Hon. Balaam Barugahara, the State Minister for Gender, Labour, and Social Development, in charge of Children and Youth Affairs, has revealed that he would like to be buried in Masindi when he passes on.
In a brief chat with the media on Tuesday, Hon. Balaam urged Ugandans to normalise making Wills and state their preferences as well as solve the chaos that would follow their demise.
He highlighted how most Ugandans fear making Wills with the belief that they bring death closer, but stated that it is a false superstition.
The 46-year-old then revealed that he only has three children that he is aware of: daughters, namely, Kamukama, Kamusiime, and Karuhanga.
When I die, please, I want to be buried in Masindi. Never take my corpse to Nakasajja, Namasagali, or Kalisizo. Take me to Masindi. I am yet to make a Will, but I know of only three children. One of my daughters is Karuhanga, another one is Kamukama, and the other is Kamusiime.
I urge people to normalise revealing such details to their relatives. People are scared of making Wills because they fear it would bring death closer, but it is just a Will. You write and keep it. I’m not going to die soon; God has protected me and will continue to.
hat started as a casual comment on social media has quickly spiraled into one of the most talked-about rivalries in Uganda’s music scene, drawing in two of its biggest personalities—A Pass and Eddy Kenzo.
The spark came from a fan on X, who suggested that Kenzo could not match A Pass intellectually. It may have seemed like just another online opinion, but in an industry where reputation is everything, it was enough to trigger a response.
Kenzo’s reply went beyond addressing the fan, opening the door to a wider exchange that quickly pulled A Pass into the spotlight. Known for his sharp tongue and unapologetic views, A Pass did not hold back.
But rather than keep the exchange confined to social media, he proposed a different approach—take the battle back to the roots of the craft.
For A Pass, if there is tension between artists, it should be settled where it matters most: in the music or on stage.
Still, his challenge came with a cutting edge. Even before Kenzo could fully engage, A Pass dismissed him as an “unworthy opponent,” questioning the relevance of his decorated career in the context of a direct artistic clash.
It’s a statement that has raised eyebrows, given Kenzo’s standing as one of Uganda’s most globally recognized artists, with a catalog of international awards and influence that stretches beyond music into industry leadership.
The clash, however, appears to go deeper than personal egos.
On one side is Kenzo, an establishment figure who doubles as president of the Uganda National Musicians Federation, closely associated with industry structures and policy discussions.
On the other is A Pass, a fiercely independent voice who has built his brand on critique, individuality, and artistic expression.
Their perceived political leanings have only added another layer to the tension. A Pass has often been seen aligning with Bobi Wine, while Kenzo has maintained visible ties with Yoweri Museveni—a dynamic that rarely stays separate from the cultural conversation in Uganda.
As the exchanges continue to unfold, what began as a fleeting online remark has evolved into a broader narrative about identity, influence, and the direction of Uganda’s music industry.
Whether it ends in a musical showdown or fades as quickly as it ignited, one thing is certain—the spotlight is firmly on both artists.
The Chief Administrative Officer (CAO) for Napak District, Abia Robert Owili, commended the Karamoja Anti-Corruption Coalition (KACC) for its role in supporting government efforts to promote accountability.
Mr. Owili made the remarks during a District Integrity Promotion Forum (DIPF) held on Tuesday, March 24, 2026, at Farmers Hall in Napak District. The forum was organized by KACC.
During the session, Lowakori Amina, KACC’s Integrity Officer, highlighted several pressing issues, including shortages of drugs in health facilities, the absence of general wards at Kangole Mission Health Centre III, Lorengchwora Health Centre III, and Lokopo Health Centre, limited furniture in some primary schools, and the lack of accessible latrines for pupils with disabilities at Lorengchwora Primary School. In the forum, the Deputy CAO Lochap Alfred Lowoto called upon the district technical team to respond to the issues presented.
The forum was attended by heads of departments and security officials. In response, Mr. Odong Alfred, the District Internal Security Officer (DISO), urged technical officials to address the health sector challenges raised. Dr. Charles Nuwagaba, the District Health Officer, committed to following up on the issues outlined in the KACC report.
DIPF members
The Resident District Commissioner (RDC), Mr. Odongo, thanked the government officials for their participation, noting that the forum provides a valuable platform to share concerns and enhance service delivery to the community. Dr. Ayub Mukisa the executive Director of KACC also expressed gratitude to the offices of the RDC and CAO for their collaboration and partnership.
