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Early morning, my alarm blares. Oops! It’s yet another day of scraping by on a shoestring budget. Living on your own terms has its allure: no curfews, no rules, and the freedom to indulge in the weirdest food combinations imaginable. But more often than not, it’s katogo and cabbage on the menu, rather than the chicken I dream of, and that’s on a lucky day. With nothing for breakfast, I get dressed in a jiffy and rush to class, hoping to make it through another day. By the way, government students are the best timekeepers you’ll ever meet. We always know the exact date and day of the week, down to the minute. You’d think we were auditioning for a calendar commercial. And why? Because of that mythical thing called a “living out allowance”, the puppet master of every government student’s life.

It’s interesting that university has no break time. Or I would rather say, it is never part of my schedule. Its lunch time! Noodles and spaghetti are staples, yesterday, today and tomorrow. Regardless, I dream big. “Sneakers aren’t enough; I need boots.” “I’m dropping android for iPhone.” Meanwhile, the allowance stares back sceptically, whispering, “Really? Thats your plan?” Undeterred I respond, “Yes, I’m gonna show you fire!” I wouldn’t want to call it the Parousia but waiting for money feels like an endless vigil. patience gives way to prayer, then to calls home, only to be met with stories of borrowed hope. “We’ve been waiting for your allowance, too. Your little brother isn’t well,” they explain. Each day, hope wanes, and borrowing shifts from a dirty word to a lifestyle.

Despite the struggle, I have perfected the art of looking sharp. Clad in well-pressed suits, no one would guess that I am surviving on one meal or none at all. Out of begging and hustling, I managed to start a small business that rarely returns a profit. I’m more of a ‘CEO’ in title than in earnings. Others juggle with part-time jobs, doing whatever it takes just to get by. Dear God, it wasn’t my intention to hide from friends but I have over-leveraged. I have maxed out my tabs at every shop in the neighbourhood. It’s overwhelming. survival is the goal. Out of despondence, with no lifeline in sight, a new dream is born as the pressures of being broke sink deep. The dream of storming the administration, rallying with cries of “We want our money!” Yet somehow, it always stops at the talking stage, the plans of revolution lost in the shuffle of daily life.

And then, randomly, a miracle happens. “You have received…” The message pops up, and the excitement is almost tangible. At that momentous epoch, it feels like you’re floating on air, free from the chains of debt and hunger. But here’s the catch: the money is always a lot, until you actually receive it. No scientist, no mathematician has ever cracked the mystery of how fast that money disappears. In the end, the allowance that was supposed to fund my grand dreams ends up settling debts and buying one or two good meals. It’s amusing how friends on private think we are rich.

“Broke but not broken” has become my personal mantra whenever I ransack my room for coins. with bank accounts on life support, I’ve mastered the art of creative budgeting and professional stress management. I always remember I’m not alone in this madness. whatever it takes, make sure you survive. Surviving this chaos means you’ve already earned the credentials to run this country!

Female voices have increasingly reshaped Uganda’s music industry, commanding stages, building powerful brands and inspiring millions. Beyond entertainment, women in music have influenced social attitudes, transformed culture and elevated the status of women in the public sphere.

While the industry was once largely perceived as a male preserve, female artists have steadily broken barriers and claimed their space. By the 1990s and early 2000s, artists such as Joanita Kawalya, Juliana Kanyomozi and later Iryn Namubiru began challenging long-standing perceptions and proving that women could succeed and thrive in the music business.

Today, the rise of social media, digital recording studios and streaming platforms has opened new opportunities for artists to produce and distribute music independently. Female musicians are increasingly using their platforms not only to entertain but also to address social issues such as women’s empowerment, relationships, education and cultural identity.

According to the Atlas Uganda Music Industry Report 2025, women currently make up about 24.1 percent of Uganda’s music industry, compared to 73.8 percent male artists, while 2.1 percent preferred not to disclose their gender. The report also estimates that the music industry contributes about 0.2 percent to Uganda’s Gross Domestic Product (GDP).

Globally, the International Federation of the Phonographic Industry (IFPI) Global Music Report 2025 indicates that the music industry generated $29.6 billion in trade revenues in 2024, representing a 4.8 percent growth from the previous year.

Subscription streaming remained the major driver of growth, increasing by 9.5 percent, while the number of subscription users rose by 10.6 percent to 752 million globally. Streaming revenues surpassed $20 billion for the first time, reaching $20.4 billion, and accounted for 69 percent of total recorded music revenues worldwide.

