Category: News

  • WHAT NEXT FOR QUEEN MOTHER? As Tooro Mourns King Oyo, Fate Of Woman Who Stood Behind His Crown For 30 Years Revealed

    WHAT NEXT FOR QUEEN MOTHER? As Tooro Mourns King Oyo, Fate Of Woman Who Stood Behind His Crown For 30 Years Revealed

    FORT PORTAL — The death of King Oyo Nyimba Kabamba Iguru Rukidi IV has not only plunged Tooro Kingdom into mourning but also opened a new chapter for Queen Mother Best Kemigisa, the woman who stood beside the young monarch from the day he ascended the throne.

    For three decades, Queen Kemigisa has been one of the most recognisable figures around the Tooro crown.

    But with Oyo’s death, what happens to the Queen Mother?

    That question is now being quietly asked as Batooro prepare to lay their king to rest and the kingdom looks ahead to a new reign.

    Oyo was only three years old when he was installed as King in 1995. His mother, then just 28, became one of the regents entrusted with guiding the young monarch until he came of age in 2010.

    For years, Kemigisa was therefore much more than the king’s mother.

    She was part of the machinery surrounding the young king, helping guide him through childhood, adolescence and eventually adulthood as monarch.

    But according to Tooro cultural traditions, the death of a king also brings an end to the Queen Mother’s active royal role.

    Prominent ritualist David Baguma explains that once a king dies, the Queen Mother’s role tied to that particular reign comes to an end and she returns to her own palace.

    He says Oyo’s situation was also unusual because he never had a wife or Queen, meaning Kemigisa became his closest female companion within the royal establishment.

    “When a new monarch is announced, depending on his age, he will rule with his wife or mother,” Baguma explains.

    The new monarch may also have his wife or mother invite sisters to live with her at the palace and assist with household responsibilities.

    Cultural expert Rev. Clovis Kyalimpa puts the transition even more dramatically, describing the death of a king as being similar to a “coup” against the reigning Queen.

    According to Kyalimpa, the Queen Mother’s status is formally concluded during the king’s burial ceremony, known as Kitabaza.

    After that, she is expected to withdraw from active royal duties, although she may continue serving as a counsellor whenever her advice is required.

    Oyo’s death therefore marks the end of an extraordinary chapter for Kemigisa — from young mother and regent of a three-year-old king to the woman who watched him grow into one of Tooro’s most prominent modern monarchs.

    But Kemigisa was not the only woman who helped shape Oyo’s reign.

    Another key figure was Princess Ruth Nsemere Komuntale, who became Batebe (Chief Princess) in 1996, just months after her brother was crowned.

    Komuntale was regarded as one of Oyo’s confidants and remained a prominent figure around the royal family.

    Then there was Princess Elizabeth Bagaya, Oyo’s paternal aunt and one of the regents who helped guide the young king during his early years.

    Bagaya, now 90, has often been described as a unifying figure within the royal family, particularly during difficult moments of Oyo’s reign.

    Under Tooro tradition, a reigning king operates within a wider royal structure that includes his wife or Queen, the head of the Babiito clan known as the Musuga, the Princess Royal, the Prince and, where necessary, a ritualist.

    With Oyo gone, that structure will now have to be reconfigured around his successor.

    For Queen Kemigisa, however, the transition is deeply personal.

    She was the young mother who watched her three-year-old son inherit the crown.

    She became his regent, guided him through his formative years and remained a central figure as he grew into the king Tooro knew as Oyo.

    Now, with the king gone, tradition dictates that she step back.

    The crown moves on. The Queen Mother’s chapter, after three decades in its shadow, comes to an end.


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  • Popular Indian singer Neha Kakkar to headline India Day 2026 as Ruparelia Group sponsors event

    Popular Indian singer Neha Kakkar to headline India Day 2026 as Ruparelia Group sponsors event

    Popular Indian playback singer Neha Kakkar is set to headline India Day 2026, with the Ruparelia Group joining the event as one of its principal sponsors.

    The annual celebration brings together Uganda’s Indian community and other Ugandans to celebrate Indian culture and heritage while highlighting the strong social, economic and cultural ties between Uganda and India.

    Kakkar, one of India’s best-known contemporary singers, is expected to be one of the biggest attractions at this year’s celebration. She is widely recognised for her energetic performances and hit Bollywood songs and has also served as a judge on popular Indian singing reality shows, including Indian Idol.

