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  • Meera wins key ground as court grants FBW stay on Shs2.7bn judgment

    Meera Investments Limited has secured a significant advantage in its long-running legal battle with architectural firm FBW (U) Limited after the High Court upheld key findings against the firm while allowing it to temporarily halt execution of a Shs2.7 billion judgment pending an intended appeal.

    The ruling, delivered on Friday by High Court Commercial Division Judge Susan Odongo, arose from an application by FBW, Paul Moores and Nigel Tilling seeking to stop execution of a judgment delivered in April in favour of Meera Investments.

    Although the court granted FBW a conditional stay, it firmly rejected several of the firm’s arguments challenging the original judgment.

    In particular, the court ruled in Meera’s favour on the contentious issue of whether FBW had been properly notified when the judgment was uploaded onto the Electronic Court Case Management Information System (ECCMIS).

    FBW argued that it only learnt of the April 3 judgment on May 15 through a lawyers’ social media platform, arguing that the lack of electronic notification caused it to miss the statutory appeal deadline.

    Meera, through its director Dr Sudhir Ruparelia, countered that FBW’s lawyers were registered ECCMIS users and had a duty to monitor the system.

    Justice Odongo agreed with Meera, holding that the uploading of the judgment on ECCMIS constituted effective legal notice. The court said lawyers had an ongoing professional duty to monitor the electronic court registry.

    The court also took a strong position on the substance of FBW’s proposed appeal, describing its challenge to the original judgment as having “zero likelihood of success on its merits”, although it found that the filing of the notice of appeal and related applications was sufficient to establish a prima facie right to appeal.

    The original dispute arose from a 2012 consultancy agreement under which FBW was contracted to provide architectural, structural and mechanical/electrical drawings for the expansion of Kabira Country Club.

    The project was later suspended and revived, leading to disagreements over payments and the format of drawings supplied by FBW. Meera argued that the firm failed to provide usable editable CAD files and was forced to engage another consultant to redraw the project.

    In the April judgment, the court ordered FBW and its associates to refund USD132,750, pay USD108,500 in special damages and USD500,000 in general damages, bringing the principal award to USD741,250, before interest and costs.

    While the latest ruling temporarily protects FBW from execution, the court required it to secure the undisputed USD132,750 within 45 days.

    FBW must either deposit the money in court or provide an unconditional, irrevocable and on-demand bank guarantee from a reputable Ugandan commercial bank.

    Failure to meet the condition will automatically cancel the stay, allowing Meera to proceed with execution of the entire judgment without seeking another court order.

    The court said the remaining damages awards were contested and raised triable questions on proof and quantum, making it inequitable to require FBW to secure the entire judgment before pursuing its appeal.

    The costs of the stay application will be determined alongside the outcome of FBW’s intended appeal.

    For Meera, the ruling therefore preserves the substance of its April victory while allowing the appellate process to proceed. For FBW, the conditional stay provides breathing room to pursue an appeal without facing immediate execution that the court found could cripple its business.

  • Gloria Bugie Says She Is Ready for a Concert, but the Venues Are Not

    Gloria Bugie Says She Is Ready for a Concert, but the Venues Are Not

    Gloria Bugie is still searching for a venue for her first major concert, and even Namboole is not available for now.

    Earlier this year, the singer said she wanted to stage the concert in 2025 but pushed the plans because of the campaign season.

    As she searched for a new date and venue, she ran into another problem after finding that many venues had no available dates left.

    While considering her options, Bugie playfully pointed to Mandela National Stadium, Namboole as a possible choice, saying she wanted a venue with enough space for her fans.

    Gloria Bugie

    But Namboole has also presented a problem.

    Speaking during her latest interview on NRG, Bugie stressed that she is ready to stage the concert and that her fans have continued to demand it. The issue, she said, is finding an available venue.

