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  • Zuena Urges Youths to Stop Begging on TikTok Live and Get to Work

    Zuena Urges Youths to Stop Begging on TikTok Live and Get to Work

    Zuena Kimera has had enough of young people turning TikTok Lives into a place to ask for money.

    The wife of singer Bebe Cool challenged youths who regularly enter livestreams and ask personalities for financial help, urging them to spend that energy finding ways to earn a living.

    Speaking during a TikTok Live, Zuena said she struggles to understand why some young people wake up with begging as their plan for the day.

    I do not understand the youths of today. You wake up and plan to just beg.

    She said some viewers enter her livestreams and quickly turn to requests for money.

    You just come to our lives and start saying, ‘Mummy Zu, mpa ku sente.’

    For Zuena, the time spent moving from one livestream to another asking for handouts could instead go into finding work.

    She used her own routine to make the point, saying she and her team had already been working since 7 AM.

    Imagine if I too were sitting like you, begging, but I chose not to. I decided to go out and work.

    She urged young people to change their mindset and focus on becoming financially independent.

    Let us teach ourselves to work. Let us teach ourselves to look for money.

    TikTok Live has become a popular space for creators and personalities to interact with their audiences, with viewers also able to support them through virtual gifts.

    But Zuena’s message to those who regularly ask for money was clear: stop waiting for handouts and find a way to work for yourselves.

  • Sqoop Larma: ‘Temutuloga’ success, maiden concert, and upcoming EP

    Sqoop Larma: ‘Temutuloga’ success, maiden concert, and upcoming EP

    The Ugandan music industry is currently enjoying the rise of the talented vocalist Sqoop Larma, real name Godfrey Serunjoji. His new song ‘Temutuloga’ is dominating playlists, and in a brief chat, he talks to Mbu about his music career, creative process, inspirations, and plans.

    Quick Information:

    • Real Name: Godfrey Serunjoji
    • Stage Name: Sqoop Larma
    • Date Of Birth: 5th February 1998
    • Years Active: Since 2022

    Born in Masaka City to Gladys Kikyakye and the late John Semwogerere, Sqoop Larma was raised in Entebbe. He shares siblings, including John Mpooza, Peter Migadde, and Christine Namigadde.


    What first drew you to music, and when did you know you wanted to be a singer?

    I used to sing in church and back in school.

    Describe your musical genre and the sound you aim to create.

    I mostly do Zouk and Afro Music.

    What are the main themes or stories you like to tell through your songs?

    When creating, I want to turn life stories into music. It heals souls and also entertains.

    How do you pick who to collaborate with, and who are some of the biggest artists you have worked with?

    The audience sometimes dictates, to be honest. I also love working with experienced artists. I have previously worked on music projects with Pallaso and John Blaq.

    Which artists, local or international, have inspired your musical journey?

    Locally, I was very much inspired by Radio and Weasel, Maddox, and Jamal Wasswa. Internationally, I love Nigeria’s Davido and Rema.

    What has been a defining moment or major accomplishment in your music career so far?

    Each time I perform and the audience is singing along, it is a special moment.

    Could you tell us about the inspiration or process behind one of your most significant songs?

    A true-life story inspired Naterera. It was about my girlfriend who left me because I was not financially stable, and later she wanted to come back.

    Your latest song Temutuloga is making waves in the industry. What inspired the project?

    That’s real life. I wanted to transform it into music because many people go through it out there. People are not pleased about your success.

    What are your hopes for the future of music in Uganda, and how do you see yourself contributing?

    I am hoping to open a music label to help support young talent, especially those in the ghettos.

    What obstacles have you encountered as a musician in Uganda, and how did you navigate them?

    Sometimes you invest a lot in a music project and release it hoping it will perform well, and it doesn’t. That is draining and could even depress you. But whenever I go through it, I thank God.

    What can fans look forward to from you in terms of new music or performances?

    Very soon I am releasing an EP. I also plan to hold my maiden concert, Inshallah.

    The END

    The post Sqoop Larma: ‘Temutuloga’ success, maiden concert, and upcoming EP appeared first on MBU.

  • Why Zuena abandoned her short-lived music career – Sqoop

    Why Zuena abandoned her short-lived music career – Sqoop

    For a brief period, Zuena Kirema appeared to be testing the waters of Uganda’s music industry. She released a few songs, attracted attention and even earned praise for her voice, but the businesswoman eventually disappeared from the scene.

    Now, she has revealed that she never intended to make music a serious career in the first place.

    Speaking during a live TikTok broadcast, Zuena, who is married to singer Bebe Cool, said her decision to record music came largely from wanting to do something different.