    India Day 2026 slated for October 3 at Kololo Airstrip will be headlined by Kansai Plascon Uganda, while the Ruparelia Group has been listed among the principal sponsors. Other partners include Tembo and Lifeline Steels, Airtel Uganda, TyreXpress, Travelog, Bank of Baroda Uganda, Technology Associates, Empire, Inspiring Solutions, Victoria University, Suzuki by CFAO, Africa Global Logistics and BZolutions Global Private Limited.

    The annual event has grown into an important platform for cultural celebration, business networking and community engagement, bringing together members of Uganda’s Indian community, business leaders and other guests.

    India Day provides an opportunity for the Indian community to showcase its traditions, music, food and culture while highlighting its contribution to Uganda’s development.

    For the Ruparelia Group, the 2026 sponsorship builds on its involvement in last year’s celebrations.

    The conglomerate was among the organisations that supported India Day 2025, held at Kololo Independence Grounds, where the festivities were combined with a major humanitarian initiative supporting Ugandan children born with congenital heart defects.

    The initiative mobilised support for children requiring specialised cardiac surgery in India, with the first group of 50 children scheduled to travel for treatment.

    The 2025 celebration also featured Indian music, traditional dances, cuisine and performances by Indian artists, alongside fundraising efforts aimed at supporting the children’s medical treatment.

    The Ruparelia Group has maintained a longstanding connection with Uganda’s Indian community and has supported initiatives in healthcare, education, sports, culture and community development through its businesses and the Ruparelia Foundation.

    Founded by businessman Sudhir Ruparelia, the group has investments across several sectors, including real estate, hospitality, education, insurance, agriculture and media.

    Its businesses include Speke Resort and Convention Centre, Speke Hotel, Kampala Parents’ School, Kampala International School Uganda and Victoria University, among others.

    Sudhir Ruparelia has also been involved in community leadership, having previously served as a trustee of the Indian Association of Uganda.

  • BASIIMA OGENZE! Uproar as Kiprotich High Altitude Stadium Name Is Wiped Out Without His Consent

    BASIIMA OGENZE! Uproar as Kiprotich High Altitude Stadium Name Is Wiped Out Without His Consent

    Controversy has erupted in Kapchorwa District following the reported renaming of the Kiprotich High Altitude Training Centre to Teryet High Altitude Training Centre.

    It is alleged that the decision was taken without the consent or consulting Olympic gold medalist Stephen Kiprotich, after whom the facility was originally named.

    The training centre, located in Teryet Ward in Kapchorwa Municipality, was named in honor of Kiprotich’s historic achievement at the 2012 London Olympic Games, where he won Uganda’s first-ever Olympic gold medal in athletics in the 42-kilometre marathon.

    However, the facility’s name was recently changed, a development that has surprised athletes, residents, and sports administrators.

    Several local runners who train at the centre say they were not informed in advance and only learned of the change after seeing official documents and references bearing the new name.

    Stephen Kiprotich says he was neither consulted nor formally notified about the decision.

    Speaking to URN, the Olympic and World Champion described the process as unfair, questioning why facilities named after other national heroes, such as John Akii-Bua, have never been altered.

    Kiprotich further warned that the government risks harming tourism through what he described as wrong branding, noting that many visitors are drawn to the area because of his legacy rather than the geographical name.

    He has asked the government to formally explain why the name was changed and to account for the process under which the decision was made.

    Community leaders in Kapchorwa have also questioned the decision-making process, arguing that renaming a public facility of national significance without stakeholder consultation undermines transparency and disrespects the legacy of a national hero.

    Bush Chepkurui, a cultural elder in the area, says Sebei cultural values discourage withdrawing an honour once it has been given, warning that such actions are culturally unacceptable unless an alternative recognition is provided.

    He adds that Teryet is simply a place name and cannot be equated to the national contribution made by the marathon icon.
    George Mwenege, a resident of Teryet, says Stephen Kiprotich put Kapchorwa and Uganda on the world map, adding that facilities named after such icons should not be altered without wide consultations involving the athlete, the community, and sports authorities.

    Sports analysts warn that such actions could discourage current and future athletes, noting that recognition through public infrastructure naming plays an important role in motivating sportsmen and women.

    Isaac Kachembe, a former athlete and now an athletics coach, notes that the issue goes beyond a name.

    He says it is about honoring contribution, preserving history, and inspiring the next generation of athletes.

    Dr Justin Yapsoyekwo, the Chairperson of the Board of Governors of Teryet High Altitude Training Centre, says the decision to change the name was taken by the Ministry of Education and Sports together with the National Council of Sports.

    Yapsoyekwo says the authorities acted after some athletes complained that using Kiprotich’s name was creating divisions among athletes, arguing that several other athletes had also represented Uganda successfully on the international stage.

    She says the intention was to create a more inclusive identity for the training centre based on its geographical location.

