Category: News

  • DR Congo players gifted cars, land and cash bonuses after securing 2026 World Cup spot

    DR Congo players gifted cars, land and cash bonuses after securing 2026 World Cup spot

    The Democratic Republic of Congo national football team returned home to a hero’s welcome after sealing qualification for the 2026 FIFA World Cup—and were rewarded in a big way.

    In Kinshasa, thousands of fans lined the streets to celebrate the team’s historic achievement of ending a 52-year absence from the world’s biggest football stage. But the biggest moment came later at the People’s Palace, where President Félix Tshisekedi hosted the squad.

    During the ceremony, each player and member of the technical staff received a brand-new Jeep. The president also pledged additional rewards, including plots of land and substantial cash bonuses, in recognition of the team’s achievement.

    DR Congo secured their World Cup spot with a narrow 1–0 victory over Jamaica in the intercontinental playoff, thanks to a decisive goal from Axel Tuanzebe.

    Under former Uganda Cranes Head Coach Sébastien Desabre, the Leopards now turn their focus to the tournament, where they have been drawn in a challenging Group K alongside Portugal, Uzbekistan, and Colombia.

  • Iryn Namubiru Warns Artistes: Do Not Join Music for Money

    Iryn Namubiru Warns Artistes: Do Not Join Music for Money

    Ugandan music icon Iryn Namubiru has warned upcoming artistes against chasing quick fame and money, speaking candidly about the realities of the music industry.

    The multi-award-winning singer, born Irene Gladys Namubiru, launched her career in 1995 and still commands respect as one of Uganda’s most established voices.

    During an interview on KFM, she reflected on her journey, describing a path shaped by both highs and lows, lessons that now guide how she views success.

    With that experience, she urged young artistes to think beyond money, stressing that chasing quick rewards often leads to frustration.

    Do not go in it for money because you will be frustrated, and that is why you see so many artistes go into depression and start abusing drugs because they thought the moment they step in they will become stars, they will buy big cars, but it does not work that way.

    Building on that point, she highlighted the patience the industry demands, warning that early success can create a false sense of arrival.

    There is a lot of work behind that before you start earning. You can earn in the beginning because you did a song that went viral and you earn here and there, you amass some little wealth and think you have made it, but you have to remember that it can end anytime.

    That reality, she noted, often catches artistes off guard, especially when they fail to prepare for slow periods.

    Some artistes do not expect it, they do not even prepare for it until it hits them. And even those who do not get at all think it is horrible, they thought they were going to get rich.

    In the end, she placed emphasis on passion, urging artistes to stay grounded and build stability beyond music.

    First have the passion and the money can follow, and do not only rely on the music to live and survive.

    Her message delivers a clear reality check for anyone looking to break into the industry.

  • DP Boss Mao Heads to NRM’s Kyankwanzi Retreat as Speakership Race Looms

    DP Boss Mao Heads to NRM’s Kyankwanzi Retreat as Speakership Race Looms

    Kampala – Democratic Party (DP) President and Minister for Justice and Constitutional Affairs, Norbert Mao, has confirmed he will attend the ruling National Resistance Movement (NRM) Parliamentary Caucus Leaders’ Retreat at the National Leadership Institute (NALI) in Kyankwanzi District.

    The seven-day retreat, scheduled from April 7 to 15, is a key fixture on the NRM political calendar, bringing together ruling party legislators for ideological orientation and strategic planning.

    In a post on X (formerly Twitter), Mao wrote:
    “I confirm that I’ll be participating in the Leaders’ Retreat for the NRM Parliamentary Caucuses from 7th – 15th April, 2026 at the National Leadership Institute (NALI), Kyankwanzi District. I thank our sister party @NRMOnline for the kind invitation. #TUKOPAMOJA.”

    His confirmation comes on the eve of the retreat, traditionally viewed as an NRM-only gathering. President Yoweri Museveni is expected to address participants.

    Why This Matters: Strategy or Political Co-option?

    Mao’s attendance carries significant political implications in the context of Uganda’s post-2026 elections. The NRM enters the 12th Parliament with a commanding majority, while opposition parties — including the National Unity Platform (NUP) and a weakened DP — hold reduced influence.

    Mao, who won the Laroo-Pece Division parliamentary seat in Gulu City, is also serving in Cabinet under the 2022 DP-NRM Memorandum of Understanding (MoU), an arrangement that continues to draw criticism from opposition hardliners who view it as blurring the line between government and opposition.

