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  • REV. FR. LAZAR ARASU SDB: Cultivating Christ-like Empathy 

    REV. FR. LAZAR ARASU SDB: Cultivating Christ-like Empathy 

    Jesus takes different faces—hungry, thirsty, naked, homeless, sick, defenceless, and lifeless. He shares human frailty and vulnerability of every kind. By becoming a needy person, Jesus shows himself as ‘Alter Christus’ in every suffering human being. Seeing Christ in a needy person is the beginning of Christian charity. When narrating Jesus’ encounter with the sick and the suffering the evangelist tells us that ‘he had compassion’ for them. His compassion was empathetic. Christian empathy is not merely emotional resonance, or just feeling sorry for them, but it is compassion in motion. In a profound manner it brings about redemptive action.

    Empathy is the ability to sense, understand, and vicariously experience another person’s feelings, thoughts or perspective from their point of view—not as one’s own view. As Christian empathy is to feel as Christ would feel, understand and act upon as Christ’s own disciple. It is the source of Christian as the root of pastoral care

    The source and the root of Christian empathy is the mystery of incarnation—God becoming one of us. When human beings sinned, they began to experience hunger, grief, betrayal and brokenness as symbolized in the creation story of the Book of Genesis. At this moment of fear, pain and separation, God empathised with them and seemed to say, ‘I know exactly how you feel.’ God found Adam and Eve ‘naked’ and empty, needing God’s empathy. There He meets them in their brokenness, who found themselves deprived of grace and joy. In the same way, following God’s own empathy, Christian empathy and Christian charity invites us to enter into the messy, uncomfortable spaces rather than offering platitudes from far. We are not First Aid givers, but givers of wholesome healing.

    We transcend sentiments and get into action. Our method and actions are not like social activists, Non-Government Organizations, or charitable volunteers. But we are called to be Good Samaritans (Luke 10) who are moved by Christ-like empathy and offer agape love—self-sacrificial service. The Good Samaritan not only felt pity, but bandaged wounds, paid debts and provided ongoing care. He was willing to do more and promised to come back to care more. He was willing to ‘suffer’ not just to feel pity.

    Christian empathy is extended to everyone. It is freely and willingly given even to enemies, the ungrateful and even those who persecute, because every person bears God’s image (Genesis 1: 27) It overcomes all that divides (Galatians 3: 28). To become all things to all people. It is tangibly weeping with those who weep.

    To become all things to all people, requires humility, adaptability, flexibility, and self-effacement. It is laying down one’s life for others. It is much more than giving ‘fix’ solutions and unsolicited advice, but offering a non-judgemental presence. It listens before it speaks.

    Our empathy is rooted in Eternal hope which transcends all ‘compassion fatigue’ and despair. Our empathy is anchored in the resurrection of Christ. Jesus’ passion that taught us that pain and suffering are real, it also tells us that Christ has won all death through his reassuring resurrection. We find our ultimate restoration in Christ. Jesus who wept for his dead friend Lazarus, moved with empathy resurrected him. We are called to weep with those who weep, but we keep the glimpse of the Risen Lord. Like Mary Magdalene we go to look for the body of Jesus in the dark, but Jesus stands in front of us a light, calling us by our names. His empathy illuminates us.

    In Catholic teaching and spirituality, the corporal works of mercy are concrete charitable actions that address the physical and material needs of others. They are grounded in Jesus’ teaching that serving those in need is the same as serving Him. Jesus who taught us the corporal works of mercy was in need of every corporal works of mercy for himself, most of which was enacted during his passion. While carrying the cross and hanging on the cross, he was hungry, he was thirsty, he was imprisoned, he was naked, he was defenceless, and finally his lifeless body was in need of a grave.

    Jesus, through his words and life taught us the importance of corporal works of mercy. Following him, his disciples and saints have found life’s purpose and holiness in serving the fellow human being, especially those who are in one kind of a need or another. The traditional seven works of mercy are derived from the Gospel of Matthew 25: 31-46, and highlighted by the Catechism of the Catholic Church in article 2447.

    ….for I was hungry and you gave me food, I was thirsty and you gave me something to drink, I was a stranger and you welcomed me, I was naked and you gave me clothing, I was sick and you took care of me, I was in prison and you visited me.’ Then the righteous will answer him, ‘Lord, when was it that we saw you hungry and gave you food, or thirsty and gave you something to drink? And when was it that we saw you a stranger and welcomed you, or naked and gave you clothing? And when was it that we saw you sick or in prison and visited you?’ And the king will answer them, ‘Truly I tell you, just as you did it to one of the least of these who are members of my family, you did it to me….

