses within their networks.

    He particularly highlighted the sale of premium tables to friends, supporters, business associates and other people connected to the artist.

    “Your social network is your social net-worth. If a table is Shs5 million and I sell about 10 of them, that’s Shs50 million,” Pallaso said.

    His argument offers a different perspective on Uganda’s often heated debate over concert ticket prices, where artists can face criticism when they charge relatively low entrance fees or are accused of undervaluing their shows.

    For Pallaso, however, an affordable gate fee can be a deliberate strategy to bring more people into the venue while premium experiences and commercial partnerships generate higher-value income.

    An artist could, for example, keep the general admission fee accessible to attract a large audience, while reserving premium spaces for guests willing to spend significantly more.

    Sponsorships can then provide another layer of revenue, allowing the artist to build a business model around the entire event rather than depending solely on ticket sales.

    The approach also places greater emphasis on an artist’s personal brand and relationships. An artist with a strong network of supporters and business contacts can potentially turn those relationships into revenue through table sales, partnerships and other premium offerings.

    For Pallaso, therefore, the question should not simply be how much an artist charges at the gate, but how effectively the entire concert is structured to generate income.

    In that model, a Shs20,000 or Shs30,000 ticket can be less about the final profit and more about getting people through the gates—while the bigger returns come from what happens around the ticket.

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  • King Oyo tribute adds emotion to Miss Tourism Uganda finale – Sqoop

    King Oyo tribute adds emotion to Miss Tourism Uganda finale – Sqoop

    The lights were on, the music was playing and Uganda’s beauty and tourism hopefuls had gathered for one of the country’s biggest cultural showcases. But for a few poignant moments, the glamour gave way to remembrance.

    At the Miss Tourism Uganda 2026 grand finale at Serena Hotel Kampala, contestants from the Tooro sub-region joined the other participants in paying tribute to the late Omukama of Tooro, King Oyo Nyimba Kabamba Iguru Rukidi IV.

    The emotional moment stood in contrast to an evening otherwise defined by glamour, music, fashion and fierce competition. For an event built around showcasing Uganda’s cultural identity and tourism potential to the world, the absence of the Tooro monarch was difficult to ignore.

    Once the tribute ended, however, attention returned to the young women who had travelled to Kampala with ambitions of their own.

    And when the final results were announced, it was 20-year-old Filfat Mucureezi from Ankole who emerged as Miss Tourism Uganda 2026.

    Mucureezi, also referred to as Mucureezi Milfat, impressed the judges throughout the competition, with her confidence and composure particularly evident during the question-and-answer segment. Her performance ultimately gave her the edge over the other finalists and secured her the coveted crown.

    Her victory capped a competition that sought to turn Uganda’s geographical and cultural diversity into one of its greatest strengths.

    More than 36 women and eight men participated in this year’s competition, representing 12 tourism clusters: Eastern, Ankole, Tooro, Buganda, Kigezi, West Nile, Teso, Northern Uganda, Rwenzori, Karamoja, Bunyoro and the newly introduced Metro cluster.

    The competition went beyond the traditional beauty-pageant format, positioning the contestants as young ambassadors for the regions they represented. Their presence on one stage offered a showcase of Uganda’s traditions, attractions, languages and distinct cultural identities.

    For Mucureezi, the reward extends beyond the title and the opportunity to promote Uganda’s tourism story.

    She will live rent-free throughout her reign in a fully furnished house at Villa Vellar Estate in Bwebajja along Entebbe Road, giving her a substantial benefit as she begins what is expected to be a busy year of representing the country’s tourism sector.

    The men also took centre stage during the second edition of Man of Tourism International Uganda, where Prosper Auther Makayi emerged as the winner.

    Makayi drew attention during the competition and was later presented with a distinctive white robe and matching hat designed by The Suit’s Republic, giving the men’s segment its own touch of ceremony and style.

    The grand finale attracted figures from Uganda’s tourism, cultural and entertainment sectors, including State Minister for Tourism Susan Nakawuki Nsambu, as well as representatives from the Uganda Tourism Board, Uganda Wildlife Authority and the Museums and Monuments department.

    Entertainment also formed a major part of the evening, with Jonathan Diva, the Smiles Cultural Troupe and Qwela Band founder Joe Kahirimbanyi adding music and live performances to the cultural showcase.

    But beyond the crowns, performances and pageantry, it was the contrast between mourning and celebration that gave this year’s finale much of its character.

    The tribute to King Oyo offered a reminder that Uganda’s tourism story is inseparable from its cultural institutions and the people who embody them.

    And as Mucureezi walked away with the crown representing Ankole, the evening closed on a broader message: Uganda’s tourism appeal lies not only in its landscapes and wildlife, but also in the many cultures, traditions and identities that continue to define the country.

    Don’t want to miss out on any story? For updates on all Sqoop stories, follow this link on Telegram:https://t.me/Sqoop

  • Old School Vibes Take Over Kampala

    Old School Vibes Take Over Kampala

    Kampala turned back the clock yesterday as music lovers, partygoers and lovers of nostalgia came together for an unforgettable Old School experience.

    From timeless R&B classics to throwback anthems, the event brought together generations through music, fashion and good vibes. Guests stepped out in their finest old-school looks, while the dance floor stayed alive as familiar hits took everyone on a trip down memory lane.

    With Baileys and Tusker Cider powering up the experience, the night was all about celebrating the music and moments that never go out of style.

    Here’s a look at some of the best moments captured from the night.

    The post Old School Vibes Take Over Kampala appeared first on MBU.

  • Dokta Brain reveals deep emotional struggle behind hit song ‘Bikyaganye’

    Dokta Brain reveals deep emotional struggle behind hit song ‘Bikyaganye’

    Singer and songwriter Dokta Brain opened up about the deeply emotional and personal experience behind the recording of his trending song ‘Bikyaganye’, revealing that the lyrics are drawn from the realities of his own life.

    According to Dokta Brain, everything he sings about in the song is based on experiences he encounters in his everyday life, making the track more of a personal testimony than a fictional composition.

    The singer revealed that while writing and composing the song was not particularly difficult, recording it became an emotional battle because some of the verses touched him so deeply that he repeatedly broke down in the studio.

    What was initially expected to be a short recording session eventually stretched to nearly three hours as Dokta Brain had to pause several times, compose himself and regain the strength to continue.

    Everything that I sang about in that song is the pure truth. There was nothing added; I only found it difficult during delivery. What disturbed me the most was recording it, not the creative part.

    During recording, there were moments that touched my heart deeply and I would break down and relax. I spent almost three hours recording it. Though it should have taken me a little time, because of its emotional side, it took me long.

    Dokta Brain further insisted that the song does not exaggerate his experiences, saying the reality behind the lyrics is even bigger than what listeners hear because he deliberately left out some details.

    “There is nothing I lied about. Everything you hear is the bitter truth, though I just left out others.”

    Beyond the success of ‘Bikyaganye’, Dokta Brain is also preparing for his upcoming show dubbed “The Doorkey Experience” scheduled for September 26 at Skyz Hotel, where he promises fans an experience that goes beyond music.

    The singer said the event will take fans back to their childhood, with daytime activities focused on traditional games and having fun without relying on drugs or other harmful substances.

    “Fans should anticipate that we’re going to learn how to play as back then. People have learned to play with things which are not for free, but we should remind them of how to have fun without using drugs and toxic substances. We used to play different kinds of games in our childhood using everyday things. That day will be for playing and the night will be for music alone.”

    The post Dokta Brain reveals deep emotional struggle behind hit song ‘Bikyaganye’ appeared first on MBU.

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