    “The decision was taken after the concern was raised by a few elite athletes, so we agreed to use the name of the location,” Said Yapsoyekwo.

    According to her, the name Teryet was therefore adopted after consideration of the concerns raised by athletes and the relevant sports authorities.

    However, Eveline Chebet Kubarika, the former Kapchorwa District Chairperson, says the district council was never notified and that no council resolution was passed to approve the renaming of the facility.

    “The council was not informed, and there was nothing put as a resolution,” she said.

    As debate continues, residents and athletes are calling for clarity, transparency, and a review of the decision. Some are urging authorities to reinstate the original name or engage all stakeholders in an open dialogue.

    Sam Murai, a sports enthusiast in Kapchorwa, alleges that individuals behind the renaming may have personal interests, a move he says is demoralizing athletes and undermining sports development in the region.

    The controversy has reignited a broader national discussion on how Uganda recognizes and preserves the legacy of its sporting heroes, and the need for clear guidelines governing the naming and renaming of public facilities.


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  • OPINION: Copyright Reforms Matter Beyond the Entertainment Industry

    In April 2026, Uganda made important progress with the Copyright and Neighbouring Rights (Amendment) Act when it was signed into law by the President. Stronger penalties for infringement, enhanced digital protections, and improved royalty mechanisms mark a meaningful step toward modernising the country’s Intellectual Property (IP) framework. However, to fully realise the law’s potential, we must broaden the national conversation. Copyright reform is not just an issue for the creative and entertainment sector, it is a critical enabler of innovation, economic growth, education, technology, and sustainable development across Uganda.

    Too often, discussions about copyright remain limited to just music, films and television, overlooking how robust IP protection underpins progress in virtually every sector of the economy. A well-functioning copyright system stimulates investment and job creation far beyond the screen. It encourages the production of high-quality local content, supports talent development and builds industries that contribute significantly to GDP. When piracy flourishes due to weak enforcement, it not only reduces revenue for rights holders but also discourages investment in local production, skills development and long-term innovation.

    Recent reports from the Uganda Registration Services Bureau show that digital piracy alone costs Uganda’s creative and broadcasting industries over USD 100 million annually with government tax revenue dropping by USD 25.3 million. What do these numbers mean for creators who invest their talent, broadcasters who invest in quality programming and telecommunications operators who spend significant amounts on digital infrastructure every year? The damage discourages investment, stifles innovation, distorts fair competition and deprives the country of essential tax revenue.

    But how would reformed copyright laws contribute to the country’s GDP?

    Stronger copyright laws attract foreign investment and facilitate technology transfer. Companies are naturally more willing to bring advanced tools, software and knowledge into the market when they have confidence that their intellectual property will be respected. This dynamic has been observed across developing economies where improved IP regimes correlate with increased licensing, trade and local innovation.

    As Uganda advances toward universal digital access by 2030, copyright should provide the foundation for software development, digital platforms, databases, and emerging technologies such as AI. Clear, modern rules to build investor confidence and enable start-ups and tech entrepreneurs to scale sustainably.

    Without copyright protection, young innovators stand to face threats to their work. Teachers and universities have less control over their research work and how it is reproduced with the threat of facing backlash if it is reproduced maliciously resulting in heavy damage to their credibility.

    At the same time, copyright law recognises that society benefits from access to knowledge. Many countries therefore include exceptions often called fair dealing or fair use that allow limited copying for purposes such as teaching, research, criticism, or news reporting.

    Libraries have specific rights to preserve works or provide limited access. These exceptions are designed to strike a balance between rewarding creators and ensuring that education and public interests are served. This helps ensure provisions for education, research and small businesses’ access to knowledge without undermining incentives for creation.

    Piracy continues to undermine these opportunities. Recent forums hosted by the Uganda Communications Commission (UCC) highlighted losses to jobs, innovation, and government revenue. Illegal distribution of content harms not only creators and distributors but also the broader ecosystem that relies on a healthy digital economy. For many broadcasting companies in Uganda, illegal content distribution directly reduces their ability to invest in premium local productions.

    But the damage extends further, it discourages risk-taking across industries and erodes trust in digital platforms.

    Building on the 2026 amendments, Uganda should prioritise investing in efficient digital monitoring systems, expedient take down processes and stronger inter-agency enforcement collaboration. Fostering partnerships between government, regulators, creators, broadcasters and technology platforms while educating stakeholders, including the judiciary and businesses on the role of IP in national development are additional steps the country can adopt to strengthen copyright reform in other industries as well.

