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  • Nandor Love Reveals Plans for Animal-Themed Festival

    Nandor Love Reveals Plans for Animal-Themed Festival

    Uganda has recently seen music events carrying the “festival” tag, and Nandor Love now wants to add one of her own.

    Kalifah AgaNaga held the “Nassanga Festival (Mukibira)” on August 1, followed by King Saha’s “Tondeka E Kololo Festival” on August 14.

    Nandor’s planned event comes with a theme that sets it apart: animals.

    The singer has revealed plans for an Animal Festival, where she wants fans to dress as lions, horses and chameleons before joining her for a party.

    The idea fits the catalogue that has helped Nandor build her identity, with songs such as “Embuzi” (Goat), “Mpologoma” (Lion), “Embalasi” (Horse) and “Kinawolovu” (Chameleon).

    During an interview on Daily Soup, she revealed plans to bring the animal theme to a live event.

    The going is good, and I want to hold an Animal Festival. I am planning to hold it soon, so I want my fans to get ready to dress up as lions, horses and chameleons, and we party.

    Nandor has not yet announced a date or venue for the Animal Festival.

  • Abba Marcus released From Minnesota jail

    Abba Marcus released From Minnesota jail

    Abba Marcus Mayanja, the eldest son of music legend Jose Chameleone, has been released from custody in Minnesota, United States, following his arrest over an alleged domestic assault.

    The 20-year-old was released at 12:31pm local time on August 17, 2026, according to records from the Hennepin County Sheriff’s Office, three days after he was taken into custody.

    Court records indicate that Mayanja was granted a conditional release, although the specific conditions attached to his release were not publicly disclosed.

    The records list two possible release arrangements: a $6,000 (approximately Shs22.3 million) bail or bond without conditions, or a $0 release subject to conditions. Mayanja was ultimately released under the latter option, meaning he did not have to pay cash for his release.

    His release came on the same day he was scheduled to appear in court at Ridgedale at 9:30am.

    Mayanja faces a misdemeanor domestic assault charge relating to an allegation of an act intended to cause fear of immediate bodily harm or death. The case, however, remains pending, and his release does not amount to a determination of guilt.

    The arrest comes amid a troubled period in Mayanja’s relationship with his pregnant girlfriend, Angelica Becker, popularly known as Angel.

    Angel has previously alleged that Mayanja assaulted her during her pregnancy and pushed back against calls from some people for her to forgive him. She has maintained that she wants justice over the alleged abuse.

    Mayanja has previously denied accusations of physical violence. In May, following allegations made by Angel, he dismissed the claims, saying: “She’s trying to get into my head by making rumours about me hitting her… I didn’t.”

    The couple announced earlier this year that they were expecting a child. Mayanja, who lives in the US, has been pursuing both his education and music career there.

    Interestingly, Mayanja’s release comes against the backdrop of mixed messages from Angel about the future of their relationship.

    In a recent social media video, Angel appeared emotional as she admitted that she still loves and misses Mayanja despite their ongoing dispute.

    I still fkin love him bro. I still fKin do,” she said, adding that she would continue to love him even after his release because he remains the father of her child.

    For now, Mayanja is out of custody, but the domestic assault case against him remains before the court.

  • 200 Slots Up for Grabs as Algeria Opens Scholarships for Ugandan A-Level Leavers

    200 Slots Up for Grabs as Algeria Opens Scholarships for Ugandan A-Level Leavers

    The Ministry of Education and Sports has opened applications for the Algerian Government Scholarships for the 2026/2027 academic year, offering 200 undergraduate slots across nine fields of study at Algerian universities.

    The biggest allocation goes to Science and Technology (Engineering) programmes, including electrical, aeronautic, civil, petro-chemical, mechanical, mining, water, industrial, telecommunication and transportation engineering, with 50 slots on offer. Medical Sciences, covering Medicine, Dental Surgery and Pharmacy, comes next with 40 slots. Architecture and Urban Planning has 25 slots, while Mathematics and Computing and Agronomic Sciences each have 20. Earth and the Universe (Geophysics, Geology) has 15 slots, and Science of Matter, Veterinary Science, and Science of Nature and Life round out the list with 10 slots each. Instruction across all programmes is offered in French or English.

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    To qualify, applicants need at least 2 principal passes in the essential subjects for their chosen field at A-Level, must be below 25 years old at the time of application, and must have sat their A-Level exams not more than two years ago. Anyone already on government sponsorship or another scholarship is not eligible to apply.

    There’s a catch worth budgeting for early: successful candidates will have to buy their own one-way air ticket to Algeria at the start of study, and everyone admitted will first go through a mandatory one-year French language course before beginning their programme.