    In showing kindness we show the face of the merciful Father, serving Christ the Son, and care for the Temple of the Holy Spirit. Hence, when we practice the corporal works of mercy with faith and love we are engaged in Trinitarian act. Pope Francis thoughtfully said, ‘Christ is the merciful face of the Father.’ In serving the needy, we not only serve Christ, we also show the merciful face of the Father to them. We share God’s unfathomable love. Let us become the empathetic face of Jesus to others.

    Rev. Fr. Lazar Arasu SDB
    Salesians of Don Bosco Missionary

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  • ABC Capital Bank sues former Uganda Cranes captain Andy Mwesigwa for defamation over Shs1.28 billion loan dispute

    ABC Capital Bank has sued former Uganda Cranes captain Andy Mwesigwa for defamation, accusing him of making false and malicious statements about the bank during a dispute over a loan obtained by his Amesco High School in Wakiso.

    The bank filed the suit in the High Court in Kampala on August 20, 2026, seeking damages, a public apology and retraction, and a permanent order stopping Mwesigwa from making further allegedly defamatory statements.

    The bank is also seeking punitive and exemplary damages, interest at 25% per annum from the date of filing the suit until payment in full, and costs of the case.

    The dispute stems from Mwesigwa’s public appeal to the government and wellwishers to intervene in the matter. He reportedly accused “sports mafias” of working with ABC Capital Bank to take over his school.

    ABC Capital says Mwesigwa also accused the bank of imposing an unlawful monthly interest rate of 30%, which he claimed was not part of the original loan agreement.

    The bank denies the allegations and says its dealings with Mwesigwa have been lawful and consistent with the loan agreement and the laws governing debt recovery.

    According to the bank, Amesco High School obtained a Shs480 million term loan on a reducing-balance basis. The loan schedule, created on January 2, 2020, provided for 16 instalments and had a contractual maturity date of February 12, 2025.

    ABC Capital says the effective interest rate was 23.5%, while the contractual penal rate was 38.5%, made up of the normal 23.5% interest and a 15% penalty.

    The bank claims Mwesigwa failed to consistently make the required instalment payments on time, resulting in the accumulation of penalties and interest.

    Its records show that Mwesigwa paid Shs338.4 million towards the loan, but ABC Capital says the payments were not enough to clear the outstanding obligations.

    The bank says the loan account was written off on June 28, 2024, when the outstanding balance stood at Shs787.4 million. It, however, maintains that the write-off did not cancel or waive Mwesigwa’s obligation to repay the debt.

    According to the bank, the total amount owed had risen to Shs1.28 billion by May 18, 2026, including applicable interest and penalties.

    Dispute over school property

    The loan dispute has also triggered separate court proceedings over property used as security for the loan.

    ABC Capital says court rulings issued on July 30 and August 4, 2026, granted Mwesigwa a conditional temporary injunction against the bank’s recovery process.

    The condition required him to deposit 30% of the outstanding liability in court within 30 days. The bank puts the required amount at Shs392.3 million.

    ABC Capital argues that Mwesigwa’s public statements were intended to pressure the bank and influence public opinion while the matter was already before court.

    The bank claims the statements portrayed it as a dishonest and fraudulent financial institution that colludes with “sports mafias” to seize borrowers’ property and impose illegal interest rates.

    It further claims the allegations damaged its reputation among existing and potential customers and forced it to spend money on public relations and communication efforts to counter what it describes as a false narrative.

    The bank alleges that Mwesigwa, because of his public profile, had a responsibility to verify the allegations before publishing them. It accuses him of acting with reckless disregard for the truth and with malice.

    ABC Capital says the statements amounted to libel and exposed the bank to hatred, contempt and ridicule.

    It wants the High Court to declare Mwesigwa liable for defamation and permanently restrain him, his agents and servants from publishing similar statements about the bank.

    The bank is also asking court to order Mwesigwa to issue an unconditional public retraction through a media outlet with wide circulation, with prominence equal to that of the original publications.

    It further wants him to publish an apology in a newspaper of nationwide circulation and on his social media platforms.

    ABC Capital says it will rely on screenshots of the alleged publications, court rulings and other documents, and has listed its officials as witnesses.