KACC, in partnership with the Anti-Corruption Coalition Uganda (ACCU) and Transparency International Uganda, is implementing the Civic Engagement for Accountability Project (CEAP) in the Karamoja sub-region, with funding from the Embassies of Denmark, Ireland, Sweden, and the Netherlands.
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Uganda’s Parliament passed the bill on March 17, 2026, and it now awaits assent from President Yoweri Kaguta Museveni.
While speaking on Spark TV, Kapeke, born Derrick Nsubuga, admitted he does not know much about the bill but says he has heard it aims to help artistes.
He added that he is not sure how it works or whether it benefits all musicians, noting he thought it helps a certain category of artistes.
Even so, Kapeke said he would welcome it if it also benefits him.
I hear about the copyright, but if it helps, let it help. I do not know much about it. I hear it is meant to help us, but I thought it helps a certain category of musicians. But if it helps me as well, Mashallah.
His remarks come as discussions about the bill’s implementation and regulations continue across the entertainment industry.
King Saha has opened up about why he remains one of the most booked artists in Uganda, crediting his success to a simple but unconventional strategy: he doesn’t attach a fixed price to his brand.
During a TikTok live session with fellow singer A Pass, King Saha was praised for his consistency and high demand across the country. A Pass pointed out that Saha is likely among the most booked performers, a claim the singer gladly confirmed.
According to Saha, his flexibility sets him apart from many artists who insist on fixed performance fees before accepting gigs.
I don’t have a price tag. If someone calls me and they I’m not financially stable, I won’t start negotiating, I just go and perform.
The singer explained that Uganda’s economic realities have shaped his approach. He believes that in a struggling economy, being rigid about money can limit opportunities.
When you’re operating in a tough economy, you can’t dictate terms. Sometimes you just take what comes.
Saha added that the rising cost of living, even for basic items, has forced many people to adapt, and he is no different. His willingness to perform regardless of the pay has made him accessible and reliable, keeping him constantly booked.
Singer Derrick Ddungu, popularly known as Rickman Manrick, has offered a thoughtful reflection on the current state of Uganda’s music industry, saying he believes it is steadily rising to greater heights.
In his view, the industry is experiencing an exciting upward trajectory, fueled by a wave of emerging talent.
He points to artists like Joshua Baraka, who have successfully crossed into the international scene, as proof that Ugandan music is gaining global recognition.
Rickman revealed that he recognized Baraka’s potential early on. The two connected around 2021 through a mutual friend—Baraka’s manager—and went on to record several songs together.
Even then, Rickman says, it was clear Baraka was destined for bigger stages, and his subsequent success has only confirmed that belief.
My music is registered in Sweden. Every day that passes by, the industry elevates. We have artists who have broken through to the international level, like Joshua Baraka. I met him around 2022/21.
His manager is my friend because he’s the one who linked us, and we recorded some projects back then, like 3 songs.
We spotted his talent back then when I was still dating Sheilah Gashumba, and he has not disappointed.
Beyond music, Rickman also shared a glimpse into his personal journey. At one point, he attempted to pursue studies in Sweden, where his music is officially registered.
However, he eventually stepped away from academics after realizing the challenge of balancing school with his demanding lifestyle.
Between music, football, and boxing, he found his time and focus stretched too thin to sustain it all.
I tried pursuing a course at the University in Sweden, but somehow, I quit after realizing that I couldn’t balance books and work, yet the demands were many since I had to juggle music, playing football, and boxing, all of which needed concentration.
Looking ahead, Rickman disclosed plans for collaborations with notable artists such as Lillian Mbabazi and Lydia Jazmine, alongside introducing fresh talent to the public.
Passionate about growth and collaboration, he emphasizes his desire to share platforms with both established and upcoming artists.
This year, however, his music will carry a more personal touch inspired by his current relationship. Rickman is focusing on crafting and releasing love songs for his upcoming album.
This year, I have music collaborations with Lillian Mbabazi, Lydia Jazmine, and some other fresh artists that the nation has yet to know.
I always want to share a platform with such talented people. This year, I decided to work on and release a lot of love songs on my upcoming album because I am in love.
