Category: News

  • David Lutalo Defends Sharing Booking Number on TikTok Live

    David Lutalo Defends Sharing Booking Number on TikTok Live

    Ugandan singer David Lutalo has responded to criticism that followed his recent TikTok Live, where he shared a booking number.

    During the session on Saturday, Lutalo mentioned a business number after a fan asked how to book him.

    What seemed like a simple response quickly sparked debate online, with some critics claiming it made him look desperate or short on gigs.

    Lutalo has since pushed back, saying many people misunderstood the situation.

    Speaking in an interview with Allan Cruz on Cruz Xclusive, he explained that sharing booking contacts is not new for artistes and has always been part of the business, even before the rise of social media platforms.

    We used to read our numbers even way before, except that there was no TikTok back then. There were radios and TVs.

    Beyond that, he stressed that making the official contact public also serves an important purpose.

    It helps protect fans and promoters from fraud, especially with individuals who have been impersonating him.

    There are many people who scam using my name. There was someone I used to work with who gives out his number when people inquire about me, so I have to keep reading out my business number so that people know the right one.

    He went on to clarify that the number he shared does not belong to him personally, but to his manager, and that he only gave it out in direct response to a fan’s request during the live session.

    Someone asked for it on live saying they wanted to book me and asked how they can do it, so what was I supposed to do? I gave out my manager’s number, that is not my personal number. It is also my right to give out mine if I wanted to.

  • No Tension as King Saha Performs in Front of Bebe Cool

    No Tension as King Saha Performs in Front of Bebe Cool

    Ugandan singer King Saha made his debut at Roast and Rhyme, and fans showed up in large numbers, eager to see how the night would play out with Bebe Cool also in attendance.

    Given their long-standing feud, many expected tension or subtle jabs. But as Saha stepped on stage and delivered his set, Bebe Cool showed no reaction and stayed relaxed in the VIP section, sharing light moments with Khalifa Aganaga.

    Saha also kept his performance measured.

    During his popular “Zakayo” track, he avoided the intense expressions he often brings to the stage, choosing a calmer approach instead.

    The crowd had anticipated drama, but the night took a different turn.

    Both artistes kept things controlled, and the focus stayed on the music rather than the rivalry.

  • No Federation Artiste Has Had a Concert Like Mine — A Pass

    No Federation Artiste Has Had a Concert Like Mine — A Pass

    A Pass is back in the spotlight and this time he is making bold claims about his concert.

    The Ugandan singer, Alexander Bagonza, says no artiste under the Uganda National Musicians Federation matches the level of class he brings to the stage.

    He made the statement during a recent appearance and confidently placed his shows above the rest.

    “In terms of class, no federation artiste has had a concert like mine. I am unique in my own way,” he said.

    His comments quickly sparked reactions online and split fans into two sides.

    Some supported him and pointed to his strong stage presence, detailed production, and polished performances.

    Others disagreed and felt he downplayed fellow artistes in the federation.

    The timing has added more fuel to the conversation as it comes shortly after he had an online back and forth with federation president Eddy Kenzo.

    Despite the noise, A Pass stands by his words as fans wait to see if his next concert will prove his point.

  • Staff Shortages, Crumbling Infrastructure And Frozen Funds: The Crisis Quietly Threatening Busitema University’s Future

    Staff Shortages, Crumbling Infrastructure And Frozen Funds: The Crisis Quietly Threatening Busitema University’s Future

    Busitema University has been quietly expanding its reach across eastern Uganda, establishing campuses in Namasagali, Pallisa, Mbale, and Arapai, and steadily increasing student enrolment year after year. On paper, the growth story looks impressive.

    But behind the numbers, a more uncomfortable reality is emerging. The physical facilities, the staffing levels, and the resources needed to match that growth have not kept pace — and education stakeholders are now warning that unless something changes urgently, the university’s ambitions could be seriously undermined.

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    During a familiarisation tour of all Busitema University campuses, officials led by University Chancellor Prof Eng Badru Kiggundu and Vice Chancellor Mr Paul Wako came face to face with the gap between the university’s enrolment growth and its physical capacity.

    Prof Willian Bazeyo, the University Council Chairperson, did not soften the assessment. “There is an urgent need for institutional development to improve academic excellence,” he said. “Most of these campuses are located in rural areas compounded with lack of accommodation for students and staff who may wish to rent out.”