    Application forms can be downloaded from www.education.go.ug and either emailed to scholarships@education.go.ug or hand-delivered as a typed application indicating age, sex, course, home district, phone contact, email address, copies of academic documents and a passport photo. Physical copies go to the Secretary, Central Scholarships Committee, Department of Higher Education, 3rd Floor Wing A, Legacy Towers Room 9 or 15, Kyadondo Road, Kampala.

    The deadline is Thursday, 3rd September 2026 at 5:00 PM. The shortlist will be published on the Ministry’s website and pinned on notice boards at Legacy Towers on Friday, 11th September 2026.

    Anyone still sitting on their A-Level results or passport application should get moving now, given the tight verification window before the September deadline.

  • Kyambogo University Receives Well Control Model to Boost Oil and Gas Engineering Training

    Kyambogo University Receives Well Control Model to Boost Oil and Gas Engineering Training

    Kyambogo University has received a Well Control Demonstration Model from ZPEB Uganda to strengthen practical training for students pursuing Oil and Gas Engineering.

    The equipment was handed over on August 5, 2026, during a ceremony held under the theme “Bridging Theory and Practice”, bringing together representatives from government, industry, academia and student organisations.

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    The demonstration model is expected to enhance the teaching of petroleum engineering by enabling lecturers to complement classroom theory with practical demonstrations of well control equipment and drilling operations.

    Unlike relying solely on diagrams and theoretical illustrations, the model will allow students to observe how key well control systems operate, giving them a clearer understanding of the principles they will encounter during field-based training and eventually in the oil and gas industry.

    ZPEB pledges to support local talent

    Speaking at the handover ceremony, Elvis Gario, National Content Manager at ZPEB Uganda, reaffirmed the company’s commitment to developing local talent and strengthening human capital within Uganda’s petroleum industry.

    Gario revealed that more than 70 per cent of ZPEB Uganda’s workforce comprises Ugandan professionals, which he said reflects the company’s investment in local expertise.

    He also highlighted the company’s Graduate Trainee Programme, through which 51 graduate trainees have so far received professional training and exposure to the industry.

    The programme, alongside the donation of the training equipment, forms part of ZPEB Uganda’s efforts to contribute to the development of Uganda’s next generation of petroleum professionals.

    ZPEB Uganda’s Drilling Operations Manager, Yan Anyuan, said supporting institutions of higher learning with industry-relevant training resources is important in producing graduates with the technical competencies required by Uganda’s growing oil and gas sector.

    Anyuan also demonstrated how the Well Control Demonstration Model works during the ceremony.

    PAU calls for stronger university partnerships

    Representing the Executive Director of the Petroleum Authority of Uganda (PAU), the Authority’s National Content Manager emphasised the importance of collaboration among institutions involved in petroleum training.

    She encouraged universities to strengthen partnerships with specialised petroleum training institutions, including the Uganda Petroleum Institute Kigumba (UPIK).

    Such partnerships, she said, can facilitate the sharing of training facilities, expertise and instructional resources, expanding opportunities for practical learning and strengthening Uganda’s national petroleum capacity.

    TotalEnergies highlights lecturer training

    Representing TotalEnergies EP Uganda (TEPU), National Content Lead Rosette Komugisha highlighted initiatives aimed at strengthening engineering education and academic capacity.

    She cited the Tilenga Train-the-Trainer Programme, which equips university lecturers with current industry knowledge and emerging technologies that can be integrated into engineering curricula.

    Komugisha also highlighted opportunities for educational field visits and reaffirmed the collaboration between TotalEnergies EP Uganda and ZPEB Uganda in providing internationally recognised well control training.

    Kyambogo welcomes practical learning opportunity

    Representing the Vice Chancellor of Kyambogo University, Dr William Wanasolo, Head of the Department of Mining, Chemical and Petroleum Engineering, thanked ZPEB Uganda for its continued support to petroleum engineering education.

    Wanasolo noted that ZPEB had previously supported students through classroom-based well control training before taking the additional step of donating the demonstration model.

    He said the equipment will provide lecturers with an effective platform for demonstrating fundamental drilling and well control operations while helping students connect engineering concepts to practical applications.

    The university official also commended academic staff for their continued efforts to prepare graduates capable of meeting the technical demands of Uganda’s growing oil and gas industry.

    Lecturer says model will transform learning

    Dr Justin Jordan Pidho, Coordinator of the Oil and Gas Engineering Programme at Kyambogo University, described the donation as a significant contribution to petroleum engineering education.

    Pidho, who teaches Well Control Engineering, one of the core courses in the programme, said the equipment will help move instruction from predominantly theoretical and tutorial-based learning towards practical, demonstration-based teaching.

    The model will enable lecturers to physically demonstrate the operation of critical well control equipment, including valves and pressure-control systems.

    According to Pidho, this will allow students to observe how the equipment functions and relate engineering principles directly to drilling operations instead of relying entirely on diagrams and abstract illustrations.

