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  • Gift ov Kaddo demands removal of his music from exploitative blogs

    Gift ov Kaddo demands removal of his music from exploitative blogs

    Gift ov Kaddo, real name Gift Kyambadde, has commanded all music blogs that uploaded his music to their sites to take it down immediately.

    In an interview on RedNuts King Kampala, the former Goodlyfe singer revealed that so many online platforms upload artists’ music without their permission.

    He believes that it is very exploitative behaviour, as these platforms do not pay for the royalties of the said music and selfishly continue to reap what they didn’t sow.

    He has since asked veteran deejay and music promoter, DJ Erycom, to delete all his music off his platforms.

    Delete my music from your blogs immediately. All those bloggers and people like DJ Erycom, I want this message to reach you – take it down now. I am not getting a coin from these people, so they must stop using it.

    He keeps boasting that he owns assets in Masaka, but he acquired them through our music. He uploads each new song released without permission. Remove mine now. You cannot keep using us like slaves because we invested a lot in music.

    @rednutskingkampala full interview on YouTube channel RedNuts kingkampala TV @Gift ov kaddo ♬ original sound – RedNuts kingkampala TV

    The post Gift ov Kaddo demands removal of his music from exploitative blogs appeared first on MBU.

  • Sheila Gashumba sparks culture war with Rwanda–Uganda comparison” – Sqoop

    Sheila Gashumba sparks culture war with Rwanda–Uganda comparison” – Sqoop

    Media personality Sheila Gashumba has stirred fresh debate after drawing a sharp comparison between Rwanda and Uganda, not over politics or economy but over freedom of expression.

    Her trigger? A bold, high-energy performance by global star Doja Cat at Kigali’s iconic BK Arena.

    “See how Rwanda let Doja Cat dress how she wants… and give such a crazy performance!” Sheila posted. But it wasn’t just admiration; it was a subtle indictment. Because, in her view, that same moment in Uganda would have played out very differently.

    According to Sheila, Ugandans would be less focused on the music and more obsessed with morality. The timeline, she suggests, would flood with outrage: questions about decency, think pieces about culture, and perhaps even statements from authority figures condemning the performance. In short, the art would be overshadowed by the outfit.

    Sheila’s critique taps into a long-standing tension in Uganda’s entertainment scene, the invisible line between creativity and conformity.

    Artists often find themselves navigating not just their craft but also a social climate that can quickly turn judgmental. Expression is allowed, but within limits that are constantly shifting and fiercely policed by public opinion.

    Rwanda, in this comparison, represents a mindset. One where the spotlight stays on the performance, not the performer’s wardrobe.

    Don’t want to miss out on any story? For updates on all Sqoop stories, follow this link on Telegram: https://t.me/Sqoop and Whatsapp: https://whatsapp.com/channel

     

  • Bobi Wine Deserves Credit For Copyright Amendment – King Saha

    Bobi Wine Deserves Credit For Copyright Amendment – King Saha

    Musician King Saha has sparked fresh debate in the music industry after crediting Bobi Wine for the push behind the Copyright Amendment Bill.

    Speaking in an interview with a local YouTuber, King Saha claimed that the government had long ignored the proposed amendment until Bobi Wine stepped in.

    According to Saha, Bobi Wine tasked fellow artist and politician Hilderman to formally introduce the bill in Parliament of Uganda, which forced authorities to take action.

    “Bobi Wine is the reason the copyright law was amended. No one deserves credit like him. They had ignored it, but panicked after the move Hilderman made,” he said.

    King Saha went further to downplay the role of Eddy Kenzo and the Uganda National Musicians Federation, claiming they only made noise without making meaningful contributions to the amendment process.

    His remarks add to the ongoing divide within the music industry over who truly deserves credit for championing artists’ rights under the proposed law.

  • Sasha Brighton Announces Plans for Comeback Concert

    Sasha Brighton Announces Plans for Comeback Concert

    Band musician Sasha Brighton has revealed plans to stage a concert as she makes her return to the public eye.