    NRM Secretary General Richard Todwong recently described Mao as both a Cabinet minister and newly elected MP invited to the retreat, affirming that the MoU “still holds.”

    Speakership Calculations

    The timing of Mao’s attendance is politically sensitive. He has openly expressed interest in contesting for Speaker of the 12th Parliament — a race in which the NRM Central Executive Committee (CEC) has already indicated support for incumbent Speaker Anita Among.

    Despite earlier signals from the ruling party downplaying his chances, Mao’s invitation to the retreat — and potential opportunity to address the caucus — suggests he could be positioning himself to lobby NRM MPs directly.

    Political analysts note that Kyankwanzi retreats have historically been used to consolidate the party line, induct new legislators, and manage internal dissent. Mao’s presence may therefore be strategic — either as a platform to advance his speakership bid or as part of ongoing political rapprochement with the ruling establishment.

    Mixed Reactions, Deepening Opposition Dilemma

    Reaction to Mao’s decision has been sharply divided.

    Supporters argue that his participation reflects political maturity and a commitment to dialogue in a polarized environment. Critics, however, accuse him of eroding the DP’s independence, with some branding the party a “junior partner” to the NRM.

    Within opposition circles, concerns are growing that such engagements — alongside reports of possible participation by some NUP legislators in similar forums — could weaken parliamentary oversight and dilute the role of opposition politics.

    Broader Implications

    In a Parliament already dominated by the NRM, Mao’s high-profile engagement at an internal ruling party retreat risks reinforcing perceptions of political co-option rather than constructive engagement.

    For the DP — historically a strong opposition voice in central Uganda — the optics are particularly significant, raising questions about its ideological identity and future positioning.

    As the 12th Parliament prepares to convene, attention will turn to Kyankwanzi: whether Mao uses the platform to assert reformist positions, or whether the retreat ultimately underscores the NRM’s firm grip on Uganda’s political landscape.

    Watchdog Uganda will continue to follow developments from Kyankwanzi.

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  • Kampala turns up for Don Julio’s Spinny & Friends BBQ Easter Sunday Edition

    Kampala turns up for Don Julio’s Spinny & Friends BBQ Easter Sunday Edition

    Do you know how to ‘Zep’ — or can you explain?

    That playful question set the tone for an Easter Sunday that felt anything but ordinary, as Spinny & Friends BBQ transformed Mezo Noir into one of Kampala’s most exciting Easter Sunday destinations this year.

    But before that question was even asked, something quieter was already underway. Earlier in the day, UBL reserve mixologists drew groups of guests into an intimate session; part education, part initiation. They navigated the nuances of tequila culture with the ease of people who genuinely love tequila; the craft behind each expression, and the reasons why Don Julio is a luxury tequila. Guests listened, asked questions, swirled their glasses, and leaned in. It was the kind of beginning that tells you everything about how the rest of the day is going to go.

    What began as a relaxed afternoon quickly unfolded into a carefully curated convergence of music, culture, and connection that drew the city’s tastemakers into a shared rhythm that lingered beyond the final set.

    The gathering leaned into a growing appetite for intentional, yet thrilling daytime experiences. Guests moved effortlessly between curated BBQ stations, signature tequila serves, and bouts of conversation, all underscored by an evolving Afro House soundtrack that defined the mood of the day. The experience, brought together by the world’s first luxury tequila- Don Julio, Fenon Entertainment, and Spinny Events, carried a sense of ease and a clear attention to detail.

    That attention was most evident in the music. DJ Spinny, born Joseph Kaliisa, led the charge, partnering with DJ Dash in a back-to-back set that gradually built from sunlit grooves into high-energy moments. They were joined by Kenya’s DJ Kasey, Kwesta 43, and DJ Anselm, each layering their own sound into a seamless Afro House journey that kept the crowd fully immersed.

    At the bar, that same attention to detail was playing out in different ways. At one point, a curious reveler paused and turned to Joram- a UBL Reserve Mixologist, with a question that seemed to have nagged them for a while; “Why are the cocktails made with Blanco being shaken, while for the 1942, you just added the cranberry juice?”

    Joram responded; “Blanco is built for cocktails. It’s expressive and easy to taste within a cocktail. It plays well with other ingredients, and shaking it opens everything up.”

    He further explained; “For 1942, we create a perfect serve because of its smoothness and how it is aged.”

    Behind the scenes, the experience carried a quiet but deliberate signature. From the pacing of the afternoon to the elevated social touches that encouraged guests to linger and connect, Don Julio was present as part of the experience’s DNA, shaping moments in a way that felt natural.