    He said the experiential approach is expected to improve students’ conceptual understanding, technical competence and preparedness for industry practice.

    Pidho also appreciated the Petroleum Authority of Uganda for its support towards institutional capacity building, TotalEnergies EP Uganda for its contribution to practical teaching and learning, and ZPEB Uganda for providing the equipment.

    Students welcome the donation

    The ceremony also featured student representatives from Kyambogo University and Makerere University.

    Representing Kyambogo were Ruth Nabanja, President of the Kyambogo Oil and Gas Students Association (KOGSA); Musimenta Peter Paul, KOGSA Project Coordinator; and Rachel Mucho Kirabo, Vice President of the Society of Petroleum Engineers (SPE) Kyambogo University Student Chapter.

    The student leaders thanked ZPEB Uganda and its partners for supporting engineering education and pledged to make maximum use of the Well Control Demonstration Model to strengthen their practical learning and professional development.

    The donation marks another step towards strengthening the link between university training and Uganda’s petroleum industry.

    By bringing practical demonstrations into classroom instruction, Kyambogo University expects the equipment to enhance students’ learning experiences while helping produce graduates with the technical knowledge, practical skills and professional competencies required to contribute to the country’s oil and gas sector.

  • Two men sentenced to 150 years for boda-boda rider’s murder

    The High Court in Kampala has sentenced two notorious criminals, Aloysius Tamale alias Young Mulo and John Bosco Mugisha alias Mukiga, to an additional 40 years in prison each for the murder and robbery of a boda-boda rider in 2019.

    The latest sentences bring the total prison terms the two men are serving to 110 years each, having already been sentenced to 70 years for previous similar offences.

    The case stems from the murder of boda-boda rider Derrick Muwonge, also known as Mulindwa, in Kakeeka, Mengo, in 2019.

    Tamale and Mugisha became widely known after CCTV footage showing the attack circulated on social media. The footage showed the two men choking Muwonge before repeatedly hitting him on the head with a hammer.

    They then killed him and allegedly took his motorcycle.

    On Monday, High Court Judge Alex Ajiji sentenced each convict to 40 years for murder.

    The prosecution had asked the court to impose the death penalty on both men, arguing for the seriousness of the offences.

    However, Judge Ajiji ruled that a death sentence was unnecessary because the two convicts were already serving lengthy sentences for similar crimes.

    The judge said the additional 40-year sentences would ensure the two men remain in prison for a considerable period and do not return to society to commit further offences.

    “This court has a duty to sentence the accused persons to a harsh sentence but considering that each of them already has 70 years in prison over two previous convictions on similar offences, it would not be useful to mete out a death sentence,” Judge Ajiji said.

    He added that another 40 years would result in each convict serving more than 100 years in prison, making it unnecessary to impose the death penalty.

    The court therefore opted for the additional 40-year prison term for each of the two men.

  • Who will replace Uganda’s legendary Big Three music icons?

    Who will replace Uganda’s legendary Big Three music icons?

    For more than two decades, Uganda’s music industry has had a largely accepted “Big Three” — Bebe Cool, Jose Chameleone and Bobi Wine. The trio shaped the country’s entertainment scene, built massive fan bases and influenced generations of musicians who came after them.

    However, the three are now on different trajectories. Bebe Cool remains active in music, Jose Chameleone continues to release music and perform, while Bobi Wine has shifted much of his attention to politics. His political career has also taken him outside Uganda.

    Their dominance went beyond music. Fans often identified themselves with one of the three camps, with the long-running rivalry between Bobi Wine and Bebe Cool generating some of the biggest debates in Uganda’s entertainment industry. Bobi Wine’s entry into politics, however, changed the equation, forcing many of his former music fans to choose between continuing to support him politically or remaining focused on his music.

    Bobi Wine’s journey from the ghetto music scene to becoming one of Uganda’s most influential political figures also inspired many young people. His story showed a generation that it was possible to move from being a “ganja man” and musician to occupying a major position of influence in the country.

    Politics has therefore had a major impact on Uganda’s music industry, both positively and negatively. But that is a conversation for another day. The bigger question now is whether Uganda needs to acknowledge a new generation of musical heavyweights.

    So, who are Uganda’s new Big Three?

    For this discussion, the new Big Three should ideally comprise artists who emerged between roughly 2010 and 2018, have remained relevant, boast strong music catalogues and have achieved significant commercial and cultural success.

    Several names immediately enter the conversation: Eddy Kenzo, King Saha, Sheebah Karungi, A Pass, Ray G, and Radio & Weasel.

    Eddy Kenzo

    Eddy Kenzo’s rise is one of the biggest success stories in Ugandan music.

    After emerging from the Firebase camp and collaborating with artists such as Mikie Wine on “Yanimba,” Kenzo gradually built his own identity and became an international Ugandan star.