    Copyright is far more than a legal mechanism for protecting songs and movies. By championing comprehensive reform that extends beyond entertainment, Uganda can strengthen its innovation ecosystem, enhance competitiveness in the digital age and empower local talent to thrive. 

    Article by Rhonah Nuwakunda, the Regional Regulatory Compliance Manager for Eastern region at MultiChoice, a Canal+ Company.

  • ChopWin Uganda Player Turns a 3,000 UGX Spin Into 2,160,000 UGX

    ChopWin Uganda Player Turns a 3,000 UGX Spin Into 2,160,000 UGX

    ChopWin Uganda player has won 2,160,000 UGX on Dragon Pots Megaways, the Pragmatic Play slot, from a single stake of 3,000 UGX.

    The win came in at 720 times the stake on one spin. The player had been playing the title with a modest bet when the round landed.

    What Happened on the Reels

    Dragon Pots Megaways is a six-reel Megaways title from Pragmatic Play, with the number of ways to win shifting on every spin — from 64 up to 117,649. It’s a high-volatility game, which in plain terms means it pays out infrequently, and most sessions end with nothing.

    The trade-off is that when a round does connect, it can connect hard.

    The game’s headline features include wild dragon eggs that stand in for other symbols, scatter meters that open free spins, and win multipliers that stack during the bonus round. Wins of this size come from those features lining up in the same round.

    ChopWin always pays

    The full 2,160,000 UGX was credited to the player’s ChopWin account and withdrawn to mobile money without delay.

    That matters more than the number. Players in Uganda have heard enough stories about platforms that go quiet when a big win lands, and it’s the first thing anyone asks before they deposit. ChopWin settles verified winnings in full on the same rails players use to deposit. No hidden withdrawal caps on slot wins, no moving the goalposts after the fact.

    About ChopWin Uganda

    ChopWin is an online casino platform for players in Uganda, with a library of slots and instant games from famous and trusted providers.

    The post ChopWin Uganda Player Turns a 3,000 UGX Spin Into 2,160,000 UGX appeared first on MBU.

  • Tanzania President Samia Suluhu Hassan’s husband Hafidh Ameir dies at 66

    Tanzania President Samia Suluhu Hassan is mourning the death of her husband, Hafidh Ameir Hassan, who has died at the age of 66.

    Hafidh reportedly died on Monday morning while receiving treatment for a heart condition in Zanzibar.

    The former agricultural officer and academic largely stayed away from the public spotlight, even after his wife became Tanzania’s President in 2021.

    Hafidh and Samia married in 1978 and spent nearly five decades together. They had four children — three sons and a daughter, Wanu Hafidh Ameir.

    Despite being married to one of Tanzania’s most prominent political figures, Hafidh maintained a private life and rarely attracted public attention. He focused largely on his family and his career in agriculture.

    His death comes as President Samia continues to lead Tanzania, having become the country’s first female President after the death of President John Magufuli in March 2021.

  • Back To The Basics: Former Kawempe South MP Kazibwe Bashir returns to radio after six years

    Back To The Basics: Former Kawempe South MP Kazibwe Bashir returns to radio after six years

    Kazibwe Bashir

    After nearly six years away from the Ugandan airwaves, former Kawempe South MP, Hon. Kazibwe Bashir Mbaziira, has made a return to radio.

    Kazibwe officially resumed his radio duties on Sunday, September 6, 2026, after joining 96.3 Beat FM, where he is set to host a new political talk show dubbed ‘Alipoota Olutagajjo’ every Sunday from 12 PM to 2 PM.

    The programme will focus on political affairs and major issues shaping Uganda and the rest of the world, a format that has long been associated with Kazibwe’s distinctive broadcasting style.

    Before venturing into active politics, Kazibwe was a familiar voice on Bukedde FM, where he earned a reputation for his deep understanding of current affairs, well-researched discussions and engaging delivery.

    His return to radio has already generated excitement among listeners who remember his days on the airwaves.

    Looking refreshed and bringing back the same energy and confidence that defined his earlier broadcasting career, Kazibwe’s arrival is expected to add a new dimension to Beat FM’s Sunday programming.

    Known for his knowledge of politics and current affairs, Kazibwe has built a reputation as a presenter who takes time to research his subjects before bringing them to the microphone, making his discussions both informative and engaging.

    His comeback marks a new chapter in his media journey, and with his wealth of experience in both broadcasting and politics, ‘Alipoota Olutagajjo’ could quickly become a must-listen programme for Ugandans who enjoy political conversations and analysis.

    We wish Hon. Kazibwe Bashir all the best as he embarks on this new chapter at Beat FM.

    The post Back To The Basics: Former Kawempe South MP Kazibwe Bashir returns to radio after six years appeared first on MBU.