    I am more than ready for a concert. My fans have been demanding one, and I am ready to give them that. The only issue is that the venues are not yet available. I was told Namboole is still booked for AFCON, so maybe after that.

    With AFCON running from June 19 to July 17, 2027, Bugie would have to wait until after the competition if she eventually chooses Namboole for the concert.

    Mandela National Stadium

    Still, when asked whether she felt ready for a venue as big as Namboole, Bugie did not sound concerned about the size of the stadium.

    Instead, she playfully turned the question around, saying that her bigger concern was finding enough space for all the fans she expects to attend.

    I have many fans from all over the world, so I want a venue with enough space. I do not want any of my fans to remain outside the gates.

    The concert venue remains undecided, but Bugie insists that she is ready whenever the right space opens up.

  • Emerging with raw talent: How RJP Music SMC Limited artists are making progress

    Emerging with raw talent: How RJP Music SMC Limited artists are making progress

    RJP Music SMC Limited opened its doors to raw talent in January 2026, signing over 7 fresh talents to the Royal Jeff-owned music outfit. Five of the seven have shown a relatively impressive start to their careers, dropping new music.

    We look at their progress in this piece:

    Slumboy Zacky a.k.a Outlaw President

    Slumboy Zacky joined the RJP Music SMC Limited with high hopes and has already dropped a song titled Tombala, which ranks him amongst the promising rising acts.

    Marinova

    With a couple of recorded songs that still await mastering and release, Marvinova is also a huge prospect. His released projects “Ekigaali Kyoku Happy” and “Tuliku Na Kibbuli” showcase his potential.

    P-Crack Music

    For his very first music release, “Anyway” did numbers for P-Crack Music, and he continues to spend sleepless nights in the studio, cooking more tracks for his slowly growing fanbase.

    Alphawiz Official

    Alphawiz Official’s “Santa Maria” introduced him to several music enthusiasts before making the remix of the song with Royal Jeff, increasing his visibility on different music platforms.

    Omega Busungu

    After dropping “Pool Party,” which features Royal Jeff, Omega Busungu added yet another track dubbed “Disappointment,” and he continues to work tirelessly to make 2026 his breakout year.

    The post Emerging with raw talent: How RJP Music SMC Limited artists are making progress appeared first on MBU.

  • Lydia Jazmine reveals her strategy for leaving men before being dumped

    Lydia Jazmine reveals her strategy for leaving men before being dumped

    Singer Lydia Jazmine spoke her mind about heartbreak and how she handles relationships when things start falling apart, revealing that she would rather walk away than wait for a man to end things.

    Speaking in a recent interview, the singer acknowledged that heartbreak and cheating are experiences that can happen to anyone, including some of the biggest celebrities in the world.

    “Everyone gets heartbroken, why not? I’ve seen the biggest artists in the whole world get cheated on. Rihanna and Beyoncé got cheated on. Everyone gets cheated on, and I have had those experiences too.”

    Lydia Jazmine, however, explained that she has developed a simple way of dealing with troubled relationships.

    According to the singer, once she notices that things are no longer working, she chooses to leave on her own terms rather than wait to be dumped.

    “But do you know what I do? I walk away. I don’t wait for a man to dump me. I walk away myself.”

    The ‘EX/Fake Lover’ singer also opened up about the inspiration behind the song, admitting that she was bitter when she recorded it.

    Lydia Jazmine revealed that she specifically instructed the songwriter to focus on ex-lovers when writing the song, adding that the message was deliberately directed at people who had hurt or disappointed her.

    “I have a song titled ‘EX/Fake Lover’ and I was specific. I told the songwriter that I wanted to sing about the exes. When I sang ‘EX’, it was obvious for him to know because the timing let him know. I was bitter in that song, yes, I agree.”

    She further noted that the song is not only about romantic partners but also speaks to fake friends and other people who have betrayed her.

    “That song hits at many people, including fake friends and lovers.”

    The post Lydia Jazmine reveals her strategy for leaving men before being dumped appeared first on MBU.