    The allegations contained in the plaint have not yet been determined by court, and Mwesigwa has yet to respond to the suit.

  • Dokta Brain Names Songwriters He Wants Artists to Give a Chance

    Dokta Brain Names Songwriters He Wants Artists to Give a Chance

    Dokta Brain may have put commercial songwriting on hold until 2030, but he believes Ugandan artists have plenty of other writers to turn to.

    Speaking during Sanyuka Bigenda Bitya, the award-winning songwriter urged musicians to give other writers an opportunity, naming several songwriters he believes are already doing impressive work.

    I want people to give other writers a chance because we have many talented songwriters who are writing really good music. Nikoly is one of the first names that comes to mind. There is also Shena Skies, although I met her when she was already doing her thing. Then you have Lyrical Tazy, Toxy Duda, who wrote “I Love You One, I Love You Two,” Raggie Daniel, The Luz and Ghud Trevor.

    Dokta Brain had extra praise for one name on his list, Ghud Trevor.

    He said Ghud Trevor has more to offer than songwriting and believes he could also make a strong singer if he gave more attention to his vocal career.

    Ghud Trevor is also a very good vocalist. I actually think he could do very well as a singer if he gave it more time instead of only fronting writing.

    Dokta Brain also reflected on how Uganda’s songwriting scene has changed over the years.

    He recalled a time when listeners could often trace many of the country’s biggest songs to familiar names such as Nince Henry and Silver Kyagulanyi.

    Now, he says, the pool has grown.

    There are now many lyricists who can carry on the work I have been doing for quite some time. Back then, when you heard a really good song, you would often find that Nince Henry or Silver Kyagulanyi had written it. Now, there are many more writers capable of doing the same.

    Dokta Brain’s confidence in the growing pool of songwriters comes as he puts commercial songwriting on hold until 2030.

    He says he will no longer accept payment from musicians who want him to write songs for them, choosing instead to personally decide who receives the songs he writes.

  • Jinja Headmistress Investigated Over Alleged Sexual Exploitation of Female Students

    Jinja Headmistress Investigated Over Alleged Sexual Exploitation of Female Students

    Police in Jinja are investigating the headteacher of St. Gonzaga Senior Secondary School, Anna Nanziri, following allegations that she facilitated the sexual exploitation of female students by a Senior Six student at the school.

    The allegations were raised through formal complaints submitted to Jinja district authorities and the Kiira Regional Police Command.

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    According to the complaints, a 20-year-old male Senior Six student allegedly selected two female students every Friday evening, after which Nanziri would reportedly drive them to her residence in Njeru Municipality, Buikwe District.

    The students allegedly spent the weekend at the residence before returning to school on Monday.

    The precise nature of the relationship between the headteacher and the male student remains unclear, according to the report. However, preliminary inquiries reportedly found that several students and teachers described the pair as having an unusually close relationship at school.

    Nanziri is also alleged to have left her house keys with the student before travelling to Kampala, allowing him to remain at the residence with the girls.

    Eight students reportedly come forward

    District authorities say at least eight girls have so far presented related complaints.

    According to accounts submitted to investigators, the arrangement initially involved the male student inviting girls to spend weekends at Nanziri’s home. Allegations of sexual exploitation later emerged.

    Some of the girls reportedly told investigators that the student pressured them into sexual acts by claiming that he had a medical condition that could only be cured through sexual intercourse.

    Other students allegedly said those who attempted to complain were threatened with suspension or expulsion, creating fear and discouraging further reporting.

    One alleged victim reportedly told her mother about her experience earlier this month. The mother initially took no action but later contacted authorities after another parent reported a similar allegation.

    Victims seek psychological support

    The students who have come forward have reportedly asked authorities for psychological support, saying the experiences have left them traumatised and suffering from nightmares.

    They have also called for justice and urged investigators to handle the matter sensitively, citing fears of speaking openly about their experiences.

    Jinja District Deputy Chief Administrative Officer Hussein Malunda confirmed that the district probation team has been engaging with the girls who filed complaints.

    Malunda said the findings from the team’s engagements had been handed over to police, who are continuing with investigations before the matter is referred to court.

    Kiira Regional Police spokesperson James Mubi declined to provide details, saying the investigation is still at an early stage.

    However, a detective familiar with the inquiry confirmed that statements have been recorded from the alleged victims, Nanziri and other relevant parties.