    Prof Bazeyo challenged the government to provide more resources to fast-track the university’s development and enable it to compete with other universities. He also appealed to private investors to establish or construct accommodation facilities that both staff and students could rent, describing the accommodation shortage as one of the most pressing operational challenges the institution faces.

    He noted that current staffing levels sit at between 10 and 12 percent of what is required relative to student numbers — a figure he described as critically low.

    Pallisa Campus: 600 Students, 26 Staff

    The numbers at Pallisa Campus illustrate the problem starkly. The campus, established in 2014 with only a handful of students, has grown to 600 students pursuing different courses. It has 26 academic staff — of whom only 16 are full-time, with the remaining 17 being part-time lecturers.

    Mr Abbey Kalenzi, the Faculty Dean at Pallisa, acknowledged progress — more academic programmes, more student numbers, more research and publications — but was candid about what still needs urgent attention. More lecture rooms, a university library, and a computer laboratory are among the most critical gaps remaining.

    He also cited limited skills and capacity among faculty, minimal funding, resource constraints, and an over-reliance on graduate fellows, part-time staff, and visiting lecturers to fill the gap left by inadequate permanent staffing.

    “We conduct regular staff interviews based on workload, implement policies that encourage staff retention, and lobby for wage increases from the government,” Kalenzi said.

    Bureaucracy Is Blocking Construction

    Even when funding arrives, getting it spent is apparently its own challenge. Eng Kiggundu raised concern about the lengthy and bureaucratic procurement processes that slow down construction projects at the university.

    A telling example: Pallisa Campus received Shs1.2 billion from government in October 2025 for infrastructure development. As of now, that money has not been used — because the university is still waiting for clearance from both the Solicitor General and the Attorney General, processes that take considerable time and delay construction on the ground.

    “For instance, Pallisa campus received funding of Shs1.2bn from government in October 2025, but it hasn’t been used because of procedural issues,” Eng Kiggundu said.

    He called on government to urgently increase the resource envelope allocated to Busitema to address infrastructure and staffing challenges simultaneously.

    A Community That Believed In The University

    Not all the news from the tour was grim. Eng Kiggundu applauded the Pallisa District for donating land and allowing the university to establish a campus that currently accommodates the Faculty of Management Sciences.

    “The people of Pallisa, through this donation, gave us a debt to transform the community by providing unique and relevant courses,” he said — an acknowledgement that local communities have invested trust in the institution, and that the university carries a responsibility to deliver on that trust.

    The Plan Going Forward

    The university has outlined several targets for the coming years. These include increasing student enrolment by 40 percent over the next five years, growing the number of academic programmes, strengthening research and innovation activities, and increasing the number of academic staff with PhDs.

    The Vice Chancellor Mr Paul Wako acknowledged the constraints openly, attributing them largely to limited government funding and delays in disbursement — a systemic problem that affects many of Uganda’s public universities but hits newer, more rurally located institutions like Busitema particularly hard.

    The university management says it is working to resolve the issues, but the message from education stakeholders was unambiguous: without urgent government action on infrastructure and staffing, Busitema’s growth story risks becoming a cautionary tale rather than a success story.

  • David Lutalo defends sharing booking number on TikTok – Sqoop

    David Lutalo defends sharing booking number on TikTok – Sqoop

    Ugandan musician David Lutalo has dismissed criticism surrounding his recent TikTok Live session, where he shared a contact number for bookings.

    The move sparked online debate, with some social media users questioning why an established artist would publicly give out such details, arguing it could reflect poorly on his brand.

    But Lutalo sees it differently.

    Speaking in an interview on Cruz Xclusive with Allan Cruz, the singer said there is nothing unusual about what he did, noting that artists have always promoted their booking contacts—even before social media became dominant.

    According to him, the only thing that has changed is the platform.

    He also pointed out a more pressing concern: fraud. Lutalo revealed that several individuals have been impersonating him and misleading potential clients with fake contact information.

    To counter this, he says he makes a deliberate effort to repeatedly share the official booking number so fans and promoters are not duped.

    The singer clarified that the number he mentioned during the live session belongs to his manager, not his personal line, and was only shared after a viewer asked how to book him.