  • Ruparelia Group Injects Shs25m Into Lwakataka’s Rally Comeback

    Ruparelia Group Injects Shs25m Into Lwakataka’s Rally Comeback

    KAMPALA — Veteran Ugandan rally driver Ponsiano Lwakataka has moved closer to a return to competitive motorsport after the Ruparelia Group of Companies contributed Shs25 million towards his campaign to acquire a new rally car.

    The two-time national rally champion is seeking Shs220 million to purchase a Volkswagen Proto previously owned by the late rally driver Rajiv Ruparelia. The latest contribution reduces the amount needed to Shs195 million.

    Lwakataka’s comeback campaign has attracted growing support from Uganda’s motorsport community as the veteran driver seeks to return to the national rally championship after an absence from competitive racing.

    He is expected to hold a fundraising sprint at Garuga on September 20, where he plans to mobilise additional financial support and unveil the new car.

    Speaking after receiving the Ruparelia Group contribution, Lwakataka expressed gratitude for the support and appealed to rally enthusiasts to turn up for the fundraising event.

    “I am really happy and I want to assure our fans that the day of the unveiling of the rally car will be special. I call upon all rally fans to come to Garuga and see our car,” Lwakataka said.

    The Garuga event will also commemorate 25 years of Lwakataka’s career in motorsport. As part of the celebrations, he plans to sell a commemorative magazine documenting his journey in rallying at Shs10,000 per copy.

    Lwakataka believes the Volkswagen Proto will give him a stronger platform for his return to competitive rallying.

    He has nicknamed the new machine “Rabbit,” contrasting it with his previous car, which he called “Snake.”

    According to the veteran driver, the handling characteristics of his previous car presented challenges that sometimes affected his performance, particularly because the front and rear sections did not always respond predictably.

    He is confident the new car will offer better handling and improve his competitiveness when he returns to the national championship.

    “Rabbit will jump in the same direction,” Lwakataka said, expressing optimism about the new machine.

    The Shs25 million contribution from Ruparelia Group is therefore an important step in Lwakataka’s Shs220 million fundraising drive, which seeks to put one of Uganda’s most experienced rally drivers back on the competitive stage.

    With Shs195 million still required, the September 20 Garuga fundraiser is expected to be a major test of the support behind Lwakataka’s highly anticipated return to rallying.

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  • Luutu keeps his cool to claim Johnnie Walker Uganda Seniors crown as Pavie makes it two

    Elijah Luutu arrived at Uganda Golf Club with modest ambitions. By Sunday morning (August, 23), with the Johnnie Walker Uganda Seniors Open hanging in the balance, he had a championship title to add to his collection of golfing accolades.

    Luutu survived a late charge from Joseph Bagabo to win the men’s title, while Catherine Pavie successfully defended the Senior Ladies crown, as the Johnnie Walker Uganda Seniors Open finally reached its climax after a weather-delayed finish.

    The final day was never supposed to be Sunday. The tournament was scheduled to finish on Saturday, but heavy rain and poor visibility forced play to be called off abruptly.

    When the leading groups returned on Sunday morning, Luutu’s advantage had been reduced to the sort of margin that offered no room for comfort.

    His opening round had suggested a rather different story.

    Luutu shot a level-par 72 on Friday. It was the kind of start that gives a leader some breathing space. But Bagabo spent Saturday steadily taking it away, getting to within two shots before play was suspended.

    Then there was Hassan Pirani.

    Pirani had moved himself into the conversation and began Sunday’s resumption just one shot behind Luutu. His challenge, however, lasted only briefly. An out-of-bounds on the 16th effectively ended his hopes and left Bagabo as Luutu’s principal challenger.

    Bagabo was not going to let the title go easily.

    A par from Luutu on the 17th was followed by a birdie from Bagabo, bringing the two golfers level as they headed to the final hole.