    The allegations have not been proved in court, and investigations are ongoing.

  • TikToker Jovia Found Dead, Roommate Who Allegedly Stabbed Her On the Run

    TikToker Jovia Found Dead, Roommate Who Allegedly Stabbed Her On the Run

    Kampala police are searching for Rose Turindamukama after her 22-year-old roommate, TikToker Jovia Namuwulya, was found dead inside their rented room in Bukoto.

    Namuwulya, who worked as a waitress and was known on TikTok as Jovia1235, was discovered on August 20, 2026, after relatives became concerned when she stopped responding to their phone calls.

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    According to Kampala Metropolitan Police spokesperson Racheal Kawala, Namuwulya was a resident of Mukalazi Zone, Bukoto I Parish in Nakawa Division and had rented the room about seven months before her death.

    Police said Turindamukama moved into the room after visiting Namuwulya about three months later, and the two subsequently lived together.

    On August 20, Namuwulya’s relatives contacted the caretaker after failing to reach her. The caretaker and Namuwulya’s sister went to the room but found it locked.

    Kawala said they looked through the window and noticed blood stains inside the room.

    “Looking through the window they observed blood stains inside the room. They subsequently accessed the room and found Jovia lying in a pool of blood,” Kawala said.

    Police were called to the scene and Namuwulya’s body was taken to City Mortuary for a postmortem examination.

    However, Turindamukama was nowhere to be found when the body was discovered.

    “Her friend Turindamukama Rose couldn’t be found and is currently being sought in connection with the incident,” Kawala said.

    Police have not yet confirmed the circumstances surrounding Namuwulya’s death, including the motive or who was responsible.

    Authorities have also cautioned against relying on competing accounts circulating on social media before investigators establish what happened.

    Investigations into the death are ongoing as police continue their search for Turindamukama and work to establish the circumstances that led to Namuwulya’s death.

  • A Pass sets his sights on Kololo: ‘We shall fill it’ – Sqoop

    A Pass sets his sights on Kololo: ‘We shall fill it’ – Sqoop

    Dancehall singer A Pass is not thinking small.

    After successfully taking his music to the stage at Serena Hotel in 2025, the singer has now set his sights on one of Uganda’s biggest outdoor concert venues, Kololo Airstrip, where he plans to stage his next major show in 2027.

    Dubbed A Pass Live: Kololo Airstrip 2027, the concert was announced on Sunday, August 23, as the singer signalled his intention to make the leap from an intimate indoor concert setting to one of Kampala’s largest entertainment spaces.

    The announcement places A Pass among a growing number of Ugandan musicians looking beyond conventional concert venues as established artists increasingly turn to Kololo for major career-defining shows.

    But for A Pass, the decision is not simply about following a trend.

    He believes his journey has reached a point where returning to Serena would mean repeating something he has already accomplished.

    “I don’t see a reason to go back to Serena. I did what I wanted to do there. We are going to Kololo,” he explained during a TikTok Live session.

    The singer also dismissed suggestions that Kololo could be too ambitious for him, arguing that the size of the venue is precisely what attracts him.

    “Whoever says it’s a big venue, that’s your opinion because that’s not how I’m seeing it. I prefer it because it’s big and people will park nicely and I sing for them,” he said.

    For A Pass, the venue is as much about the experience as it is about capacity. He wants his audience to have enough space to move, park comfortably and enjoy the concert without the restrictions associated with smaller venues.

    And judging by his early conversations with fans, he believes there is already appetite for the show.

    “People have already started saying they are going to buy five or 10 tables. Come and see a luxury artist in 2027 at Kololo,” he said.

    The confidence comes after a successful 2025 concert at Serena Hotel, which gave the singer an opportunity to test his ability to carry a major live show.

    His next challenge is considerably bigger.

    No Dancing, Just Music

    While many Ugandan concertgoers have come to expect elaborate choreography, dance routines and celebrity cameos at major shows, A Pass has already warned his audience not to expect him to suddenly transform into a dancer.

    “If you expect to see me dancing on that day, forget about it. If you are coming to the show, be rest assured that you are only coming to see me sing,” he joked.

    The singer explained that dancing has never been his strength and that an earlier attempt almost ended badly.

    “I can’t dance and I will never dance. The only time I tried, I almost got broken,” he said.

    That does not mean the concert will be short on spectacle.

    A Pass revealed that he intends to work with renowned Ugandan events production company Fenon to develop a show that matches the scale of the venue.