    She said seeing her husband’s career may have inspired her curiosity, but she never had plans to dedicate herself fully to the demands of being a recording and performing artist.

    “Some of us did music because we were bored and wanted to try it out. We didn’t take it seriously though,” she said.

    Zuena released songs including Mata, Owa Boda featuring Eighton and Rain, giving fans a glimpse of what could have become another chapter in her public life.

    However, the idea of turning those releases into a full-time career did not appeal to her.

    She recently pushed back against fans who have suggested that she should return to music and organise a concert, making it clear that she has no interest in taking that route.

    “Someone was saying that they love my songs and I should give them a concert, please no,” she said.

    Zuena Kirema

    According to Zuena, the lifestyle that comes with being a musician was another reason she decided to walk away.

    She said performing requires an energy and resilience that she did not possess, particularly when it comes to dealing with the constant attention, criticism and changing opinions that come with being in the public eye.

    “Those saying my voice was perfect should just let me be,” she said.

    Zuena explained that she did not want a career where she would have to constantly perform on stage, respond to criticism or engage in public disagreements.

    “I do not have that energy of jumping around the stage and having people insult you today and praising you the next day,” she said.

    While she said she is not particularly bothered by what people say about her, she admitted that she did not have the appetite for the confrontations and pressure that can accompany life as an entertainer.

    “I’m not an emotional person that I mind what people say but I didn’t have that energy to quarrel with different people, do stunts here and there. I couldn’t handle that,” she said.

    Her comments offer a different perspective on her short-lived music journey. Rather than leaving the industry after a failed attempt at establishing herself, Zuena says she simply realised that performing was not a life she wanted.

    For now, she appears content with the paths she chose outside music, leaving her handful of songs as a brief experiment rather than the beginning of a career she intends to revive.

    Don’t want to miss out on any story? For updates on all Sqoop stories, follow this link on Telegram: https://t.me/Sqoop

  • Angelique Kidjo becomes first African to receive Hollywood Walk of Fame star – Sqoop

    Angelique Kidjo becomes first African to receive Hollywood Walk of Fame star – Sqoop

    Angelique Kidjo has added another landmark achievement to her illustrious career after becoming the first African artist to receive a star on the Hollywood Walk of Fame.

    The five-time Grammy winner was honoured on Tuesday, August 18, during a ceremony in Los Angeles, where her star was unveiled along Hollywood Boulevard.

    The recognition celebrates more than four decades of a career that has taken the sounds and rhythms of West Africa to audiences around the world.

    Born in Benin, the 66-year-old singer has released 18 albums and built an international following through songs such as “Agolo,” “Wombo Lombo,” “Adouma,” “We We” and “Afrika”. Her music has blended West African traditions with elements of jazz, pop, funk and other global sounds, helping establish her as one of Africa’s most influential musical exports.

    Speaking at the ceremony, Kidjo used the moment to reflect on Africa’s contribution to the world’s music.

    “We Africans don’t know what we’ve given to the world. Without us, there’s no music possible on this planet,” she said.

    Her achievement was celebrated by prominent figures from the entertainment industry, including actor Willem Dafoe and Recording Academy chief executive Harvey Mason Jr.

    Mason praised Kidjo for building bridges across musical cultures and using her career to bring people together.

    He described her as a rare artist whose influence extends beyond her recordings, noting that her example has helped strengthen the global music community.

    Dafoe, who has watched Kidjo perform, also praised her energy and dedication to her craft.

    He recalled being struck by her music, dancing and stage presence the first time he saw her perform and described her as one of the hardest-working women in show business.

    Kidjo’s influence, however, stretches beyond music.

    Through the Batonga Foundation, she has championed education and opportunities for girls and young women across Africa. Her humanitarian work has become an important part of her legacy alongside her efforts to introduce African culture to new audiences.

    Dafoe said her activism was closely connected to the message carried through her music, describing it as an extension of her belief in human connection and understanding.

    Kidjo has also received recognition beyond the Grammy Awards, including being named among Time magazine’s 100 most influential people. Over the years, she has collaborated with musicians from different cultures and musical backgrounds while continuing to draw inspiration from her African roots.

    Her Hollywood Walk of Fame star now adds another distinction to a career that has consistently pushed African music onto the global stage.

    For African music, the honour carries significance beyond Kidjo herself. Her star represents a growing recognition of the continent’s artists and the musical traditions that have influenced popular music around the world.

    And after more than 40 years of songs, performances and advocacy, Kidjo now has a permanent place on one of the world’s most famous entertainment landmarks.