    That left Luutu with the sort of 18th hole that can make a seemingly comfortable tournament feel very different.

    Bagabo’s tee shot missed the fairway. Luutu found his.

    From the left side of the rough, Bagabo tried to shape his approach towards the green. The ball went out of bounds, leaving Luutu in control. The eventual double-bogey for Bagabo was academic once Luutu had safely made par.

    “I didn’t feel the pressure,” Luutu said.

    It was perhaps the most telling line of his championship.

    The title was not something Luutu had arrived expecting to win. In fact, his own assessment of the tournament before it began was considerably less ambitious.

    “It was quite a surprise to me. I came simply to play the tournament. I wasn’t coming to win it.”

    His level-par opening round changed the equation, although Luutu said he was careful not to get distracted by what was happening elsewhere on the leaderboard.

    “On day one, I didn’t even look at the scores. On day two it was almost the same thing. I just stuck to the plan and continued playing.”

    That approach proved particularly useful when the weather intervened. Rather than allow the stoppage and the changing conditions to alter his game, Luutu returned on Sunday with the same plan.

    “The rain didn’t affect me. I stayed cool and came to play my game.”

    It was enough.

    For Luutu, the significance of the victory goes beyond the trophy. He has collected accolades in the game over the years, but this was his first major championship.

    If Luutu was the surprise winner, Pavie was the familiar name at the top of the Senior Ladies leaderboard.

    The Jinja-based golfer retained the title after holding off Azuba in both rounds.

    Azuba had been in pursuit after the opening day and finished the final round with the better score, carding 91, one stroke better than Pavie’s 92.

    But Pavie had enough in hand. PHer 92 took her to a gross total of 177, two shots clear of Azuba, allowing her to retain the championship she won last year in Lugazi.

    It was a more controlled finish from Pavie, who knew she did not necessarily have to win the final round to win the tournament.

    For Johnnie Walker, the Seniors Open was another opportunity to be part of a championship that continues to bring experienced golfers back to the course and into competition.

    “It has been good to see the seniors keep walking and keep competing. There has been some really good golf over the last few days, and we are happy to be part of a championship that gives these players the opportunity to come out, compete and enjoy the game,” Johnnie Walker East Africa Brand Manager- Christine Kyokunda said.

    Meanwhile, a day before the finale, the 19th Hole experience went ahead as planned, with songstress Winnie Nwagi headlining the entertainment.

    The evening also featured a gifting experience, where revellers could purchase Johnnie Walker bottles and have their names engraved on them, adding a personalised touch to the celebration.

    Attention now turns to the main event of the Johnnie Walker Uganda Open- the Amateur Open scheduled for August 26-29.

  • Dokta Brain Stops Accepting Songwriting Jobs Until 2030

    Dokta Brain Stops Accepting Songwriting Jobs Until 2030

    Artists hoping to call Dokta Brain and pay him to write their next hit may have to look elsewhere for the next few years.

    The award-winning songwriter says he has stopped accepting songwriting jobs from fellow musicians until 2030.

    Speaking during an appearance on Sanyuka Bigenda Bitya, Dokta Brain explained that he now wants to decide for himself who receives the songs he writes instead of taking calls from artists looking to pay for his services.

    Dokta Brain songwriting

    I am no longer writing songs for other musicians until 2030. From now on, I will decide for myself who I want to give a song to. I am no longer accepting calls from musicians who want to pay me to write.

    Dokta Brain says his decision comes from the drama that can follow when a songwriter works with different artists.

    According to him, some musicians get upset when he writes for people they do not get along with.

    Others, he says, take offence when he helps an artist they do not want to see succeed.

    Musicians can be very difficult. If they have a problem with someone and you help that person, they get angry with you. If they do not want someone to have a hit and you give that person one, they also get angry.

    He went on to claim that he sees such tensions more often among female musicians.