Within this growing industry, several Ugandan female artists continue to shape its direction and inspire younger generations.

Sheebah Karungi

Sheebah Karungi, a musician, dancer, actress and entrepreneur, has emerged as one of the most influential female figures in Uganda’s music industry.

The “Ice Cream” hitmaker, who rose from a humble background in Kawempe, has built a successful music career since 2006. Through her music and personal brand, Sheebah has become a symbol of female independence and resilience.

Under Team No Sleep (TNS), she built a powerful brand that challenged male dominance in the entertainment industry and encouraged young women to pursue financial independence.

Her success is reflected in numerous accolades. She has won the HiPipo Music Awards Best Female Artist multiple times between 2015 and 2024, and received the Artist of the Year award in 2017 and 2018.

In 2024, Sheebah was also appointed Vice President of the Uganda National Musicians Federation, deputising musician Eddy Kenzo, the federation’s president.

Spice Diana

Hajara Namukwaya, popularly known as Spice Diana, is among the most recognisable voices of Uganda’s contemporary music scene.

A graduate of Makerere University Business School, where she earned a diploma in industrial art, Spice Diana has built a career defined by energetic performances and consistent hit releases.

The “Sili Regular” hitmaker sings in Luganda, English and Swahili, enabling her to reach audiences beyond Uganda and across East Africa.

Her achievements include the Best Female Breakthrough Artist Award at the HiPipo Music Awards in 2015, Best Female Singer at the Zzina Awards in 2017, and Best Collaboration at the Zzina Awards in 2021.

In 2023, she also won the People’s Choice Best Ugandan Sound Single at the East Africa Arts Entertainment Awards for her hit song “Siri Regular.”

Beyond music, Spice Diana has also gained recognition for her philanthropic activities, supporting vulnerable communities and positioning herself as both an entertainer and role model.

Juliana Kanyomozi

Juliana Kanyomozi remains one of Uganda’s most respected female artists and has played a significant role in shaping female artistry in the country since the early 2000s.

The award-winning singer and actress has received numerous accolades throughout her career. In 2008, she became the first female artist to win Artist of the Year at the Pearl of Africa Music Awards.

She has also won the Diva Awards Lifetime Achievement Award, HiPipo Music Awards Best Female Artist, Uganda Entertainment Awards Best Female Artist, and the Zzina Awards Legend of the Year, among others.

Her work has earned nominations at major continental awards including the MTV Africa Music Awards, Kora Awards, Channel O Music Video Awards, and the Nigeria Entertainment Awards.

Beyond her music career, Kanyomozi has been actively involved in charitable causes supporting orphans, widows and people living with HIV/AIDS, demonstrating how artists can use their influence for social good.

Azawi

Priscilla Zawedde, known professionally as Azawi, represents a new generation of Ugandan artists redefining the country’s contemporary sound. A singer-songwriter and dancer, Azawi transitioned from dance to songwriting before eventually launching a successful recording career. Her music blends Afrobeats with Ugandan influences, while her storytelling often reflects social realities and personal experiences.

Azawi has received several accolades, including Female Artist of the Year, Outstanding Album of the Year – African Music, and Outstanding Afrobeat/Pop Artist at the Buzz Teeniez Awards 2021, as well as Artist of the Year and Teens’ Female Artist of the Year at other youth-focused awards.

Her achievements have strengthened the perception that Ugandan female artists can compete and succeed on the global stage.

Joanita Kawalya

Joanita Kawalya, a founding member of the legendary Afrigo Band, remains one of Uganda’s most respected female vocalists.

She was among the first mainstream female band vocalists in Uganda and helped pave the way for women in live band music.

Kawalya continues to maintain musical excellence, blending traditional Ugandan sounds with contemporary Afro-jazz while adapting to the digital era.

Beyond performing, she has mentored many young female artists and contributed significantly to preserving Uganda’s musical heritage.

From Music to Politics

Some female artists have also ventured beyond entertainment into the political arena, using their popularity to advocate for social change.

Nina Roz

Nina Kankunda, popularly known as Nina Roz, is a recording artist, fashion enthusiast and model known for her Afro-dancehall and Afro-pop music. In the 2026 general elections, she contested for the Sembabule District Woman Member of Parliament seat, though she did not win. Despite the setback, Nina Roz continues to advocate for women’s rights, particularly in areas such as education, health and economic empowerment.