    Don’t want to miss out on any story? For updates on all Sqoop stories, follow this link on Telegram: https://t.me/Sqoop

  • Why Allan Cruz Ranks YouTubers Above Other Influencers

    Why Allan Cruz Ranks YouTubers Above Other Influencers

    Allan Cruz has a simple reason for putting YouTubers above other influencers: building a loyal following on YouTube is not easy.

    Speaking on Sanyuka TV, the Ugandan YouTuber argued that the work required to attract subscribers gives successful creators a different level of respect.

    YouTubers are on a higher level than other influencers. They are more respected. It is not easy to get subscribers on YouTube, and people actually know deep down that YouTube is not a platform where you can just wake up and create a channel.

    For Cruz, the value of those subscribers also lies in how they engage with the content.

    YouTube viewers, he argued, tend to focus on what a creator offers and deliberately follow their content.

    The YouTube audience is different. They are interested and focused on what you are offering. They do not just watch.

    That kind of audience, in his view, has more in common with Instagram than TikTok.

    Cruz used the reaction to the same picture on the two platforms to illustrate the difference.

    You can only compare the YouTube audience to the Instagram audience. If you are being dragged on TikTok and you post a picture there, people in the comments will insult you. Post the same picture on Instagram on the same day, and the comments can be positive. That clearly shows you that the Instagram audience is in a world of its own.

    And while he sees similarities between YouTube and Instagram, Cruz still gives YouTube the edge when it comes to respect.

    The respect YouTube commands is in a league of its own.

  • Stecia Mayanja says she has moved on from her past relationship – Sqoop

    Stecia Mayanja says she has moved on from her past relationship – Sqoop

    Singer Stecia Mayanja has made it clear that she has no plans of revisiting a past relationship, saying she has moved on and is focused on raising her children and building her current marriage.

    Speaking about her past with singer Ronald Kitaka, Stecia said she believes people should accept when a relationship has ended rather than repeatedly returning to former partners.

    “We are just raising our children. It is not good to keep going back to your exes. If I leave someone, I leave for good,” she said.

    Stecia noted that relationships can sometimes make people recognise each other’s value only after they have moved on, but said that should not be a reason to rekindle a relationship.

    She said she still respects Kitaka, but believes they have reached a point in their lives where they should focus on their separate paths.

    “Kitaka got me at a very young age of 22. Right now I’m 41; we cannot still be on the same thing,” she said.

    The singer also revealed that she is happily married, saying her present relationship is one she values and does not want to compromise by repeatedly discussing her past.

    “I got my own man and I’m doing well. My husband will be bitter with me for speaking about my past. I’m happily married. I’m content and I do not want to annoy my husband,” she said.

    Stecia also used her experience to urge men to recognise the value of their partners while they are still together rather than attempting to reconnect after the relationship has ended.

    “Men should learn how to handle women; not waking up after we have moved on,” she said.

    For Stecia, the message appears straightforward: while the past may remain part of her story, she is no longer interested in living in it.

    Don’t want to miss out on any story? For updates on all Sqoop stories, follow this link on Telegram: https://t.me/Sqoop

  • Uganda Risks Return to Power Rationing Within a Year as Industrial Demand Surges, Minister Sanjay Warns

    Uganda Risks Return to Power Rationing Within a Year as Industrial Demand Surges, Minister Sanjay Warns

    KAMPALA — Uganda risks returning to electricity load shedding within a year unless power generation and renewable energy investments keep pace with surging manufacturing demand, Trade, Industry, and Cooperatives Minister Sanjay Tanna has warned.

    Speaking at the fifth Presidential CEOs Forum alongside Prime Minister Robinah Nabbanja, Tanna cautioned that rapid industrial expansion is placing unprecedented pressure on the national grid.

    “Within the next few months—or at most a year—we risk returning to load shedding,” Tanna warned.

    To mitigate the squeeze, Tanna urged closer coordination between the ministries of trade and energy. He advocated for heavy power consumers, particularly steel and cement manufacturers, to adopt rooftop solar systems. Under a net-metering framework, factories could power their own operations and feed excess energy back into the grid, freeing up capacity for new industrial ventures. He cited successful net-metering projects at the National Enterprise Corporation facility and GenTex as practical blueprints for the sector.

    The warning comes despite Uganda’s significant expansion of its energy portfolio. Major hydropower installations—including the Karuma, Isimba, and Bujagali plants—have kept installed capacity comfortably above peak demand in recent years. However, rising industrial offtake, growing cross-border energy exports, and new large-scale consumers are rapidly eroding that surplus buffer.

    Prime Minister Nabbanja acknowledged the urgency, committing to expanded generation and improved infrastructure. “We must invest heavily to ensure sufficient electricity for our growing industrial base,” she stated, noting that parallel investments in the Standard Gauge Railway aim to reduce transport costs and further bolster manufacturing.