    I see this happen more with female musicians. Male artists may also feel bitter, but they express it differently and rarely come to you directly to ask why you wrote a song for someone. Female musicians do not always like one another as much as they try to portray.

    The decision marks a major shift for a songwriter whose work has contributed to several popular Ugandan songs over the years.

    Dokta Brain has written for artists including Winnie Nwagi, Rema Namakula, Sheebah Karungi, Ykee Benda, Grenade Official, Rickman Manrick, Kataleya and Kandle, and Vinka.

    He now says the next few years will look different.

    Until 2030, Dokta Brain plans to keep control over who gets the songs he writes.

  • High Court Backs Meera Investments, Upholds Key Findings in FBW Dispute

    High Court Backs Meera Investments, Upholds Key Findings in FBW Dispute

    KAMPALA — Meera Investments Limited has secured a significant legal victory after the High Court of Uganda at Kampala (Commercial Division) granted a conditional stay of execution in a long-running commercial dispute while firmly upholding several key findings in favour of the property developer.

    In a ruling delivered on August 21, 2026, Justice Susan Odongo resolved the contentious issue of electronic notification of the judgment in Meera Investments Limited v FBW (U) Limited & Others in Meera’s favour, rejecting the applicants’ argument that they had not been properly notified of the April 3, 2026 judgment.

    The court found that the applicants’ lawyers were registered users of the Electronic Court Case Management Information System (ECCMIS) and that the judgment, having been uploaded onto the system on April 3, constituted effective and conclusive notice to the parties.

    The finding is significant because the applicants had relied on the alleged lack of notification to explain why their Notice of Appeal was filed outside the statutory period.

    The court held that litigants and their lawyers have an ongoing professional duty to monitor the electronic court registry and cannot rely on their own failure to check the ECCMIS platform to escape procedural deadlines.

    Court rejects challenge to Meera’s contractual claim

    The ruling also delivered a strong endorsement of the findings made in the original judgment, particularly concerning the contractual relationship between Meera Investments and FBW.

    The dispute arose from a professional consultancy agreement entered into in 2012 for architectural, structural and mechanical/electrical engineering services relating to the extension of Kabira Country Club.

    The contract was valued at USD375,000, with payments tied to specific milestones. After the project was revived in 2018, disagreements emerged over the timing of further payments and the format of project drawings supplied by the consultants.

    The court’s original judgment, delivered on April 3, 2026, found the applicants in breach of contract and professional duties and ordered them to refund USD132,750, pay USD108,500 in special damages and USD500,000 in general damages, in addition to interest and costs.

    In the latest ruling, Justice Odongo rejected the applicants’ substantive grounds of appeal, stating that the trial judgment remained legally and technically sound on the disputed issue concerning the usability of the project deliverables.

    The court specifically found that the applicants’ use of different corporate names did not allow them to evade their contractual obligations, applying the doctrine of estoppel after finding that they had accepted payments and undertaken professional obligations under the relevant corporate names.

    Court says appeal has no likelihood of success on merits

    Perhaps the strongest aspect of the ruling for Meera was the court’s assessment of the applicants’ proposed appeal.

    Although the court found that the applicants had demonstrated a prima facie right to pursue an appeal for purposes of considering the stay application, it expressly stated that their substantive appeal had “zero likelihood of success on its merits.”

    This distinction allowed the court to consider the other requirements for a stay without disturbing the substantive findings that had been made in Meera’s favour.

    The court also maintained that the USD132,750 refund represented money actually paid by Meera for construction-phase services that were never rendered.

    It described this portion of the award as an undisputed contractual refund, distinguishing it from the contested damages awards.

    Applicants ordered to secure Meera’s USD132,750

    As a condition for the stay, the applicants have been ordered to deposit USD132,750 in court or provide an unconditional, irrevocable and on-demand bank guarantee of the same amount from a reputable Ugandan commercial bank within 45 days.

    Failure to comply will automatically vacate the stay and give Meera Investments the freedom to proceed with execution of the entire judgment without seeking another court order.