    His achievements speak for themselves. He won a BET Award, received Grammy nominations and has earned several other international recognitions while performing across different countries.

    Kenzo has arguably become Uganda’s most internationally successful musician of his generation. His music has crossed borders in a way few Ugandan artists have managed, making him an obvious candidate for any conversation about a new Big Three.

    King Saha

    King Saha is another strong contender.

    Having started out under Jose Chameleone’s Leone Island camp, Saha eventually established himself as one of Uganda’s leading voices, particularly in the love and Afro-pop music space.

    For years, he was respected for his music but did not necessarily command the same superstar status associated with the old Big Three. That perception changed significantly in recent years, particularly after his open association with Bobi Wine and the National Unity Platform (NUP).

    His growing popularity was evident at his recently concluded Kololo Festival concert, which attracted a massive audience and sparked the debate over whether Uganda’s musical hierarchy has changed.

    Sheebah Karungi

    If there is one woman who deserves to be part of this conversation, it is Sheebah Karungi.

    For close to a decade, Sheebah has remained one of Uganda’s most consistent and commercially successful female artists. From her days with Team No Sleep to her solo career, she has built a catalogue of hits, a loyal fan base and a strong stage presence.

    Her longevity and ability to remain relevant in an industry dominated by male artists make her difficult to ignore.

    Cindy Sanyu could also make a strong case for inclusion, but Sheebah’s consistency, popularity and influence over the past decade give her a particularly strong claim.

    Radio & Weasel

    Radio & Weasel arguably deserve to be mentioned because they were among the first acts to seriously challenge the dominance of the old Big Three.

    The duo ushered in a new generation of Ugandan music and paved the way for artists such as Eddy Kenzo, King Saha, Fik Fameica and many others.

    Their music remains influential, and their catalogue continues to speak for itself.

    However, Radio’s death changed the trajectory of the duo. Weasel has continued his career, but it becomes difficult to place him individually in the same conversation. As a duo, Radio & Weasel unquestionably belong among the most influential acts of the post-Big Three generation.

    A Pass

    A Pass represents a completely different side of Uganda’s modern music industry.

    His music is more urban and digitally driven, with a strong emphasis on songwriting, experimentation and English-language music, while still incorporating Luganda.

    Although he may not command the same traditional concert numbers as some of the other artists on this list, his catalogue, versatility and influence among younger audiences make him a serious contender.

    A Pass represents a generation of artists who have built their careers differently from the old-school musicians, relying heavily on digital platforms and changing listening habits.

    Ray G

    Then there is Ray G, who has perhaps achieved something unique: successfully breaking out of Uganda’s traditional music centres and becoming a major regional star.

    The western Uganda-born artist has built a strong following beyond his home region and has demonstrated his ability to bring large audiences to major venues.

    His concerts at Lugogo Cricket Oval and Kololo Airstrip, among others, have strengthened his case as one of the biggest artists to emerge from outside Uganda’s traditional Kampala music establishment.

    His rise also demonstrates that Uganda’s music industry is no longer solely defined by artists from Kampala.

    So, who really makes the new Big Three?

    There is no single correct answer.

    If international success is the main measurement, Eddy Kenzo has an extremely strong case. If consistency, popularity and cultural influence are the criteria, Sheebah is difficult to leave out. If recent momentum and massive local fan mobilisation matter most, King Saha has strengthened his argument considerably.

    Radio & Weasel remain historically important, although Radio’s passing makes it difficult to assess them as an active duo. A Pass represents the digital generation, while Ray G brings regional influence that deserves greater recognition.

    Perhaps the bigger point is that Uganda’s music industry has changed. The era when Bebe Cool, Jose Chameleone and Bobi Wine automatically dominated every conversation is gradually becoming history.

    The question is no longer whether there is a new Big Three. The real debate is who deserves to be in it — and what should be used to measure greatness?

    For now, Eddy Kenzo, King Saha, Sheebah Karungi, A Pass, Ray G and Radio & Weasel all have a case to make. The final ranking, however, is up to the fans.

    The post Who will replace Uganda’s legendary Big Three music icons? appeared first on MBU.

  • TikToker Abdallah Bogere granted bail over false sh7bn theft claims

    TikToker Abdallah Bogere granted bail over false sh7bn theft claims

    The Buganda Road Chief Magistrate’s Court has granted bail to 35-year-old TikToker Abdallah Bogere, popularly known as “True Leader,” who is accused of falsely claiming that he and others stole Shs7 billion from the head of the Office of the National Chairman (ONC), Hadijah Namyalo Uzeiye.

    Bogere appeared before Chief Magistrate Ritah Neumbe Kidasa for a ruling on his bail application. He is charged with sending false distress signals contrary to Section 82 of the Uganda Communications Act, Cap 103, a charge he has denied.