Prossy Nabbosa Mukisa

Actress Prossy Nabbosa Mukisa also ventured into politics after establishing herself in Uganda’s film industry. Known for films such as “Mr Right”, Nabbosa gained national recognition, while her film “Baguma” won Outstanding Film of the Year in 2021.

She later contested for the Mityana District Woman MP seat on the National Unity Platform (NUP) ticket, campaigning on a platform of empowering women and youth.

Although unsuccessful, her journey from a humble background to film and later politics continues to inspire many women to pursue leadership roles.

As Uganda celebrates International Women’s Day, the achievements of these women highlight the growing influence of female artists in shaping culture and public discourse.

From commanding concert stages to advocating for social change, women in music are proving that cultural influence is a powerful force — one capable of transforming industries and inspiring future generations.

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Ugandan singer Jowy Landa has set tongues wagging after making a bold confession about artists and their managers.

Speaking during an interview on a local television station, the singer said she would not have a problem being romantically involved with her manager — as long as both parties agree.

Her comments come at a time when rumors about artists dating their managers continue to circulate in the entertainment industry.

“I don’t have any problem bonking with my manager as long as we have an agreement. I understand it is not the right thing to do but as mature people, we can always find a way,” Jowy Landa said.

The singer, who is currently signed under Smile Music, however made it clear that she is not currently involved with her manager.

According to her, the statement was simply her personal view on relationships between adults who understand each other.

Despite the clarification, her remarks have already stirred debate among fans — with some supporting her honesty while others question whether mixing business with romance is ever a good idea.

Fast-rising Ugandan star Ava Peace has finally responded to fans who have been demanding her first major concert.

After dominating the airwaves for more than two years with back-to-back hits, the singer has revealed that plans for a concert this year are officially underway.

But there’s one small twist — she’s still looking for the right promoter.

Speaking in an interview with a local television station, Ava Peace explained that she had previously felt the timing wasn’t right. However, after consulting with people around her, she now believes the moment has come.

“I have been thinking it’s not the right time, but after different consultations, I am ready to go for it. If there is any promoter out there who is ready, I am ready as well,” she said.

The singer added that fans’ constant requests for a live concert have played a big role in pushing her to finally consider the move.

However, some key details are still missing.

Ava Peace revealed that a suitable venue for the show has not yet been secured, meaning discussions are still ongoing before the official announcement is made.

Former Firebase blogger Ashburg Katto has publicly appealed to opposition leader Bobi Wine for financial assistance, admitting he is currently struggling to make ends meet.

Ashburg Katto was once a key online mobilizer within the Firebase Crew, helping to build Bobi Wine’s brand on social media during the early days of his music and political rise.

However, his relationship with the camp became strained when he later shifted allegiance and joined the ruling National Resistance Movement, which is led by Yoweri Museveni.

According to Katto, his stay within the NRM did not last long, and after falling out of favor he gradually lost his online influence and opportunities.

Now, the once-outspoken blogger says life has become difficult and he is asking his former boss to forgive him and offer support.

“I am broke and not doing well at the moment. I ask for help from you Bobi Wine. I might have disappointed you, but forgive me and forget that. I need help from you,” Katto said during an interview with a local YouTuber.

His emotional appeal has sparked debate online, with some sympathizing with his situation while others say he must face the consequences of his political decisions.

This is the year about Hyena, no questions about it. The whopper just seems to be growing bigger and longer. Even Yasmine who has been feeding on it for the longest time is complaining. Luck befell me last week as I was able to screw Martha who had denied me her honey pot for years.

Of course you don’t know her!…. she is this babe who is perusing a medical course at Makerere University to become a doctor. She looks like a copycat of Spice Diana. For almost 3 years now, she has been buying her cosmetics from my Kasubi shop.

I even begged her to let me surf her Kandahar but she turned me down claiming to be having a bonkmate who cares and loves her so much. “But we can be friends,” Martha said hugging me. On Monday at around 3pm, I went to screw some ka girl called Irene only to find some other guy already ‘doing’ her.

So I passed by Martha’s place to say hi only to find her holding the biggest bottle of Uganda Waragi (Rusinzi) I have ever seen as she cried like she had just buried her loving mum. She didn’t even say hello to me. When I entered I asked her friend, “Who has died?” she told me that her guy had broken up with her and she is frustrated to the extent of gulping Waragi like she wants to commit suicide. “Is that something to cry over?”