    The singer, who has been relatively quiet for over a year, recently dropped a new song and has since embarked on media appearances to promote her latest project.

    Speaking in an interview with a local television station, Sasha Brighton confirmed that preparations for her concert are already underway.

    “I plan to hold a concert very soon. The plans are in place and I’m currently in discussion with my management over it. We are choosing the best promoter and will announce the venue and dates to the fans,” she said.

    According to the singer, her team is currently searching for a suitable promoter to take charge of the event, which is expected to mark a major comeback moment in her career.

    Fans are now eagerly waiting for official confirmation of the concert dates and venue as Sasha Brighton gears up for her big return to the stage.

  • Etania Teams Up With Mirinda for “Life of the Party” Concert at Lugogo

    Etania Teams Up With Mirinda for “Life of the Party” Concert at Lugogo

    If there’s one DJ who knows how to turn a crowd into a full-blown vibe, it’s Etania, and now she’s doing it even bigger.

    Mirinda has officially partnered with the DJ and media personality for her upcoming concert, Etania: Becoming Life of the Party, set for April 4, 2026 at Lugogo Hockey Grounds. And from the look of things, this is not just another show, it’s shaping up to be a full-on youth culture moment.

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    The collaboration ties directly into Mirinda’s “Mirinda Smiles” campaign, which is all about fun, colour, and those carefree moments that define good times. If you’ve ever seen Etania behind the decks, you already know, that energy matches perfectly.

    This concert is also a big deal for Etania herself. She’s set to headline one of the largest DJ-led outdoor shows in Uganda, a major milestone for someone who has grown from humble beginnings in Masaka to becoming one of the most exciting names in the scene right now.

    Speaking about the partnership, Mirinda Brand Manager Pearl Kitimbo shared that the link-up just made sense.

    “Mirinda has always stood for fun, colour, and shared moments of happiness. Etania represents that same energy. Her journey, resilience, and ability to bring people together perfectly reflect what Mirinda Smiles is about.”

    And it’s not just talk. Expect the Mirinda experience to be fully embedded in the show, from interactive fan moments to bold, colourful branding that brings the whole “Smiles” vibe to life on ground.

    For Etania, this is more than just a concert. It’s a statement. “Becoming Life of the Party promises to be a spectacular celebration of music, energy, and smiles, bringing together fans from across the country for a night that truly embodies the spirit of Mirinda,” she said.

    The show will celebrate her journey while also inspiring young people to chase their dreams, own their craft, and show up confidently.

    With music, energy, and a crowd ready to turn up, Becoming Life of the Party is already looking like one of those nights you don’t want to hear about on Monday, you want to be there.

    Lugogo is about to get loud.

  • TikTokers Celebrate as Court Nullifies Computer Misuse Act

    TikTokers Celebrate as Court Nullifies Computer Misuse Act

    TikTokers and social media influencers across Uganda are celebrating after the Constitutional Court of Uganda struck down the Computer Misuse (Amendment) Act, 2022, declaring it null and void.

    In its ruling, the court found that the law was improperly passed by Parliament of Uganda, citing lack of quorum and failure to follow proper parliamentary procedures.

    Part of the judgment noted that the process violated constitutional provisions, rendering the entire amendment invalid.

    The decision has been widely welcomed by content creators, many of whom had previously faced charges under the law.

    Among those celebrating is TikToker Frank Ntambi, who expressed relief and satisfaction with the ruling.

    “I am happy with the judgment as the law was brought to target critics. It was meant to stop free speech and it can never operate in a democracy,” he said.

    Other influencers, including Cephco and Luwilight, who had previously faced charges under the same law, have also welcomed the decision.

    The ruling marks a significant moment for freedom of expression in Uganda, especially for digital content creators who had long criticized the law as restrictive and punitive.

  • Liam Voice Admits He’s Broke, Struggling to Fund Music

    Liam Voice Admits He’s Broke, Struggling to Fund Music

    Singer Liam Voice has openly admitted that he is facing financial difficulties, which are affecting his ability to release music consistently.