    In her ruling, Magistrate Kidasa said Bogere was entitled to bail and found no compelling reason to keep him in custody. She granted him cash bail of Shs1 million, while his sureties were bonded at Shs5 million each on a non-cash basis.

    The court also barred Bogere from making further false accusations while on bail and warned that violating the conditions could lead to the cancellation of his bond.

    Prosecution alleges that between August 3 and 4, 2026, Bogere and other suspects who are still at large used TikTok accounts @trueleader123 and @Planned Mulekwa to circulate videos claiming that they had participated in the alleged theft of Shs7 billion from Namyalo. The state maintains that the claims were false and intended to cause alarm.

    During the bail proceedings, Chief State Attorney Joan Keko told court that investigations were nearing completion but requested more time to verify the background and information provided by Bogere’s sureties.

    Bogere, through his lawyer, presented three sureties, including a Kampala Central Division councillor, a businesswoman and his wife. The defence described them as substantial and reliable sureties.

    The case was adjourned to September 2026 for further mention as investigations continue.

    The post TikToker Abdallah Bogere granted bail over false sh7bn theft claims appeared first on MBU.

  • From politics to production: OWC’s Kirabira urges NUP, NRM supporters to unite against poverty

    From politics to production: OWC’s Kirabira urges NUP, NRM supporters to unite against poverty

    KAMPALA, UGANDA — Operation Wealth Creation (OWC) Civil Coordinator for Greater Kampala Metropolitan, Edison Kirabira, has called on supporters of the National Unity Platform (NUP) and the National Resistance Movement (NRM) to put political differences aside and unite around production, enterprise and income-generating activities as a practical pathway out of poverty.

    Speaking on Monday at the OWC branch offices in Munyonyo, near Speke Resort, Kirabira said political competition should not become a permanent distraction from the economic challenges facing Ugandan households, particularly young people.

    “It is time for serious work. Leave politics aside,” Kirabira said, urging citizens to channel more of their energy into commercial farming, entrepreneurship, skills development and other productive activities.

    Kirabira clarified that his message is not a call for Ugandans to abandon politics, but rather for political affiliation not to become a barrier to economic cooperation.
    His argument is straightforward: Ugandans can disagree politically and still work together economically.

    A NUP supporter can trade with an NRM supporter. An NRM supporter can farm with a NUP supporter. Young people from different political backgrounds can build enterprises together, while communities divided at the ballot box can still unite around shared economic needs.
    When politics meets the household
    For Kirabira, economic challenges do not recognise political party colours.

    A young person looking for work remains unemployed regardless of political affiliation. A farmer needs productive inputs and reliable markets regardless of whom he or she supports. A small business owner needs customers, skills and capital, while families need food, education, healthcare and sustainable incomes.

    He therefore wants political leaders and their supporters to redirect part of their energy towards activities that directly improve household livelihoods.
    Political participation, he argues, is important, but it should not consume the productive years of young Ugandans.
    “It is time for serious work,” he reiterated.
    For Kirabira, that work means production.

    From political mobilisation to economic mobilisation

    Kirabira’s message is closely aligned with the wealth-creation philosophy of Operation Wealth Creation, a Government initiative focused on encouraging households to participate in productive economic activities, particularly commercial agriculture.

    His appeal, however, extends beyond agriculture to include entrepreneurs, young people, skilled workers, traders and small businesses.

    He urged citizens to assess Government development programmes based on the opportunities they create for households rather than viewing them exclusively through political lenses.

    The real test of an economic intervention, he argued, should be whether it contributes to production, income, skills, employment or a sustainable livelihood.

    A programme may exist on paper, but its ultimate value must be reflected in the lives of ordinary citizens.
    The NUP-NRM divide should not become an economic divide
    Kirabira’s appeal deliberately crosses Uganda’s political divide.

    He called on NUP and NRM supporters to recognise that political disagreement does not have to translate into social or economic hostility.

    They do not have to agree politically to work together. They do not have to vote alike to trade. They do not have to belong to the same party to build a business, and they do not have to campaign together to improve their communities.

    The marketplace does not ask for a party card before people can trade.
    The farm does not ask for political identity before producing food.

    And poverty does not distinguish between political supporters.

    The youth at the centre

    Kirabira’s strongest appeal is directed at young Ugandans, whom he urged not to allow political confrontation to consume the years in which they can acquire skills, establish enterprises and build productive assets.

    Time spent endlessly fighting political battles can instead be used to learn a skill, establish a business, cultivate a commercial crop, build professional networks or develop an income-generating idea.

    His message is therefore one of balance.
    Young Ugandans can participate in politics while simultaneously building their economic future. They can debate national issues and still work. They can support different political parties and still cooperate in enterprise.

    They can disagree politically without becoming economic enemies.
    Nakasero II and the grassroots development mission

    Kirabira, who also oversees OWC activities in Nakasero II, said his grassroots work is driven by the need to encourage citizens to embrace development and productive economic activity.