    Judie Nandekya, Senior Brand Manager, Tequila and Rum East Africa, described the partnership with Dj Spinny as ‘a natural relationship.’

    “As Don Julio, we are intentional about the people and spaces we partner with. Our partnership with Di Spinny is a natural one!  So being a part of Spinny & Friends BBQ was such an easy task. This event reflects a kind of experience that brings people together naturally through music, good vibes, food, and shared moments. It’s exciting to see how these experiences are evolving within Uganda’s creative scene.”

    The Easter edition also builds on a strong foundation of Spinny. Last year, Spinny @10, held at Mestil Hotel, emerged as the biggest DJ event ever witnessed in Uganda.

    Spinny & Friends has since steadily evolved into a platform that prioritizes connection as much as entertainment; a direction that the Easter Sunday daytime format made even more apparent.

    For DJ Spinny, the vision remains rooted in that balance; “Spinny & Friends has always been about bringing people together in a way that feels real; through good music, energy, and the right atmosphere. Today’s BBQ experience is a build-up for another exciting Spinny & Friends edition this December. That’s the one to watch out for, and I hope to see you there,” he said.

    As the music wound down and the crowd thinned into the night, the question that opened the day took on a clearer meaning. It wasn’t just about knowing how to ‘Zep,’ but understanding the feeling: a shared energy, an unspoken connection, and a way of experiencing Kampala that felt both effortless and elevated.

  • DJ Spinny unveiled as Don Julio 1942 Brand Ambassador

    DJ Spinny unveiled as Don Julio 1942 Brand Ambassador

    When the beat drops and the tequila pours, something extraordinary happens. Easter Sunday in Kampala proved exactly that.

    The air at Mezo Noir Lounge in Kololo carried the unmistakable energy of a moment worth remembering. Glasses clinked, anticipation built, and Joseph Kalisa aka DJ Spinny, one of Uganda’s magnetic forces behind the decks, had been chosen as the other brand influencer for Don Julio 1942, the crown jewel of the global luxury tequila brand.

    It was a pairing that felt inevitable. Don Julio tequila has long understood that truly elevated experiences are felt. They live in the atmosphere, in the rhythm of a room, in the hands of someone who knows how to move a crowd. That philosophy is why the brand has built a global tradition of partnering with DJs and cultural tastemakers- artists who don’t just play music, but curate entire worlds of feeling. DJ Spinny, with his ability to transform any space into an experience, is the embodiment of that vision in Uganda.

    The evening began with education. A deliberate and elegant touch. Guests were guided through an intimate mentorship and tasting session, receiving a crash course in tequila appreciation. The rituals, the heritage, the story of a brand born in the highlands of Jalisco, Mexico. From the crisp, fresh vibrance of Don Julio Blanco, to the refined, layered sophistication of 1942, each expression was explored with intention.

    Judie Nandekya, the Senior Brand Manager for Tequila and Rum- East Africa, welcomed DJ Spinny to the Don Julio family with warm conviction. “DJ Spinny embodies the elegance and sophistication of Don Julio 1942,” she said. “We believe he will bring Don Julio to life in ways that inspire, entertain, and redefine premium experiences in Uganda.”

    Nandekya made clear that passion was the deciding factor; “We chose DJ Spinny because of his genuine love and passion for the brand, as well as his natural alignment with its values of craftsmanship, boldness, and excellence.”

    For his part, DJ Spinny stepped into the role with characteristic energy. “I’m excited and grateful to Don Julio for trusting me to be a part of a global movement,” he said. “Together, we’re going to create vibes, magic, and many more premium but ecstatic experiences done right.”

    The evening closed with the contract signing and a toast. A fitting seal on what promises to be a chapter worth watching.

    At the heart of it all is a brand with roots as deep as the blue agave itself. Founded in 1942 by Don Julio González in the highlands of Jalisco, Don Julio redefined what tequila could be,prioritising quality over quantity, planting agave further apart to allow full maturity before harvest, and refusing to cut corners in pursuit of mass production. That legacy of painstaking craft lives on in every bottle, from the smooth accessibility of Reposado to the complex depth of Añejo.

    In Uganda, that legacy now has a new addition to Sheila Gashumba aka Lil Stunner and DJ Dash’s voices; that is DJ Spinny, who knows exactly how to set the room on fire.