    “The show will entail a lot. You guys will enjoy, and we will sit with Fenon and come up with something good for you,” he said.

    The emphasis, however, will remain on his music.

    For an artist whose career has been built largely around songwriting, vocal delivery and an unmistakable fusion of dancehall, reggae and contemporary sounds, the concert presents an opportunity to remind audiences of the depth of his catalogue.

    @vybz906media? original sound – Vbyzzz-media????

    A Concert for Artists Too

    Interestingly, A Pass does not want the concert to be solely about himself.

    He has invited fellow musicians to attend and participate in the experience, although not necessarily as performers.

    The singer joked that some artists, including Lil Pazo, could attend as guests of honour, but made it clear that he would not simply fill his stage with musicians for the sake of having celebrity appearances.

    Instead, he wants artists to come, pay for the experience and learn from the production.

    He challenged fellow musicians to treat the concert as an opportunity to study how a major show is built, from production and staging to audience management and overall presentation.

    His approach is somewhat unusual in an industry where artists often compete for stage time and celebrity collaborations at major concerts.

    For A Pass, however, the concert can serve a broader purpose: demonstrating what is possible when an artist takes ownership of his own show.

    @vybz906media? original sound – Vbyzzz-media????

    Following the Kololo Trail

    A Pass’ decision comes after other Ugandan artists have successfully taken their music to Kololo.

    The venue has recently hosted major concerts by artists such as Ray G and King Saha, further establishing it as a destination for musicians looking to stage large-scale shows.

    Rather than seeing those concerts as competition, A Pass appears to view them as evidence that Ugandan artists can successfully fill large outdoor spaces when they build enough anticipation around their brands.

    He has therefore chosen to follow that path rather than retreat to a smaller venue.

    “We won’t go to Namboole. No, don’t stress yourselves over it. We are going to Kololo,” he said.

    The declaration is also a statement of confidence.

    For an artist who has spent years building a reputation beyond the conventional boundaries of Ugandan mainstream music, the concert could become another test of just how far that audience has grown.

    The Marriage Factor

    A Pass also connected his confidence about the concert to a new chapter in his personal life.

    Reflecting on his marriage, he joked that there are certain things God does when a person settles down.

    “There are things God does when you get married. I am sure I am going to fill Kololo,” he said.

    It was delivered with humour, but the underlying message was clear: the singer believes he is entering the concert with renewed energy and confidence.

    Still, much of the practical information about the event remains under wraps.

    A Pass has not yet announced the exact date, ticket prices or the full list of performers and production partners. He has, however, urged fans to start preparing financially for the event.

    “Please save money, prepare yourselves and come 2027. Come see A Pass live in Kololo,” he said.

    That leaves the biggest question unanswered: can A Pass turn his confidence into a full Kololo crowd?

    For now, the singer is betting that the answer is yes.

    And as he puts it, “We shall fill Kololo.”

    @vybz906media? original sound – Vbyzzz-media????

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  • Who Will Be the Next James Bond? The Search Enters a Crucial Stage

    Who Will Be the Next James Bond? The Search Enters a Crucial Stage

    The hunt for the actor who will become the next James Bond appears to be entering a crucial stage.

    Daniel Craig, the English actor who played 007 for 15 years, left the role after “No Time to Die” in 2021.

    Since then, one question has followed the franchise: who will wear the tuxedo next?

    The Search Moves Closer to the Finish Line

    Fresh reports suggest the casting process has reached its final stage, although Amazon MGM Studios has not announced Daniel Craig’s successor.

    Earlier reports said Denis Villeneuve, the Canadian filmmaker behind “Dune” and “Blade Runner 2049,” had joined producers Amy Pascal and David Heyman in moving selected actors into another round of auditions.

    That development has only made the guessing game louder.

    Several Actors Remain in the Conversation

    English actor Callum Turner, known for “Fantastic Beasts” and “Masters of the Air,” has featured heavily in Bond speculation.

    Australian actor Jacob Elordi, who rose to fame in “Euphoria” and starred in “Saltburn,” has also attracted attention, along with Scottish actor Jack Lowden, known for the spy series “Slow Horses.”

    English actor Aaron Taylor-Johnson, known for “Kick-Ass” and “Bullet Train,” has also spent years at the centre of speculation about the role.

    However, Amazon MGM Studios has not confirmed any of the names.