    According to information provided by Kirabira, he was appointed to coordinate OWC civil activities in Nakasero II by Gen. Salim Saleh.

    His Greater Kampala Metropolitan role has expanded his platform for engaging communities on economic development.
    The metropolitan environment presents economic realities that differ from those of rural communities. For many residents, wealth creation may involve entrepreneurship, trade, transport, services, technology, professional work and other forms of enterprise.
    But Kirabira says the underlying question remains the same:

    What is putting money into the household?

    Government programmes must reach the household

    Kirabira urged citizens to take advantage of legitimate Government development programmes available to them, regardless of political affiliation.

    However, accessing a programme, he said, should only be the beginning. Beneficiaries must understand the purpose of interventions and use available resources responsibly and productively.

    This places an important responsibility on grassroots leaders and community mobilisers, who must help citizens understand opportunities, encourage participation, promote accountability and support the productive use of resources.
    Economic transformation cannot be achieved through distribution alone.

    It requires production. It requires skills. It requires discipline. It requires markets. And it requires citizens willing to work.
    Social media as an economic tool
    Kirabira’s message also has a digital dimension.

    As Chief Executive Officer of the Federation of Uganda Social Media Influencers Ltd, he believes social media platforms can be used to promote productive citizens, businesses, skills and legitimate economic opportunities.

    Instead of allowing digital spaces to be dominated by political confrontation, he wants them to become platforms for ideas, enterprise and economic opportunity.
    A young person can use social media to market a product. A farmer can find customers. An entrepreneur can build a brand. A skilled worker can find clients, while communities can share information about legitimate opportunities.

    The smartphone, in Kirabira’s vision, should therefore become not only a political microphone but also an economic tool.

    The politics of poverty

    There is a deeper question beneath Kirabira’s message.

    Political mobilisation can generate excitement, loyalty and identity. But political debate alone does not generate household income.

    A political argument cannot by itself pay school fees. A rally cannot replace a sustainable business. A social media confrontation cannot substitute for a productive skill, and political victory does not automatically translate into economic security for an ordinary family.
    Kirabira therefore wants citizens to begin measuring progress differently.

    How much are we producing?
    How many young people are acquiring skills?
    How many households are establishing sustainable enterprises?
    How many businesses are growing?
    How effectively are development opportunities reaching citizens?
    He argues that these questions should become part of Uganda’s broader development conversation.

    A new kind of unity

    Kirabira is not asking Ugandans to erase their political differences. He is asking them not to allow those differences to prevent cooperation where such cooperation can improve lives.

    That, he says, is a different kind of unity.
    NUP and NRM supporters do not have to agree on every political question to agree that young people need productive livelihoods.

    They do not have to share the same political beliefs to agree that farmers need markets.
    They do not have to vote alike to cooperate in building businesses.
    The common ground is economic survival and development.

    From the campaign ground to the production ground

    Uganda’s political seasons will continue.
    Elections will come. Campaigns will begin. Parties will compete. Citizens will choose.
    But when the rallies end, households will still have to survive.

    The farmer must return to the garden. The entrepreneur must return to the business. The young person must acquire a skill. The worker must earn. The family must plan, and the community must produce.
    Kirabira wants political leaders to mobilise citizens not only when votes are needed, but also when production is needed.

    The most meaningful grassroots mobilisation, he argues, may ultimately be mobilisation that puts people to work.
    The question for political leaders
    Kirabira’s message raises a broader question for political leadership:

    What happens after mobilisation?
    If citizens can be mobilised to vote, can they also be mobilised to produce?
    If young people can be mobilised to attend rallies, can they also be mobilised to acquire skills?
    If supporters can organise around political causes, can they organise around enterprise?

    If social media can mobilise political opinion within hours, can it also mobilise communities around markets, skills and productive opportunities?
    These questions challenge leaders across the political divide to expand the meaning of mobilisation.
    Leadership should not only tell citizens what to oppose.
    It should also show them what to build.
    “Leave politics aside”
    Kirabira’s call is ultimately a plea for balance.
    “It is time for serious work. Leave politics aside.”

    The statement is not necessarily a rejection of democratic participation. Rather, it is a call to prevent political confrontation from becoming the permanent centre of national life.

    Ugandans can hold different political opinions. They can support different parties. They can campaign and vote.
    But they can also farm, trade, acquire skills, build enterprises, create jobs and increase household incomes.

    They can work together.
    That, Kirabira argues, is the economic unity Uganda needs.

    The future belongs to those who build
    A family that moves from dependence to production has changed.

    A young person who acquires a marketable skill gains greater economic opportunity.
    A farmer who moves towards commercial production enters a different economic space.

    A small business that grows enough to employ another person creates value beyond its owner.