I wondered and that was when Martha joined in. “Do you know that I have been treating that fool like a king?” Martha asked to which I replied that he will get back to his senses. “He will come back. Kneel before you and say sorry,” I consoled her although I was feeling like she should get over him.

Little did I expect what my ears received?

Martha told me that her guy told her that her Kandahar was becoming big and overstretched.

I felt like blowing up on hearing it yet she went on and lifted her light yellow skirt and asked me, “Is this Kandahar big Mr. Hyena?” my eyes landed on white knickers with little illustrations of hearts on it. My heart started pumping like I was being chased by a hungry lion.

I quickly grew goose pimples. “Martha, are you mad?” her friend asked. “Is it big…..do I have a big Kandahar tell me you are my friend…be honest and tell me,” Martha kept looking at me with her skirt still up. I had to say something but little did I expect what befell me. “I don’t know…..i can’t say by just looking at it…..i have to feel it,” I said thinking she wouldn’t let me do it.

Martha swiftly got up and stood before me like she was a vampire with her skirt lifted up. Guys, I could have turned the chance down but being a city bonker, I had to feel her. I put my hand on the knickers and pressed the apple. “I can’t really tell with these knickers on,” I told her. Martha then pulled the knickers off. “You are mad both of you,” her friend told us after which she immediately got up and moved out. “Go…..go, who had called you….go,” Martha shouted at her before turning to me to know if the thing was big or not.

I put my palm on it and then FJ. Martha then collapsed between my legs as if all the bones in her body had broken. “Is it really big?” Martha erotically asked. “I still can’t tell unless I use the whopper,” I said hoping she would chicken out.

Instead, she unzipped my trousers and pulled out the ever spitting whopper, “What are you waiting for?”

“Wait, let me first look for a CD,” I begged. “CD for what? You are just checking can you contract any disease during a short check-up,” Martha ignorantly asked. I pulled out a CD I had carried to bonk Irene and quickly condomised the whopper. Martha helped me put it on.

The CD fluids helped me to penetrate in a slippery way as she swallowed like 10 inches of my monstrous rod. Martha started moving like a caterpillar as she spoke all the languages like she was possessed by evil spirits. In a short time the Kandahar discharged hot magma that helped me to penetrate deeper.

I felt sweetness flow throughout my body. I licked my lower lip, thanking God for the sweet gift he had given me. Martha continued moving her body erotically, calling me countless names. I snaked my hands down and felt her jerry bums as I devoured her Kandahar. This got Martha electrified that she caressed my body like she was a trained masseuse. We locked lips and swapped saliva, making me smell her Waragi yet I don’t booze but without any option I persevered, I later felt like exploding as she looks forward to welcoming me from the dream world.

Martha was acting so freaky. What was meant to be time for testing resulted into serious bonking. Shortly after the game, her ‘silly’ boyfriend walked in saying sorry.

The whole room was smelling like someone had just had a foursome from it, though there was no proof that I had bonked his chic, he was suspicious. I kept quiet and comfortably continued watching ki-nigeria. He got a shock of his life when he sat on the bed. His pair of jeans got soaked in el-nino. He screamed “What have you done to this man on this bed?” When he started grilling Martha, I opened the door and took off for my dear life. He followed me crying like a kid leaving all the neighbours in great shock. I was saved by a boda boda guy who gave me a ride for safety.

Till then, I remain yours truly, The Mighty Hyena.

 

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By Amos Tayebwa – Mbarara

A bitter financial dispute is brewing in Mbarara after leaders from Mbarara City North Division vowed to storm the city headquarters — commonly known as the White House — demanding answers over millions of shillings they say have not been remitted.

During a heated council meeting held on Thursday, March 5, 2026, councilors led by Division Mayor Gumisiriza Kyabwisho and the division speaker resolved to confront officials from Mbarara City Council over unpaid revenue from property tax and street parking.

According to the councilors, the city administration under City Clerk Justine Barekye has allegedly failed to remit funds meant for the division despite repeated complaints.

Leaders claim that the city has not transferred revenue from street parking for the last eight weeks, an amount estimated at UGX 17.6 million.