    A New Team Takes Charge

    While fans wait for the next 007, the team behind the film is already taking shape.

    Villeneuve will direct the next Bond film, while Steven Knight, the British writer and creator of “Peaky Blinders,” is working on the screenplay.

    Amy Pascal, the producer behind several recent “Spider-Man” films, and David Heyman, who produced the “Harry Potter” franchise, will oversee the project.

    When Will the New Bond Be Revealed?

    Pascal has suggested that fans could learn the identity of the next James Bond before the end of 2026.

    For now, though, the role remains one of Hollywood’s biggest unanswered questions.

    After years of rumours, betting odds and fan campaigns, the search for Daniel Craig’s successor appears to be moving closer to its biggest moment: the announcement of the actor who will lead James Bond into a new era.

  • A Pass Eyes Kololo for His Second Concert

    A Pass Eyes Kololo for His Second Concert

    A Pass may already have a venue in mind for his next solo concert, and he is aiming big.

    The Ugandan singer, born Alexander Bagonza, took to X on August 23 and posted a short announcement that pointed to Kololo Independence Grounds in 2027.

    A Pass Live: Kololo Airstrip 2027 🇺🇬

    If the concert happens, it will mark only the second time A Pass has staged a solo show.

    His first came on January 31, 2025, when he held “A Pass Live in Concert” at Kampala Serena Hotel.

    That show followed more than a decade in the music industry, during which A Pass largely performed at festival-style events and other shows featuring multiple artists.

    His latest announcement also came shortly after he shared his views on concert planning.

    On August 20, A Pass advised musicians not to book venues that their fanbases cannot realistically fill.

    He argued that artists should understand their audience before choosing the size of the venue.

    Three days later, he announced his own target.

  • UCC to Honour Uganda’s Top Filmmakers at 2026 Uganda Film Festival

    UCC to Honour Uganda’s Top Filmmakers at 2026 Uganda Film Festival

    The Uganda Communications Commission (UCC) is set to recognise outstanding talent in Uganda’s film industry as the Uganda Film Festival (UFF) 2026 returns for its latest edition under the theme “Transformation: The Power of Local Stories.”

    The festival, running from August 21 to 28, 2026, is bringing together filmmakers, actors, industry professionals and audiences for a week-long celebration of Ugandan cinema.

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    The programme features film screenings in participating cinemas, workshops and industry forums, providing opportunities for filmmakers and other players in the creative sector to showcase their work, exchange ideas and engage with audiences.

    The festival will culminate in the UFF 2026 Awards Gala on Friday, August 28, where outstanding achievements and talent in Uganda’s film industry will be recognised.

    According to UCC, the awards are intended to celebrate the creativity, talent and achievements of filmmakers who continue to contribute to the growth and transformation of Uganda’s film industry.

    The 2026 edition places particular emphasis on the power of locally produced stories and the role of the film industry in shaping Uganda’s cultural identity and creative economy.

    Beyond the awards, the festival’s workshops and forums are expected to provide a platform for industry players to connect, share knowledge and explore opportunities for the development of Uganda’s film sector.

    UFF 2026 is being supported by UCC and MultiChoice, with the festival encouraging audiences to experience Ugandan films on the big screen while celebrating the people behind the country’s growing cinema industry.

    The festival comes at a time when Uganda’s film and television industry continues to produce stories that reflect local experiences, culture and contemporary society.

    The Awards Gala on August 28 is invite-only, according to the festival programme.

    Theme: Transformation: The Power of Local Stories
    Dates: August 21–28, 2026
    Awards Gala: August 28, 2026

  • Veteran Nollywood Actor Taiwo Hassan, Known as Ogogo, Dies at 66

    Veteran Nollywood Actor Taiwo Hassan, Known as Ogogo, Dies at 66

    Veteran Nollywood actor Taiwo Hassan, popularly known as Ogogo, has died at the age of 66.

    His daughter, Kira Taiwo, announced his death during an Instagram Live session on Sunday, August 23, 2026.

    The announcement came just days after Kira revealed that her father was battling stage-four cancer and needed urgent medical treatment.

    Ogogo spent more than four decades in the Nigerian film industry and became one of the best-known stars in Yoruba-language films.

    His death has sparked tributes from fans and fellow entertainers across Nigeria.

    The family plans to bury him in his hometown of Ilaro, Ogun State, on Monday, August 24, 2026, according to Islamic rites.

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