  • I paid my own dowry and failed to have a child – Ugandan comedienne Anne Kansiime reveals  (WATCH)

    I paid my own dowry and failed to have a child – Ugandan comedienne Anne Kansiime reveals (WATCH)

    Ugandan comedienne Anne Kansiime has shockingly revealed that she paid her own dowry because she was under pressure to impress her parents.

    They overasked for it, and I paid it myself.

    In a vivid interview with Wonder Jr, Kansiime revealed that she has never been anyone’s wife because her supposed husband didn’t pay the dowry that her parents asked for.

    Kansiime Anne and Skylanta

    It should be remembered that Anne Kansiime was married to Gerald Ojok for four years before the relationship ended in divorce around 2017.

    She then fell in love again with a fellow artist, Skylanta, in 2018, with whom she had a child.

    In the interview, she reveals that in the marriage, she had to pay her own dowry because the husband didn’t pay it when the parents asked for it, and she lived a lie until she failed to give birth while with the same man.

    She believes it was God’s way of communicating to her.

    I have never become a wife. I accused myself so much, paid my own dowry, and convinced the whole world and the man himself that we were married. If you come to my home and they tell you what dowry to pay and you don’t pay it, am I your wife?

    I introduced him to my parents, who accepted him and asked him to bring dowry, which he didn’t bring. They overasked for it, and I paid it myself. When I paid, he forgot about it, I forgot about it, and we moved on with life.

    It was later, when I was 30, that I was trying to have a child, that I wondered why God wasn’t letting me get pregnant. That makes you think deeper. The God who has given me all these wonderful things without asking is the same god that refused to give me a child?

    I wanted to be like my parents; I didn’t want to be the person who gets busy with so many people, so when I met him, I really wanted to make it work. I really wanted a child so badly.

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  • NESTOR BASEMERA, PhD: Climate Justice for Women and Girls: An Approach to Equity for Climate Action

    NESTOR BASEMERA, PhD: Climate Justice for Women and Girls: An Approach to Equity for Climate Action

    Climate change has emerged as a significant global challenge in recent times, affecting various sectors of communities in different ways. The impact of climate change on vulnerable populations has worsened existing inequalities and created new challenges for those already marginalized, such as women, girls, children, and persons with disabilities. According to The World Bank (2025), the Intergovernmental Panel on Climate Change (IPCC) highlights that climate-related disasters like droughts, floods, and extreme temperatures are more likely to impact low-income communities, women, and children, especially in developing countries. Among these vulnerable citizens, the vulnerability of the girl child is intensified by socio-economic, cultural, and gender-based factors.

    In Uganda, the National Climate Change Adaptation Strategy (NCCAS) recognizes the differential impacts of climate change on women and girls. It acknowledges their increased vulnerability to climate-related health issues, economic instability, and social disruption (UN Women, 2025). However, the gendered impacts of climate change are evident in how climate-related challenges exacerbate pre-existing gender inequalities. For example, a study by Ayub et al,. (2023) found that as men migrate to other places for survival, women are left at home with the burden of feeding families, increasing women’s vulnerability amidst climate change. The unique challenges faced by girls and women, especially in rural areas, due to socio-economic impacts, warrant the consideration of protective provisions.

    Women fetching water from a borehole

    Another example is the recent displacement of communities after rivers Nyamwamba in Kasese and Masibwe in Bunyangabu district burst their banks, leading to floods, resulting in a lack of water or its scarcity. Besides inadequate fuel sources such as firewood, charcoal, or gas hindering a girl’s access to health and education, leading to a higher incidence of poverty within this demographic. Additionally, cultural practices like early or forced marriage in the Konjo community further compound these challenges. Similarly, waiting at water points such as boreholes exposes girls and women to vulnerabilities like conflict, violence, and health risks. Scarcity of water can lead to disputes among women and girls over its distribution. The psychosocial stress of providing for their families with limited resources can negatively impact the well-being of girls and women, causing anxiety and stress. Additionally, traveling long distances to access water points increases the risk of gender-based violence and physical health issues like back and leg pain.

    Similarly, climate change also impacts maternal and neonatal health, especially when disasters and conflicts limit access to services and healthcare. Balume’s (2025) study indicates that extreme heat increases the incidence of stillbirth, and warming global temperatures are helping to spread vector-borne illnesses such as malaria, dengue fever, and the Zika virus.

    In this regard, mainstreaming gender into climate change is crucial and requires a holistic approach. This would involve promoting education and empowerment programs for women and girls, ensuring their voices are heard in decision-making processes. Secondly, recognizing and promoting women’s active leadership and participation in climate decision-making and governance at all levels, including the justice sector, is essential. Lastly, empowering climate-vulnerable women and girls to realize their environmental rights, as well as mobilizing global multi-stakeholder coalitions to accelerate feminist action for climate justice and climate migration, is of critical importance.