    Speaking in an interview with a local television station, the artist revealed that he is currently broke and unable to keep up with the fast-paced demands of the music industry.

    According to Liam Voice, music production is costly, making it difficult for him to release songs frequently like many of his peers.

    “Music is expensive and I don’t have the budget to keep releasing one after another. I also have other things to handle with the little money I have,” he explained.

    Despite the pressure from fans who are always eager for new music, Liam Voice says he will continue working at his own pace rather than rushing projects without proper funding.

    He emphasized that he prefers to focus on quality and sustainability instead of competing with artists who release music back-to-back.

    The revelation sheds light on the financial challenges many artists face behind the scenes, despite the glamorous image often associated with the music industry.

  • Cindy Sanyu: Ugandan artists enjoy more independence than global stars

    Cindy Sanyu: Ugandan artists enjoy more independence than global stars

    Appearing in a one-on-one interview on Baba TV Uganda, the “King Herself” Cindy Sanyu opened up about the differences between Uganda’s music industry and the international scene.

    Cindy explained that while international artists tend to earn significantly more, they often operate under strict control from record labels.

    She pointed out global stars like Rihanna as examples, noting that despite the financial rewards, their freedom is limited.

    The difference with artists like Rihanna is that they earn a lot of money, but they don’t have the kind of freedom we enjoy here in Uganda.

    According to Cindy, artists signed to major labels are often told how to act, speak, and dress, and may even have limited say over personal decisions such as relationships, marriage, or starting a family.

    In contrast, she highlighted that Ugandan artists enjoy far more independence. They can easily switch up their music style, rebrand their image, or make personal decisions without external pressure.

    “Artists here can even hire and fire their managers in case they’re not providing the results,” she noted, adding that internationally, managers are often assigned by labels. In some cases, those same managers can influence whether an artist stays or gets dropped.

    When it comes to her own career, Cindy made it clear where she stands. While she appreciates the financial benefits of the global industry, freedom matters more to her.

    I love my freedom, I wouldn’t want to be tossed around like a commodity.

    The post Cindy Sanyu: Ugandan artists enjoy more independence than global stars appeared first on MBU.

  • Cindy Sanyu breaks down new revenue sharing framework for Ugandan artists

    Cindy Sanyu breaks down new revenue sharing framework for Ugandan artists

    Cindy Sanyu has broken down how revenue sharing will work following the recent passing of the copyright bill by the Parliament of Uganda.

    According to Cindy, the new framework is a big win for artists who have, for years, earned the least despite being the primary creators. She revealed that under the updated system, artists will now take the largest share, 60% of the revenue, while the remaining 40% will be distributed among the government, producers (with properly registered work), and other stakeholders.

    She said that for producers to benefit from this system, they must formally register their beats with Uganda Performing Rights Society (UPRS) and Uganda Registration Services Bureau (URSB).

    For a producer to earn from this, they should’ve registered their beats with UPRS and URSB so that you’re given a code. For every time the beat is used, you earn off it.

    However, Cindy noted that producers who prefer not to go through the registration process can still negotiate payments directly with artists during studio sessions.

    She also issued a warning to creatives interested in remixes, stressing the importance of obtaining proper authorization.

    They don’t break any law as long as they’ve gotten written consent from the artist allowing them to remix their songs or beats.

    Cindy made it clear that she is open to others benefiting from her music, but only through mutual understanding and agreement.

    As long as we get to sit down and talk about how I get my share, I have no problem with such people. We invest a lot in our music so we need to see value.

    The post Cindy Sanyu breaks down new revenue sharing framework for Ugandan artists appeared first on MBU.