Kataleya and Kandle have welcomed the newly passed copyright bill, describing it as a timely opportunity for artists to finally earn beyond just stage performances.
While appearing in an interview on Galaxy TV, the pair shared their excitement about the potential financial benefits the law brings to creatives.
We spend and invest a lot of money in our music, so if we are able to earn something back through other channels then we are grateful for the copyright law.
However, the duo admitted that like many other artists, they are still unclear about how the law will actually be implemented. They called upon leaders of the Uganda National Musicians Federation and other industry bodies to step in and educate artists on how the system works.
Kandle pointed out that there is already some misunderstanding among musicians, noting that some may assume they should be paid instantly whenever their music is played publicly.
An artist might think that whenever they find anyone playing their songs out there, they should be paid immediately.
Despite the uncertainty, Kataleya and Kandle expressed optimism that the law will create a steady stream of income for artists, beyond gigs, endorsements, and performances. They believe this could even build long-term wealth that benefits future generations.
The duo also noted the importance of formal agreements moving forward, especially for songwriters. They noted that with the law in place, writing deals will now require proper documentation to clearly define ownership and earnings, ensuring fairness for all parties involved.
Lynda Ddane has opened up about her blossoming relationship with DJ Kas Baby, talking about their love story, home life, and future plans.
While appearing on Spark TV, the couple looked deeply in love, though Kas Baby’s shy personality quickly stole the spotlight. At one point, he struggled to maintain eye contact and even stepped away from the camera, leaving Lynda to carry on with the interview alone.
Despite his quiet nature, Lynda revealed that their connection was intentional from the start—and she made the first move.
I was the one who vibed him. Sometimes you have to go for what you want and love.
The conversation also touched on speculation about a possible pregnancy after Lynda appeared in a baggy sweater. She quickly shut down the rumors, clarifying that she is not expecting, at least not yet. However, she didn’t hide her excitement about becoming a mother someday.
There’s nothing yet, but I can’t wait to be a mother. I’m manifesting it and I hope I’ll be a good one.
Lynda also spoke about their life at home, describing how their relationship has changed her from a fiercely independent woman to someone who now embraces partnership.
She shared that Kas Baby plays an active role in her daily decisions, from offering advice to simply being present, something she deeply appreciates.
Unbothered by outside attention, Lynda expressed confidence in their relationship, noting that Kas Baby’s reserved nature keeps distractions at bay. Since going public weeks ago, the couple has continued to serve soft, genuine love, winning hearts along the way.
She may pour her heart into love songs, but it seems Tracy Melon does not draw that music from her personal experiences.
The “Ogenda Kukilaba” singer, born Tracy Mirembe, has opened up about her love life and makes it clear she is single and in no rush to change that.
While speaking to Tawfiq Media, she even admitted she still does not understand what it takes for her to fall in love and prefers to move at her own pace.
I honestly do not know, but I think when the right time comes, I will start to explore what makes me happy and what I like.
Tracy Melon also believes people should not force love and insists timing matters more than pressure.
It is really enjoyable when you do things when you are ready, and not under pressure. Personally, I am not under pressure.
More than 7,000 former election Special Police Constables have started fresh training to prepare them for jobs in private security companies.
The recruits, who were temporarily hired to help maintain security during the election period, are now being absorbed into the private sector after their government contracts ended. Their one-month training programme officially kicked off on Tuesday at the Uganda Police Counter Terrorism Training School in Katakwi District.
Officials say the move is meant to give the former constables a new source of employment while also strengthening the capacity of private security firms across the country.
Speaking on behalf of the police leadership, senior officers from the Uganda Police Force said the transition will ensure the trainees continue using the skills they gained during their service, rather than becoming unemployed after the elections.
The private security industry, through its umbrella body, the Uganda Private Security Association, welcomed the arrangement, describing it as a timely solution for both the recruits and the sector. Leaders in the association said the additional manpower will improve service delivery and boost security operations.
They also praised the police for supporting the programme by providing training facilities, instructors, meals, and medical care during the course.
According to the training school commandant, the programme has attracted 7,122 participants from across the country, including 5,048 men and 2,074 women.
During the training, the recruits will build on their previous police experience by learning more about law enforcement, crime detection, investigations, and the specific role of private security in maintaining public safety.
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