    Basemera Nestor, PhD
    Email: basemeranestor3gmail.com

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  • WHO IS SIMON SSENKAAYI? Soft-Spoken Ugandan Motivator Transforming Lives Through Words

    Kampala — In a world where many speak but few truly connect, Simon Ssenkaayi has built a reputation around one rare gift — the ability to touch lives, shift mindsets, and ignite purpose using nothing but words.

    For over a decade, Ssenkaayi has quietly but steadily carved out his space as one of Uganda’s most impactful motivational speakers, blending spirituality, lived experience, and cultural identity to inspire thousands across the country and beyond.

    A CALLING, NOT A CAREER

    Unlike many who stumble into public speaking, Ssenkaayi describes his journey as a calling.

    From as early as 2005 while still in high school, he discovered his voice — not just as a tool for communication, but as a force for transformation. Today, that voice has become his life’s work.

    “I love it when I touch someone’s spirit and bring back their smile and hope,” Ssenkaayi says.

    For him, inspiration goes beyond motivation. While motivation may be temporary, he believes true inspiration can spark lasting change — sometimes from a single message.

    POWER OF LANGUAGE AND IDENTITY

    A unique pillar of Ssenkaayi’s approach is his emphasis on speaking in his mother tongue, alongside English.

    He argues that while knowledge can be accessed in any language, true understanding is deeply rooted in one’s native expression — a philosophy that has made his message resonate deeply with local audiences.

    He is also the author of “Amanyi g’Obuntu” (The Power of Self), a book centered on self-discovery and inner strength.

    ROOTS, EDUCATION, AND FORMATION

    Born in November 1985 to Medius Busingye and Ssalongo Kamya Stephen Kiwanuka of Sseguku, Wakiso District, Ssenkaayi’s upbringing played a critical role in shaping his worldview.

    His father instilled a love for reading and resilience, while his mother embodied hard work and persistence — values that continue to define his message today.

    He studied at Sseguku Primary School, Hill College, Kisubi Brothers, and later earned a Degree in Education (Economics) and an MBA in Marketing and Strategy from Uganda Martyrs University. He has also undertaken advanced training in Turkey and Dubai.

    FROM STRUGGLE TO PURPOSE

    Ssenkaayi’s story is not without hardship.

    He speaks openly about growing up without his mother and facing criticism and negativity — experiences that now form the backbone of his teachings.

    “My life experiences are my message,” he says. “What I share comes from what I’ve lived, researched, and observed.”

    His breakthrough came shortly after Senior Six in 2004, when a German foundation (DSW-Bonita) identified his talent and trained him as a peer educator — a moment he credits for reinforcing his belief in himself.

    PROFESSIONAL JOURNEY AND IMPACT

    Over the years, Ssenkaayi has worked with several organisations including Save the Children Uganda, Young Empowered and Health, and Buganda Kingdom institutions. He currently serves within the office of the Royal Treasury (Nkuluze).

    He has also featured in media spaces, including sharing business insights on CBS FM and hosting the popular program “Manya Ky’oli, Manya Omulimu Gwo” every Saturday.

    His reach spans schools, institutions, and international platforms, where he continues to mentor young people and professionals alike.

    A CRITIC OF THE EDUCATION SYSTEM

    Ssenkaayi does not shy away from confronting Uganda’s education system, which he believes is failing to help young people discover their true potential.

    “It judges a fish by its ability to climb a tree,” he says.

    According to him, schools focus heavily on knowledge acquisition but neglect understanding and self-discovery — a gap he links to rising unemployment among graduates.

    THE MESSAGE: PURPOSE OVER PAPER

    At the heart of his philosophy is a simple but powerful idea: purpose matters more than credentials.

    While acknowledging the value of formal education, Ssenkaayi insists that talent and self-awareness are far more critical in shaping a meaningful life.

    “Many people value degrees more than gifts,” he notes. “Yet talent, when refined, creates real value in society.”

    THE INNER MAN

    Despite his public persona, Ssenkaayi describes himself as naturally introverted.

    He prefers solitude, reflection, and quiet environments — spaces where he reads, writes, and reconnects with his inner self before stepping onto the stage.

    It is this balance between introspection and expression that gives his message depth and authenticity.

    THE BIGGER BATTLE: MINDSET

    Perhaps his biggest challenge, he admits, is not lack of opportunity — but mindset.