  • Kenya’s Miguna Miguna Blasts Bobi Wine’s Capitol Hill Photo-Op: “Wrong Place to Start” for a True Pan-African Freedom Fighter

    Kenya’s Miguna Miguna Blasts Bobi Wine’s Capitol Hill Photo-Op: “Wrong Place to Start” for a True Pan-African Freedom Fighter

    WATCHDOG UGANDA

    Miguna Miguna Blasts Robert Kyagulanyi’s Capitol Hill Photo-Op: “Wrong Place to Start” for a True Pan-African Freedom Fighter

    A storm is brewing across Africa’s political and ideological landscape after Kenyan lawyer and exiled activist Miguna Miguna launched a blistering attack on Ugandan opposition leader Robert Kyagulanyi, popularly known as Bobi Wine, over his high-profile appearance in Washington DC.

    At the center of the controversy is a polished image posted by Kyagulanyi on social media—suited, composed, and standing before the iconic United States Capitol. In his caption, he announced the start of his “international engagements” on Capitol Hill, rallying global attention under the hashtag #FreeUgandaNow.

    But what was intended as a diplomatic signal of international lobbying has instead triggered a fierce ideological backlash.

    “Wrong Place to Start”

    Miguna did not mince words.

    “The wrong place to start and pose for images,” he wrote on X. “Washington DC is the headquarters of imperialism… No legitimate Pan-African or Freedom Fighter takes pride in that citadel.”

    The remarks struck a nerve, quickly igniting debate among activists, intellectuals, and political observers across the continent.

    When pressed on where Kyagulanyi should have launched his campaign, Miguna pointed to Ouagadougou—a symbolic nod to revolutionary African resistance and a rejection of Western political influence.

    A Deeper Ideological Clash

    This is no ordinary political spat. It cuts to the core of a long-standing ideological divide within African liberation movements: whether meaningful change can be pursued through Western power centers or must be rooted entirely within African solidarity.

    For decades, Pan-African thinkers have warned of the dangers of external influence shaping African struggles. Critics argue that Western capitals often present themselves as allies of democracy while simultaneously sustaining the very systems that entrench authoritarian rule on the continent.

    Miguna’s criticism taps directly into that tradition—challenging not just Kyagulanyi’s tactics, but the philosophical direction of Uganda’s opposition movement.

    Pragmatism vs. Principle

    Supporters of Kyagulanyi, however, see the move differently.

    They argue that Uganda’s political reality demands a global strategy. With shrinking civic space at home and increasing risks for opposition actors, international advocacy is viewed as a necessary tool to amplify pressure on the government.

    From this perspective, engaging policymakers in Washington is not betrayal—it is pragmatism.

    Yet critics remain unconvinced.

    They question whether appearances in Western capitals translate into tangible outcomes—or simply reinforce dependency on foreign validation. The optics, they argue, risk undermining the authenticity of a grassroots struggle rooted in the lived experiences of ordinary Ugandans.

    Shifting Strategy

    Kyagulanyi’s Washington visit marks a notable shift in approach.

    After weeks in hiding following the disputed 2026 elections, the National Unity Platform leader now appears to be pivoting toward diplomatic engagement and international lobbying.

    Government insiders have reportedly dismissed the move as politically insignificant. But among the public, reactions are mixed—and increasingly intense.

    For some, the image at Capitol Hill symbolizes global recognition. For others, it raises uncomfortable questions about the direction of Uganda’s resistance politics.

    The Bigger Question

    At stake is more than a single photograph.

    Can a movement seeking to dismantle entrenched power structures rely on the very global systems accused of sustaining them?
    Is international solidarity a tool for liberation—or a subtle form of influence?

    And ultimately, where should Africa’s struggles be fought—and won?

    Watchdog Perspective

    Watchdog Uganda has consistently stood against oppression, electoral injustice, and the shrinking democratic space in Uganda.

    But accountability must be universal.

    Even those who claim to represent change must be subjected to scrutiny—especially when their actions carry symbolic and strategic weight.

    The debate sparked by Miguna Miguna is not about personalities. It is about principle, direction, and the future of African self-determination.

    The continent is watching.

    And as history has repeatedly shown, the path to true liberation is never neutral—it is chosen.

    The Watchdog is on duty.

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