    Private-sector leaders raised additional systemic headwinds during the forum, including high borrowing costs, scarce long-term capital, and delayed government payments. Presidential CEOs Forum Managing Director Den Kayemba revealed that consultations with over 10,000 business executives yielded 229 specific bottlenecks requiring state intervention across taxation, finance, and regulation.

    Addressing these hurdles, National Planning Authority Executive Director Joseph Muvawala praised initiatives like the Export Credit Guarantee Fund, but emphasized that lowering baseline costs—particularly electricity tariffs—remains critical to maintaining competitiveness.

    The dialogue highlights the central challenge facing Uganda’s economic strategy: translating generation capacity into a reliable, cost-effective power supply that sustains industrial momentum without triggering shortages.

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  • UPDF’S 1,400-MAN DRILL SHOWDOWN! CDF Interforces Battle Returns to Kololo

    UPDF’S 1,400-MAN DRILL SHOWDOWN! CDF Interforces Battle Returns to Kololo

    By Evans Najuna

    KAMPALA: The Uganda Peoples’ Defence Forces (UPDF) is gearing up for another explosive battle of military precision as more than 1,400 troops descend on Kololo Ceremonial Grounds for the second edition of the Chief of Defence Forces (CDF) Interforces Drill Competition.

    The four-day military spectacle runs from August 22 to 25, 2026, bringing together more than 40 teams drawn from different UPDF branches, services and units.

    This year’s competition is being staged under the theme: “Precision, Discipline and Cohesion: Pillars of National Resilience and Transformation.”

    According to UPDF Deputy Defence Public Information Officer Col.Henry Obbo, the contest is designed to test and sharpen discipline, teamwork, coordination and military precision while strengthening unity across the Force.

    Obbo revealed the details Tuesday, August 18, during a press briefing at the Uganda Media Centre in Kampala.

    The competition is a major expansion of the inaugural edition held in May 2025, which attracted 16 teams and saw the Internal Security Organisation (ISO) emerge as the overall winner.

    This time, the military has dramatically raised the stakes, with junior and senior officers, warrant officers and other ranks expected to battle it out in a variety of traditional and modern drill disciplines.

    The troops will showcase their mastery of sword and crop-stick drills, pace sticks, cane sticks and foot drills, putting their discipline, coordination and precision to the ultimate test.

    But organisers are promising more than the traditional military formations.

    For the first time, the competition will feature freestyle drill displays, with the top five teams expected to blend military traditions with Uganda’s rich cultural heritage.

    Teams will be judged on creative routines featuring theme-based drills, formation changes, synchronised displays, music integration, storytelling and dance.

    The UPDF says the new innovations are intended to push personnel beyond routine military formations and encourage excellence, precision, creativity, ingenuity, teamwork and esprit de corps.

    The competition will also provide a platform for the Force to showcase its traditions, values and military heritage while strengthening cooperation and camaraderie among its different branches and units.

    And all roads will lead to Kololo on August 25 for the grand finale, which will be officiated by the Chief of Defence Forces and Special Presidential Advisor on Special Operations, Gen Muhoozi Kainerugaba.

    Top performers will walk away with awards in categories including Best Drill Team and Best Drill Commander, while special recognition will be given to teams that demonstrate exceptional innovation and cultural integration.

    The UPDF has thrown the doors open to members of the public and the media, inviting Ugandans to turn up and witness the spectacle.

    According to the organisers, the event is not merely about soldiers marching in perfect formation.

    It is also intended to celebrate national pride, sovereignty, military heritage and the UPDF’s commitment to serving Ugandans.

    With more than 40 teams, 1,400 personnel and four days of intense competition, the second CDF Interforces Drill Competition is shaping up to be a massive military showdown — with Kololo set to become the stage where discipline, precision, creativity and military swagger collide.


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  • BEYOND KNOWLEDGE: DR BERNADETTE NAMBI CALLS FOR A FUTURE-READY UGANDAN CURRICULUM

    BEYOND KNOWLEDGE: DR BERNADETTE NAMBI CALLS FOR A FUTURE-READY UGANDAN CURRICULUM

    NCDC Director says learners must think, innovate, solve problems and create opportunities

    Writes Brian Mugenyi

    [email protected]

    Speke Resort Munyonyo, UGANDA — August 18, 2026Dr Bernadette Nambi Karuhanga, Director of the National Curriculum Development Centre (NCDC), has called for a fundamental rethink of Uganda’s education curriculum, saying learners must be prepared for a world increasingly shaped by technology, artificial intelligence, changing labour markets and innovation.