    “There is a black mindset we must fight,” he says. “People focus more on the messenger than the message, and in the process, miss opportunities.”

    From cultural biases around education to self-doubt among youth, Ssenkaayi believes Africa’s greatest barrier is mental — and that is the war he has dedicated his life to fight.

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  • Azawi apologizes to Joshua Baraka’s fans, says she was set up (VIDEO)

    Azawi apologizes to Joshua Baraka’s fans, says she was set up (VIDEO)

    While <a href="http://<blockquote class="tiktok-embed" cite="https://www.tiktok.com/@victoryo256/video/7621676998351424789" data-video-id="7621676998351424789" style="max-width: 605px;min-width: 325px;" > <section> <a target="_blank" title="@victoryo256" href="https://www.tiktok.com/@victoryo256?refer=embed">@victoryo256</a> <a title="azawi" target="_blank" href="https://www.tiktok.com/tag/azawi?refer=embed">#Azawi</a> <a target="_blank" title="♬ original sound – VicTOR YO" href="https://www.tiktok.com/music/original-sound-7621677112856562450?refer=embed">♬ original sound – VicTOR YO</a> </section> </blockquote> <script async src="https://www.tiktok.com/embed.js">appearing on Galaxy TV’s Rewind show, Azawi is heard saying that she would pull a bigger crowd than Joshua Baraka in places outside Kampala because her music appeals better to the local market.

    The Swangz Avenue star further said that she has some strengths ahead of Baraka, highlighting how his power is only on the international scene, before asking to be appreciated.

    Azawi then said that, like every other artist, the most defining moment for Baraka is when all the hype finally settles down, and it is yet to arrive, and how he comes out of it will determine his might.

    Her comments were met with criticism from netizens who accused her of looking down on a star who is currently representing the nation on the big stages.

    Azawi Apologizes

    The African Music star has now apologized for her comments, noting that she was set up by the media house with a clipped clip to drive a narrative for controversy.

    She maintained that there is no bad blood with Joshua Baraka, and she is still a big fan of his and believes he is doing great for Ugandan music.

    I was set up by a certain media house, but fans who really know me didn’t fall for that trap. I’ve known him (Joshua Baraka) before he even became a big superstar, and he’s my brother. He’s a huge fan of mine, and I, a huge fan of his. We’re both doing great in our own way. He is doing amazing, and I am so proud of him.

    I request him and his fans to understand that the media houses always come up with such tricks because they thrive on controversy. They set me up for that trap, and of course, my personality looked a certain way, but I didn’t intend it. That conversation started somewhere to arrive at that point, but they got that specific clip and put a more taming caption to make it look weird.

    People have to know that there is no bad blood.

    @pathwaymedia Ba fans mukakane!! #creatorsearchinsights #fypシ゚ #fyppppppppppppppppppppppp #foryoupage❤️❤️ #foryou @Azawi @Joshua Baraka ♬ original sound – P A T H W A Y M E D I A

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  • Elijah Kitaka says copyright education in Uganda is long overdue

    Elijah Kitaka says copyright education in Uganda is long overdue

    Elijah Kitaka believes the copyright discussions being held now should have been had several years ago, and has little faith in the copyright bill being effective for Ugandan artists.

    The discussions that reached a massive milestone a few weeks ago, with the passing of the copyright amendment bill in parliament, have faced criticism from the public, but also the amongst artists themselves.

    Questions concerning understanding copyright, its implementation, the leadership at the Uganda National Musicians Federation, and its mode of operations have arisen the most.

    Elijah Kitaka, a Swangz Avenue artist, does not differ from members of the public who believe that matters of copyright have been gatekept, with little sensitisation and education amongst the music stakeholders.

    While on a TikTok live show with Bruno K, Kitaka noted that he also believes it is a little too late to be having such conversations because the world has already moved on from this stage, and hence, it may not be as effective as people think it will be.

    I know people wonder why I am never actively involved in those artists’ engagements, but the fact is, we are still 1500 years backward. Whatever we are fighting for right now will never work. I speak as an artist trying to penetrate the international market, not as a hater of the industry.

    Artists don’t even understand what copyright is. We have not held a single class about copyright, but we are always discussing when the money is coming. Every time people meet, they discuss nothing. They never hold workshops.

    @ck.media256 ##ekiboozi #fyppppppppppppppppppppppp #goviral #foryoupage @Elijah Kitaka ♬ original sound – CkⓂ️edia📸

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