    These quiet economic victories may not dominate political headlines, but they can gradually transform communities.
    This is why Kirabira’s appeal to NUP and NRM supporters extends beyond the two political camps. It is an invitation to redefine what citizens do with their energy after politics.

    Uganda does not need citizens to stop thinking.

    It needs citizens to start building.
    It does not need less political participation. It needs political participation accompanied by economic participation.
    It does not need young people permanently trapped in confrontation. It needs young people acquiring skills, creating enterprises and producing wealth.

    Because political seasons come and go.
    But poverty is confronted every day.
    From the OWC offices in Munyonyo, Kirabira’s message is unmistakable:

    The next great mobilisation should not only be about who leads Uganda. It should also be about what Ugandans can build together.
    The ballot may determine political leadership, but production determines whether households move forward.
    For Kirabira, the time for serious work is now.

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  • Chameleone’s son Abba Marcus Mayanja released from US jail

    Abba Marcus Mayanja, the son of Ugandan musician Jose Chameleone, has been released from a Minnesota jail following his arrest on a domestic assault charge.

    The 20-year-old was released at 12:31pm local time on 17 August 2026, according to records from the Hennepin County Sheriff’s Office.

    Court records show that Marcus was granted a conditional release, although the specific conditions attached to his release were not publicly disclosed.

    The court had listed two options for his release: a $6,000 (about Shs22.3 million) bail or bond without conditions, or release without payment subject to conditions.

    Marcus was released under the second option and did not pay cash for his release.

    His release came on the same day he was scheduled to appear in court at Ridgedale at 9:30am.

    The 20-year-old was arrested three days earlier and charged with misdemeanor domestic assault, specifically an allegation of an act intended to cause fear of immediate bodily harm or death.

    Although Marcus is now out of custody, the charge against him remains pending as the case proceeds through the court system.

  • UFF 2026: Full List of Nominees Revealed as Uganda Film Festival Returns

    UFF 2026: Full List of Nominees Revealed as Uganda Film Festival Returns

    The Uganda Film Festival (UFF) 2026 has unveiled its official list of nominees, bringing together some of Uganda’s leading actors, filmmakers, television productions and emerging creative talent for this year’s awards.

    The festival, organised by the Uganda Communications Commission (UCC), will run from August 21 to 28, 2026, under the theme “Transformation: The Power of Local Stories.”

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    The programme will feature film screenings, workshops and forums, culminating in the UFF Awards Gala.

    Among the productions attracting significant attention in this year’s nominations is You May Kiss the Bride Goodbye, which features prominently across several categories, including Best Viewer’s Choice, Best Costume Design, Best Cinematography, Best Make-Up, Best Post-Production/Editing, Best Screenplay, Best Actor in a Feature, Best Supporting Actor in a Feature and Best Actress in a Feature.

    Other productions with multiple nominations include Adui, Maama Wange, Waka Waka, Small Gods, Longing to Belong, The Unforgivable, Damalie, Choices and Ties That Bind Us.

    Best Viewer’s Choice

    The nominees are:

    • Adui
    • You May Kiss the Bride Goodbye
    • The Unforgivable
    • Longing to Belong
    • Maama Wange
    • Waka Waka

    Best Original Soundtrack

    • When Power Turns
    • Wrong Number
    • Longing to Belong
    • Sledge
    • Small Gods

    Best Costume Design

    • Small Gods
    • Adui
    • You May Kiss the Bride Goodbye
    • Maama Wange
    • Waka Waka

    Best Cinematography

    • At the Verge
    • Adui
    • You May Kiss the Bride Goodbye
    • Longing to Belong
    • Waka Waka

    Best Make-Up

    • You May Kiss the Bride Goodbye
    • Maama Wange
    • Waka Waka
    • The Unforgivable
    • Small Gods

    Best Post-Production/Editing

    • Adui
    • You May Kiss the Bride Goodbye
    • Longing to Belong
    • Waka Waka
    • The Unforgivable

    Best Film in Indigenous Language

    • Small Gods
    • Waka Waka
    • Maama Wange
    • When Power Turns

    Best Regional Film

    The regional category features:

    • Borrowed Womb — Eastern Region
    • No Need A Call — Central Region
    • Kabwondera — Western Region
    • No Safe Place to Call Home (Te Okono) — Northern Region

    Best Screenplay

    • Small Gods
    • You May Kiss the Bride Goodbye
    • The Unforgivable
    • Maama Wange
    • Adui

    Best Director

    • Drake Makanga — You May Kiss the Bride Goodbye
    • Mariam Ndagire Kizito — Longing to Belong
    • Ssentongo Marvin Rain — Waka Waka
    • Masadde Isaa Yusuf — Maama Wange

    Best Feature Film

    • Adui
    • Waka Waka
    • Longing to Belong
    • Maama Wange
    • You May Kiss the Bride Goodbye