    The court further ordered that the costs of the application will abide by the outcome of the intended appeal.

    A significant protection for Meera

    The ruling therefore leaves Meera Investments in a strong position as the dispute moves towards the Court of Appeal.

    While the High Court temporarily halted execution to protect the applicants’ ability to pursue their appeal, it did so subject to a substantial security requirement and without overturning the original judgment in Meera’s favour.

    The court’s findings on ECCMIS notification, the applicants’ contractual obligations and the undisputed USD132,750 refund provide important legal protection for Meera as it awaits the next stage of the litigation.

    The ruling was dated, signed and delivered electronically on August 21, 2026.

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  • Wande Coal Pushes Back on Claims That Don Jazzy Made Him Successful

    Wande Coal Pushes Back on Claims That Don Jazzy Made Him Successful

    Wande Coal has pushed back against the popular belief that music producer and record label boss Don Jazzy made him successful.

    The Nigerian singer, who rose to fame under the Mo’ Hits Records camp, said he credits God for his success and sees his relationship with Don Jazzy as a partnership between two talented people.

    Speaking during an interview with Channels Television, Wande Coal insisted that people should not credit his success to Don Jazzy alone.

    God is the reason for my success. I give all the credits to him because he was the one who brought me out and made me successful.

    He then addressed the long-running narrative surrounding his relationship with Don Jazzy.

    Some people say it was Don Jazzy that brought me out but I feel like it was just two talented people working together to achieve success. So, it’s not by one man. It’s God.

    How Wande Coal Joined Mo’ Hits

    Wande Coal’s journey with Don Jazzy and D’banj, the Nigerian singer who co-founded Mo’ Hits Records with the producer, began in 2006.

    The two music stars reportedly discovered Wande Coal after watching him perform at an event at the University of Lagos.

    He joined Mo’ Hits shortly afterwards and quickly became one of the label’s standout voices.

    His appearances on the 2007 compilation album “Curriculum Vitae” introduced him to a wider audience before his 2009 debut album, “Mushin 2 Mo’Hits,” established him as a major force in Nigerian music.

    Wande Coal Went His Own Way

    When Don Jazzy and D’banj split in 2012, Wande Coal moved with Don Jazzy to Mavin Records, the new label the producer launched after Mo’ Hits ended.

    However, Wande Coal left Mavin in 2013 and launched his own label, Black Diamond Entertainment.

    More than a decade later, Wande Coal has made it clear that he appreciates the role Don Jazzy played in his journey, but he does not see his success as the work of one man.

    Instead, he sees it as the result of talent, collaboration and, above all, God.

  • REV. FR. LAZAR ARASU SDB: Cultivating Christ-like Empathy 

    REV. FR. LAZAR ARASU SDB: Cultivating Christ-like Empathy 

    Jesus takes different faces—hungry, thirsty, naked, homeless, sick, defenceless, and lifeless. He shares human frailty and vulnerability of every kind. By becoming a needy person, Jesus shows himself as ‘Alter Christus’ in every suffering human being. Seeing Christ in a needy person is the beginning of Christian charity. When narrating Jesus’ encounter with the sick and the suffering the evangelist tells us that ‘he had compassion’ for them. His compassion was empathetic. Christian empathy is not merely emotional resonance, or just feeling sorry for them, but it is compassion in motion. In a profound manner it brings about redemptive action.

    Empathy is the ability to sense, understand, and vicariously experience another person’s feelings, thoughts or perspective from their point of view—not as one’s own view. As Christian empathy is to feel as Christ would feel, understand and act upon as Christ’s own disciple. It is the source of Christian as the root of pastoral care

    The source and the root of Christian empathy is the mystery of incarnation—God becoming one of us. When human beings sinned, they began to experience hunger, grief, betrayal and brokenness as symbolized in the creation story of the Book of Genesis. At this moment of fear, pain and separation, God empathised with them and seemed to say, ‘I know exactly how you feel.’ God found Adam and Eve ‘naked’ and empty, needing God’s empathy. There He meets them in their brokenness, who found themselves deprived of grace and joy. In the same way, following God’s own empathy, Christian empathy and Christian charity invites us to enter into the messy, uncomfortable spaces rather than offering platitudes from far. We are not First Aid givers, but givers of wholesome healing.

