At his Lubowa residence, Norbert Mao hosted more than just a celebratory dinner. It was a glimpse into the future of how Uganda intends to protect and pay its creatives.
Fresh off Parliament’s historic passing of the Copyright and Neighboring Rights (Amendment) Bill on March 17–18, the mood was a mix of relief, excitement, and cautious optimism.
Artists from across the industry, often divided by politics but united by passion, gathered under one roof. Names like Eddy Kenzo, Cindy Sanyu, Ykee Benda, Ziza Bafana, and Nina Roz reflected an industry eager for change.
But beyond the food and conversation, Mao’s message was clear: this law will not live on paper. It will live in technology.
In a move that signals a shift toward digital enforcement, Mao revealed that government plans hinge on installing music-monitoring systems directly linked to the Uganda Communications Commission. These systems will track music usage in real time across bars, clubs, and other entertainment spaces.
In practical terms, every hangout spot playing music may soon be required to install a “copyright chip.” Without it, securing or renewing a trading license could become impossible.
For years, artists have complained about their work being played endlessly in public spaces without compensation. This new system aims to close that gap, ensuring that every beat, lyric, and performance translates into measurable earnings.
To enforce compliance, Mao pointed to a coordinated effort between the Uganda Registration Services Bureau and the police, who will carry out inspections to ensure the systems are functional and untampered with.
Mao’s tone struck a balance between firm and reassuring. He called on business owners to embrace the changes, framing the system not as punishment but as a pathway to fairness in an industry that has long operated without one.
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