    Speaking to this writer on Tuesday, August 18, 2026, Karuhanga said education can no longer be measured simply by how much information a learner can remember, but by the ability to apply knowledge to real-life challenges.

    “The answer increasingly requires us to rethink not only what learners know, but what they can do with what they know,” she said.

    Her remarks come ahead of the 2nd International Conference on Curriculum Development, scheduled for August 20–21, 2026, at Speke Resort and Convention Centre, Kampala, under the theme “Innovative Curriculum Approaches for Sustainable Education in a Globalised World.”

    Karuhanga said employers increasingly require adaptability, creativity, communication, collaboration and problem-solving alongside technical knowledge.

    “Curriculum cannot remain static in such an environment,” she said.

    She said Uganda’s competency-based approach should enable learners to apply knowledge, analyse situations, work with others, communicate ideas and solve problems in real-life circumstances.

    Technology must serve learning

    Karuhanga said technology and artificial intelligence are changing how people learn, communicate and work.

    “The question for education will not be simply whether learners should use technology, but how we prepare them to use it intelligently, creatively, ethically and responsibly,” she said.

    She cautioned that technology should complement teachers rather than replace them.

    “Technology should strengthen learning rather than replace the essential human relationships at the heart of education,” she said.

    Muyingo backs hands-on education

    Meanwhile, Dr John Chrysestom Muyingo, Acting Minister of Education and Sports, has backed the push for practical skills, innovation and information technology.

    Muyingo said Uganda’s changing education and labour landscape requires learners to acquire skills that can translate knowledge into innovation, production and economic opportunity.

    “Hands-on education is the way to go,” Muyingo said, stressing the importance of information technology skills in the modern economy.

    130 papers submitted

    Dr Richard Irumba, Chairperson of the conference organising committee and Deputy Director at NCDC, said organisers received 130 papers, with 77 accepted following a rigorous double-blind peer-review process.

    He said the submissions came from researchers, educators and practitioners from more than 11 countries, while more than 700 delegates had confirmed attendance physically and online.

    The conference will examine artificial intelligence and ICT in education, competency-based learning, entrepreneurship, TVET, climate-change education, green jobs, inclusivity, early childhood education, teacher training and indigenous knowledge.

    Karuhanga said education reform is a national responsibility involving Government, parents, teachers, universities, employers, researchers and communities.

    “Uganda’s greatest resource is its people,” she said.

    She added that the curriculum designed today will influence “the skills of tomorrow’s workforce, the creativity of tomorrow’s entrepreneurs, the judgement of tomorrow’s leaders and the resilience of tomorrow’s communities.”

    The question facing Uganda, therefore, is no longer simply what learners should know, but what they should be able to create, solve and build with that knowledge.

     

     

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  • MTV VMAs Drop Best Afrobeats Category From 2026 Awards

    MTV VMAs Drop Best Afrobeats Category From 2026 Awards

    The MTV Video Music Awards (VMAs) have dropped the Best Afrobeats category from this year’s ceremony, marking a major change just three years after the category made its debut.

    MTV announced the nominees for the 2026 VMAs on Tuesday, but the Best Afrobeats category was missing from the list.

    Why the Category Is Causing Debate

    The Best Afrobeats category debuted in 2023, with Rema and Selena Gomez taking the first award for their global hit “Calm Down.”

    Tyla then won the award in both 2024 and 2025 with “Water” and “Push 2 Start,” respectively.

    Her back-to-back victories sparked criticism from music fans and industry observers, particularly in Nigeria.

    Some questioned why a South African artist whose music draws heavily from Amapiano received an award specifically labelled Afrobeats.

    The controversy became even louder after Tyla’s second win, with critics accusing the VMAs of misrepresenting the genre.

    MTV Has Not Explained the Decision

    The organisers have not publicly explained why they removed the Best Afrobeats category from the 2026 awards.

    However, the timing has already led to speculation that the decision could be connected to the controversy surrounding the category and the wider debate over how African music gets classified on international award platforms.

    The removal also means Tyla will not get another chance to defend the title this year, despite her hit “Chanel” being a potential contender.

    Burna Boy and Tems Still Make the List

    While the Afrobeats category has disappeared, Nigerian stars Burna Boy and Tems have secured nominations in other categories.

    Tems received a Best R&B nomination for her collaboration with British rapper Dave on “Raindance.”

    Burna Boy earned two nominations for “Dai Dai,” his World Cup collaboration with Shakira. The song is competing for Best Collaboration and Best Latin.

    The 2026 MTV VMAs will take place on September 27 at the Peacock Theatre in Los Angeles.

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