    We transcend sentiments and get into action. Our method and actions are not like social activists, Non-Government Organizations, or charitable volunteers. But we are called to be Good Samaritans (Luke 10) who are moved by Christ-like empathy and offer agape love—self-sacrificial service. The Good Samaritan not only felt pity, but bandaged wounds, paid debts and provided ongoing care. He was willing to do more and promised to come back to care more. He was willing to ‘suffer’ not just to feel pity.

    Christian empathy is extended to everyone. It is freely and willingly given even to enemies, the ungrateful and even those who persecute, because every person bears God’s image (Genesis 1: 27) It overcomes all that divides (Galatians 3: 28). To become all things to all people. It is tangibly weeping with those who weep.

    To become all things to all people, requires humility, adaptability, flexibility, and self-effacement. It is laying down one’s life for others. It is much more than giving ‘fix’ solutions and unsolicited advice, but offering a non-judgemental presence. It listens before it speaks.

    Our empathy is rooted in Eternal hope which transcends all ‘compassion fatigue’ and despair. Our empathy is anchored in the resurrection of Christ. Jesus’ passion that taught us that pain and suffering are real, it also tells us that Christ has won all death through his reassuring resurrection. We find our ultimate restoration in Christ. Jesus who wept for his dead friend Lazarus, moved with empathy resurrected him. We are called to weep with those who weep, but we keep the glimpse of the Risen Lord. Like Mary Magdalene we go to look for the body of Jesus in the dark, but Jesus stands in front of us a light, calling us by our names. His empathy illuminates us.

    In Catholic teaching and spirituality, the corporal works of mercy are concrete charitable actions that address the physical and material needs of others. They are grounded in Jesus’ teaching that serving those in need is the same as serving Him. Jesus who taught us the corporal works of mercy was in need of every corporal works of mercy for himself, most of which was enacted during his passion. While carrying the cross and hanging on the cross, he was hungry, he was thirsty, he was imprisoned, he was naked, he was defenceless, and finally his lifeless body was in need of a grave.

    Jesus, through his words and life taught us the importance of corporal works of mercy. Following him, his disciples and saints have found life’s purpose and holiness in serving the fellow human being, especially those who are in one kind of a need or another. The traditional seven works of mercy are derived from the Gospel of Matthew 25: 31-46, and highlighted by the Catechism of the Catholic Church in article 2447.

    ….for I was hungry and you gave me food, I was thirsty and you gave me something to drink, I was a stranger and you welcomed me, I was naked and you gave me clothing, I was sick and you took care of me, I was in prison and you visited me.’ Then the righteous will answer him, ‘Lord, when was it that we saw you hungry and gave you food, or thirsty and gave you something to drink? And when was it that we saw you a stranger and welcomed you, or naked and gave you clothing? And when was it that we saw you sick or in prison and visited you?’ And the king will answer them, ‘Truly I tell you, just as you did it to one of the least of these who are members of my family, you did it to me….

    In showing kindness we show the face of the merciful Father, serving Christ the Son, and care for the Temple of the Holy Spirit. Hence, when we practice the corporal works of mercy with faith and love we are engaged in Trinitarian act. Pope Francis thoughtfully said, ‘Christ is the merciful face of the Father.’ In serving the needy, we not only serve Christ, we also show the merciful face of the Father to them. We share God’s unfathomable love. Let us become the empathetic face of Jesus to others.

    Rev. Fr. Lazar Arasu SDB
    Salesians of Don Bosco Missionary

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