    He maintained that he simply responded to a legitimate request and sees nothing wrong with making the correct contact publicly available.

    For Lutalo, the issue is less about perception and more about transparency—ensuring that anyone looking to work with him has access to verified information in an industry increasingly affected by impersonation.

    @edwardthegreat08? original sound – edward the great

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  • Gayaza Old Girls Are Raising Shs7 Billion To Build A Chapel That Holds 2,000 — And They Have Already Raised Shs1.4bn

    Gayaza Old Girls Are Raising Shs7 Billion To Build A Chapel That Holds 2,000 — And They Have Already Raised Shs1.4bn

    For over 120 years, Gayaza High School has been shaping some of Uganda’s most distinguished women — doctors, lawyers, politicians, academics, and business leaders. But according to the school’s alumnae, none of that would have been possible without the little chapel sitting at the school’s entrance.

    Now, that chapel is too small. And the old girls are doing something about it.

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    On Saturday March 21, alumnae of Gayaza High School officially launched a Shs7 billion fundraising campaign to expand the school’s chapel — a project they have named “Pillars of Grace” — with the goal of transforming a facility that currently holds 400 people into one that can accommodate 2,000 worshippers.

    By the end of the launch event, they had already raised approximately Shs1.4 billion through cash contributions, pledges, and in-kind support.

    The launch was marked by a prayers and thanksgiving service led by the Archbishop of the Church of Uganda, Samuel Stephen Kaziimba Mugalu, assisted by the Bishop of Namirembe Diocese, Moses Banja. Senior figures from the Kingdom of Buganda were also present, including the Second Deputy Katikkiro Robert Waggwa Nsibirwa, who officiated the fundraising segment of the event.

    In his sermon, Archbishop Kaziimba made the case plainly — the chapel that has spiritually grounded generations of Gayaza students was built more than 60 years ago. The school that once used it has grown enormously. The chapel has not kept pace.

    “Education without spiritual grounding is incomplete,” he said, commending the alumnae for taking ownership of what he described as building a house of God.

    Headteacher Robina Kizito Katongole explained that the chapel’s location at the school’s entrance is not accidental — it is a deliberate statement about the role faith plays in the Gayaza identity. Over the decades, the facility has hosted baptisms, weddings, prayers, and community spiritual programmes.

    But with student numbers rising steadily, a chapel that fits 400 is simply no longer adequate. Nsibirwa put the gap in stark terms — the school needs a facility that can hold 2,000, and getting there requires Shs7 billion, roughly $1.8 million.

    Board Chairperson Rosette Lubwama Kebba described the chapel as a cornerstone of the school’s spiritual and community life, calling on all stakeholders to rally behind the project’s completion.

    The Chairperson of the Gayaza Old Girls Association (GOGA), Christine Kasule Mulimba, framed the campaign as more than a construction project. It is, she said, a legacy.

    “This expansion is our gift to current and future students. Anyone who contributes to this project is helping build a lasting legacy of faith and empowerment,” she said.

    With Shs1.4 billion already secured and momentum clearly building, organisers are urging more well-wishers — alumni, parents, religious organisations, and corporate supporters — to come on board and help close the remaining gap.

    The Gayaza chapel campaign arrives at a moment when conversations about the role of faith, wellbeing, and community in schools are louder than ever. As mental health experts call on schools to become holistic support systems for learners, projects like this one make a quiet but powerful argument — that the spaces where students pray, reflect, and find community are not extras. They are essential.

    For Gayaza, a school that has produced generations of women who have shaped this country, the chapel is not just a building. It is where it all begins.

    Are you a Gayaza alumna or well-wisher who wants to contribute to the Pillars of Grace project? Contact the Gayaza Old Girls Association (GOGA) for details on how to give.

  • Black Shuga Surprises Fans with “Am Okay” Collab with Laty Wizy

    Black Shuga Surprises Fans with “Am Okay” Collab with Laty Wizy

    Ugandan vocalist Laty Wizy has joined forces with media personality turned singer Black Shuga for a new track titled “Am Okay,” and it is already stirring attention online.

    The release marks one of Black Shuga’s first serious steps into music, and many listeners did not see it coming.

    Known for her presence in media, she now steps into a different lane and delivers a performance that has sparked conversation across social platforms.