The dispute also extends to property tax collections. The division reportedly expects about UGX 550 million annually from property tax allocations through the city council. However, with the 2025/2026 financial year nearing its close, officials say the division has received less than UGX 100 million.

Frustrated councilors now plan to take their protest directly to the city headquarters.

During the council session, Mayor Kyabwisho declared that the entire division leadership — accompanied by the Division Town Clerk and Deputy Resident City Commissioner Jackline Kankunda — will storm the city offices on Monday morning during the weekly Technical Planning Committee (TPC) meeting.

“We are tired of some officials at the city council who have arrogantly refused to pay our money,” Kyabwisho said.

“Every Monday there is a TPC meeting where the mayor, city clerk and technical team are present. We shall confront them directly so they explain why our money is not being remitted.”

The mayor warned that if the city leadership fails to give satisfactory answers, the division could take drastic action.

Kyabwisho said the division may take over the direct management and collection of property tax and street parking revenue, arguing that the law allows divisions to collect and manage their own local revenue.

Street parking management has been particularly contentious, with division leaders complaining they are excluded from its administration while the city has allegedly delayed remitting their UGX 2.2 million share for the past two months.

With tempers rising and a planned confrontation looming, the dispute is shaping up to be one of the most serious financial standoffs between a city division and the central city administration in recent months.

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A head of International Women’s Day- today, last weekend’s championship at Entebbe Club left a lasting mark on women’s golf in Uganda and the wider region.

The 2026 MTN Entebbe Ladies Open concluded on Saturday, 28th February, with Kenya’s Mercy Nyanchama lifting the title but the story of this year’s championship goes far beyond the scorecard.

Held at the historic Entebbe Club, the tournament marked a triumphant return after a year’s absence, reclaiming its place as one of the most prestigious women’s amateur golf events in East Africa. Backed by a UGX 10 million elite reward package made possible by MTN Uganda’s sponsorship, the 15th edition drew one of the strongest fields in the tournament’s history, with players arriving from Kenya, Tanzania, Malawi, and across Uganda to compete on the regional and World Amateur Golf Ranking stage.

Nyanchama won with a score of 220 gross, in a composed and dominant performance that was made all the more remarkable by the personal loss she carried with her. She dedicated the win to her late mother, who passed away just days before the tournament began. Tanzania’s Neema Olomi finished as runner-up, with Uganda’s own Peace Kabasweka, the 2024 defending champion, rounding out the top three.

The timing of the event was no coincidence. As the first ladies’ golf championship on the national calendar, the MTN Entebbe Ladies Open deliberately ushered in Women’s Month and this year, it did so in alignment with the International Women’s Day 2026 theme: “Give to Gain.”

That theme came alive on the fairways of Entebbe. Women gave their time, their talent, and their encouragement to one another. Lady Captains from clubs across Uganda stood alongside regional players in a show of solidarity that transcended competition. In a symbolic gesture, male participants in the Subsidiary category teed off from the ladies’ teeing boxes — a small but meaningful act of respect for the women at the heart of the weekend.

Lady Captain of Entebbe Club, Maureen Okura, captured the spirit of the occasion with characteristic clarity:

“This tournament was not just a competition — it was a celebration of women showing up for women. We witnessed an overwhelming turnout of women from different countries and clubs across Uganda. That presence alone speaks volumes about how far women’s golf has come, and where we are headed.”

“We are not waiting for the future of women’s golf. We are building it. And we are building it together.”

Central to the weekend’s success was the confidence MTN Uganda placed in this event. Justina Icabala, Enterprise Segment Manager at MTN Uganda, articulated the company’s position clearly at the sponsorship announcement: “We see women’s golf not as a niche, but as a strategic space for growth and empowerment.”

That investment is felt beyond the prize purse. It is felt in the visibility the tournament brings to women athletes who are building careers in a sport that rarely makes front pages. It is felt in the networking opportunities created at the newly refurbished Entebbe Clubhouse, where the business and sporting worlds converged on Friday evening.

As Uganda steps into Women’s Month with this championship freshly concluded, the MTN Entebbe Ladies Open has done what the best sporting events do — it has inspired. It has shown that when corporate Uganda invests in women’s sport with intention and consistency, remarkable things happen.

The spirit of this tournament — the camaraderie, the competition, the commitment — is the perfect way to enter it.

The future of women’s golf in Uganda is not a distant prospect. It is being built right now, one tournament at a time.

 

 

 

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