  • Shakira Shakiraa Addresses Questions Over Her Friendship With Late King Oyo

    Shakira Shakiraa Addresses Questions Over Her Friendship With Late King Oyo

    Shakira Shakiraa has explained how an ordinary moment at a gym eventually developed into a friendship with the late Tooro King, Omukama Oyo Nyimba Kabamba Iguru Rukidi IV.

    The singer recently found herself facing questions online after speaking about her connection with the late monarch.

    Some social media users questioned how close the two really were, while others accused her of using King Oyo’s memory to attract attention.

    Shakira has rejected those suggestions.

    According to the singer, there was nothing calculated about how the relationship began.

    She said the two first interacted after a gym machine she was using stopped working.

    I was on one of the machines and it refused to work, and he came, he helped me out.

    That brief interaction eventually turned into regular greetings whenever they met at the gym.

    Over time, Shakira says those encounters developed into a friendship.

    She also became acquainted with Queen Mother Best Kemigisa, adding another connection to the Tooro royal family.

    The singer insists she never spoke about King Oyo because she wanted to trend.

    Instead, she said she was simply responding when people asked about her personal experience with the late monarch.

    When they asked me about him, I shared my experience because that stood out in my friendship with him.

    Shakira’s explanation comes at a sensitive moment for Tooro following the death of King Oyo.

    The monarch’s passing has generated widespread mourning, while people who knew him personally have continued sharing memories of his life.

    For Shakira, her memory is not about royal ceremonies or public appearances.

    It is about a friendship that, according to her account, started with something as ordinary as a faulty gym machine.

    She has therefore dismissed the criticism and maintained that she had no reason to manufacture a relationship with the late king.

  • Five Hot New Uganda Music Videos feat. Ceaserous, Maurice Kirya, Pawaboy AB, Ecko Star

    Five Hot New Uganda Music Videos feat. Ceaserous, Maurice Kirya, Pawaboy AB, Ecko Star

    Kickstart your week with brand-new vibes from Pawaboy AB, Maurice Kirya, Ecko Star, and Ceaserous, among others, who have released the visuals for their new music projects.

    • Whine – Ceaserous

    Is Ceaserous finally back? ‘Whine’ suggests so. The new project reminds us of his versatility and effortless vocal and songwriting talents.

    • Agenda – Maurice Kirya

    Maurice Kirya’s unique taste for music and visuals is on full display on this new project dubbed ‘Agenda’. He features Tamara Casanova in the visuals.

    • Mwamba – Levixone

    Mwamba is the third single off Levixone’s album P2:11. It celebrates the Rock that never fails, never changes, and never leaves us. “No matter what life brings, our foundation remains secure,” he states.

    • Ekigunda – Ecko Star

    Ecko Star continues to cook dancehall tunes with Ekigunda. The success of his earlier tracks has kept him going, and the streets know his name.

    • Ntaawa – Pawaboy AB feat. Ava Peace

    Written by Pawaboy AB, Ntaawa is one of the most trending songs in Uganda today, a beautiful love song you will enjoy listening to.

    The post Five Hot New Uganda Music Videos feat. Ceaserous, Maurice Kirya, Pawaboy AB, Ecko Star appeared first on MBU.

  • Sheebah Hails Baby Daddy Jaffar for Embracing Fatherhood

    Sheebah Hails Baby Daddy Jaffar for Embracing Fatherhood

    Sheebah Karungi has praised her baby daddy, Jaffar Suleiman, for being a present and loving father to their son, Amir, saying his involvement in their children’s lives has touched her in a deeply personal way.

    Sheebah became emotional after taking Amir and his sisters to school for the first time, revealing that Jaffar extended his flight so he could be there for the milestone.

    While the moment marked an important new chapter for her son, Sheebah said watching Jaffar embrace his role as a father also brought back memories of her own childhood.

    The singer, who grew up without a father or father figure, said seeing her son receive the kind of paternal presence she missed while growing up has been unexpectedly healing.

    “There are some things that heal you in ways you can’t explain. As a girl who grew up without a father or a father figure, watching my son have a father who genuinely loves being a dad, shows up, and enjoys fatherhood so effortlessly… heals something in me,” Sheebah wrote.

    Sheebah also expressed gratitude to God for giving her blessings she once could not have imagined, describing Amir’s first day at preschool as an emotional and memorable experience.

    For her, Jaffar’s decision to be physically present was about more than simply taking their son to school. It represented the kind of fatherly involvement she says she did not experience during her own upbringing.

    The singer is expected to share more about the emotional experience on her show, Let’s Talk About It.

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