    Fans are pointing to the strong chemistry between the two.

    Laty Wizy brings his usual vocal strength, while Black Shuga adds a fresh edge that gives the song a distinct feel.

    The combination is drawing both praise and curiosity from listeners.

    Speaking about the project, Black Shuga made her intentions clear.

    “I love music and I am ready to produce more,” she said.

    She also showed appreciation to her collaborator, adding, “I thank Laty Wizy for the good heart.”

    With “Am Okay” gaining traction, attention is now on whether she can build on this early momentum.

  • Fefe Bussi’s Blueprint for Lugaflo Greatness

    Fefe Bussi’s Blueprint for Lugaflo Greatness

    In a world where talent often whispers from the shadows of struggle, Feffe Bussi is turning up the volume. The Ugandan rap star isn’t just dropping bars anymore but he’s also drafting blueprints.

    During a recent television interview, the rapper peeled back the curtain on a bold and heartfelt vision: a creative hub designed to transform raw, untapped talent from the ghetto into polished stars ready for the global stage. Think less “studio session,” more “hip-hop headquarters.”

    For years, Feffe Bussi has been a cornerstone of Uganda’s rap scene, spitting fire, shaping culture, and proving that Luganda rap can stand tall on any playlist. But now, his focus is shifting from center stage to community stage. His mission? To make sure the next kid with a notebook full of rhymes doesn’t get silenced by circumstance.

    “Talent is everywhere,” his message echoes, “but opportunity isn’t.”

    And that’s the gap he’s determined to close.

    The proposed hub isn’t just about music…it’s about mentorship, exposure, and survival in an industry that often chews up the unprepared. For many young creatives in underprivileged areas, the dream ends before it begins, not for lack of skill, but for lack of support. Feffe’s vision flips that script.

    Imagine a space where beats meet belief, where lyrics are sharpened alongside life skills, and where ambition is not just encouraged, it’s engineered. That’s the future he’s building. A launchpad for voices that have long been overlooked.

    It’s a move that feels both revolutionary and deeply personal. After all, every legend remembers where they started. And Fefe Bussi? He’s making sure he’s not the last success story to rise from the margins.

    Because sometimes, the real flex isn’t fame but it’s فتحing doors.

    And if this vision comes to life, Uganda’s ghettos won’t just be places people come from but they’ll be places stars come out of.

  • Next Radio Set to Unveil Top 10 Finalists in Next Big Voice Campaign

    Next Radio Set to Unveil Top 10 Finalists in Next Big Voice Campaign

    The search for fresh radio talent is heating up as Next Radio prepares to announce the Top 10 finalists of its ongoing Next Big Voice campaign today.

    The auditions, held on Thursday 19th at the Next Creatives Hub at Next Media Park, attracted a total of 62 participants, all eager to secure a spot as the next voices of the station.

    The turnout reflected strong interest in the opportunity, with female contestants making up the majority of those who showed up.

    Participants were given a chance to showcase their on-air skills, creativity, and confidence in front of a panel of experienced judges, including Dr. Mitch Egwang, Cleopatra Koheirwe, and Patrick Salvador, who guided and evaluated the contestants throughout the process.

    With the auditions now complete, attention shifts to the next phase as the Top 10 finalists are set to be revealed, bringing them one step closer to becoming the next faces and presenters on Next Radio.

  • A Pass Denies Starting Eddy Kenzo Feud, Demands Apology

    A Pass Denies Starting Eddy Kenzo Feud, Demands Apology

    Ugandan singer A Pass has responded to media personality Douglas Lwanga’s suggestion that he and Eddy Kenzo should meet and resolve their differences.

    He questioned where the issue started, insisting he never spoke about Kenzo in a negative way.

    I appreciate your input, but where did all this drama come from? I do not recall mentioning Eddy Kenzo’s name negatively.

    A Pass said a fan’s comment triggered the situation and accused Kenzo of escalating it instead of ignoring it.

    It was a fan who made a statement, which Kenzo dignified with a response intended to belittle me. But I want you, Douglas, to remember that I am the Big One. He must apologize ASAP.

    His remarks have sparked debate among fans, with some calling for reconciliation while others continue to argue over who is at fault.

    Eddy Kenzo has not yet responded to the latest comments.

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