    Best Actress in a Feature

    • Mbabazi Catherine Uwera — You May Kiss the Bride Goodbye
    • Jackline Katusiime — The Unforgivable
    • Irene Enyegu — Lost and Found
    • Nakakeeto Immaculate — Wrong Number
    • Chimpaye Florence Mariserena — Small Gods

    Best Actor in a Feature

    • Fidel Sankara — You May Kiss the Bride Goodbye
    • Michael Wawuyo Jr — The Unforgivable
    • Mushikoma Daniel Papa — At the Verge
    • Olot Bonny Olem — Adui
    • Turinayo Jothan — Small Gods

    Best Supporting Actress in a Feature

    • Hellen Lukoma — You May Kiss the Bride Goodbye
    • Nabakiibi Joana Jojo — Maama Wange
    • Annet Nandujja — Longing to Belong
    • Namakulula Hilda — Wrong Number
    • Nakitende Hasifah — At the Verge

    Best Supporting Actor in a Feature

    • Allan Kutos Katongole — You May Kiss the Bride Goodbye
    • Mutumba Henry — Waka Waka
    • Obita Vincent Tyson — Adui
    • Tom Ongom — When Power Turns
    • Biziman Hussein — Small Gods

    Best Rising Star

    • Katushabe Jovian Ann — Maama Wange
    • Yomcwinya Emily — Adui
    • Sanyu Millie Martha — At the Verge
    • Turinayo Jonathan — Small Gods

    Best Animation

    • Amara and the Spirit of Nyamagunda
    • Queen Kitami
    • Who Killed Captain Alex?
    • Mother Tongue
    • Nyota Force

    Best Local Documentary

    • Wanawake
    • Ektiibwa Ky’Olubugo
    • Becoming Her, Becoming Free
    • Ajon – The Spirit of Teso
    • The Blind Family

    Best East African Film

    The East African category features films from Kenya and Tanzania, including:

    • Shiku — Kenya
    • Bobo — Kenya
    • Nana — Tanzania
    • Peremende — Kenya
    • Zahma (The Struggle) — Kenya

    Best International Film

    The international category includes:

    • Safari — Kenya
    • Eugene O’Neill’s – The First Man — United Kingdom
    • In Other Words — Iran
    • Nelson Mandela: The Man Behind the Legend — Russian Federation
    • My Father — Mauritius

    Best Student Film

    The nominees are:

    • Bond of Tera
    • Shadows After Vows
    • Mind Over Matter
    • Unseen
    • The Dream Killer

    Best TV Drama Series

    Uganda’s television productions competing in the category include:

    • Damalie
    • Loving Beyond
    • Kavule Town
    • Choices
    • Ties That Bind Us

    Best Actor in TV Drama/Series

    The nominees include:

    • Derrik Bakka — Damalie
    • Mugagga Tevin — Kavule Town
    • Rukundo Kenny — Choices
    • Herbert KafriKa — Choices
    • Jjemba Musoke — Ties That Bind Us

    Best Actress in TV Drama/Series

    • Diana Kahunde — Choices
    • Nakubulwa Clare Desire — Ties That Bind Us
    • Nambusi Florence — Loving Beyond
    • Mirembe Doreen — Damalie
    • Cinderella Okuyo — Crossroads

    Best Supporting Actor in TV Drama/Series

    • Austin Jjemba Musoke — Damalie
    • Isaac Mendez Kintu — Loving Beyond
    • Yusuf Kaija Boxa — Choices
    • Raymond Rushabiro — Ties That Bind Us
    • Blair Koono — Kavule Town

    Best Supporting Actress in TV Drama/Series

    • Kunihira Carolyn — Ties That Bind Us
    • Rukia Nalubega — Damalie
    • Florence Iga — Loving Beyond
    • Natulinda Blessed — Kavule Town
    • Anna Marie Nantambi — Choices

    Nalubega’s nomination is particularly notable because she is a Makerere University Drama and Film student who has built an acting career alongside her studies. Her performance as Zabuli in Damalie earned her the nomination in a competitive category.

    Best Local Short Film

    • Infinity
    • Mfuko the Duffle Bag
    • Subliminal
    • Twisted
    • Last Taxi to Kawempe

    Celebrating local stories

    The breadth of the UFF 2026 nominations reflects the growing diversity of Uganda’s film and television industry, with categories recognising everything from feature films and television drama to animation, documentaries, student productions and indigenous-language films.

    The inclusion of East African and international films also gives Ugandan filmmakers an opportunity to engage with productions from across the region and beyond.

    This year’s theme, “Transformation: The Power of Local Stories,” places emphasis on the ability of Ugandan stories and filmmakers to influence culture, identity and society.

    The festival will take place from August 21 to 28, with the awards gala forming the climax of the week-long celebration of Uganda’s film industry.

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