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  • Why King Saha’s Kololo Success Came as No Surprise to Munyagwa

    Why King Saha’s Kololo Success Came as No Surprise to Munyagwa

    Mubarak Munyagwa had his own way of supporting King Saha’s Kololo concert without actually stepping into the crowd.

    The former presidential candidate says he planned to buy a table at the “Tondeka E Kololo Festival” and have cameras capture him doing it alongside Saha.

    His goal was to make his support visible and, as he put it, “tap into his masanyalaze,” a metaphor for talkability and public attention.

    I told you guys to bring cameras with King Saha so that I buy his table and people know that I bought it, so that I also tap into his ‘masanyalaze.’

    There was a simple reason Munyagwa did not want to sit among the thousands of fans.

    He says he has a phobia of crowded places, despite believing from the start that Saha would attract a massive audience.

    I told you Saha would fill Kololo with people because he is a good artist. That is one of the reasons I never attended because I have a phobia for people.

    Munyagwa believes Saha has built that pulling power through his music and his connection with audiences.

    He also points to the singer’s political side as another part of his appeal.

    For him, Saha now belongs among the Ugandan artists capable of filling a major venue, alongside names such as Pallaso and Alien Skin.

  • Nobat Teases Female Artist He Believes Can Pull Off a King Saha-Sized Concert

    Nobat Teases Female Artist He Believes Can Pull Off a King Saha-Sized Concert

    Nobat believes Pallaso and Alien Skin once had the star power to stage a concert on the scale of King Saha’s “Tondeka E Kololo Festival.”

    The events promoter, born Norbert Twizire, says both artists reached a point in their careers when their popularity and fan bases could have filled the Kololo Independence Grounds.

    That momentum later gave way to a series of controversies that attracted widespread attention.

    The rivalry between the two musicians produced confrontations involving violence and property damage, while Alien Skin later faced backlash over his remarks about the Busoga Kingdom and the Kyabazinga.

    Those developments, according to Nobat, affected the public appeal that had made both artists capable of commanding a major concert.

    Look at an artiste like Pallaso. There was a point when he was very good, but then he resorted to chaos and destroying property. It is the same thing with Alien Skin. There was a time when he could pull it off, but then he got derailed by abusing people, ridiculing the Kyabazinga, and getting involved in other controversies.

    With King Saha now having shown what he can command at Kololo, Nobat says the list of artists he sees as capable of producing a similar concert has become very short.

    However, he believes there is a female artiste who could pull it off and is keeping her name under wraps to avoid alerting other promoters who might rush to organise her concert before he does.

    When you look around now, there is almost no artist who can do what King Saha did. Maybe the only artist I see who can pull it off is a female. The problem is that I have become a consultant, so if I mention her name, other promoters will rush to organise a concert for her. Let me keep her name to myself. You will know who she is when I organise the concert for her.

  • Record Labels Limit Creativity — Grace Nakimera

    Record Labels Limit Creativity — Grace Nakimera

    Grace Nakimera would rather build her music career on her own than hand control of it to a record label.

    The veteran singer says independence has allowed her to own her music and make decisions across different parts of her career without worrying about what happens when a contract ends.

    She has handled everything from fashion and production to promotion and stage work, and says that experience has shaped her strong views about record labels.

    I am the kind of artist who has built everything on my own from scratch, from fashion and production to promotion and the stage. I own my music. I do not understand labels. They limit creativity.

    Nakimera’s concerns go beyond creative control.

    She claimed that artists can also lose access to things such as their stage names, YouTube channels and catalogues after leaving a label.

    Being an independent artist is the best because, if I were signed to a record label, I would not be able to perform my own songs right now. When artists leave labels, they can even lose their stage names, YouTube channels, catalogues and other things.

    She also has a more unusual concern about signing with the wrong people.

    During an interview on The Deep Talk, Nakimera warned artists to consider the spiritual beliefs of the people they plan to work with, claiming that labels can seek control over artists beyond their music.

    If you are going to sign with a management company or record label, make sure you are on the same spiritual side. Otherwise, they can perform rituals on you and take your star. They own you in everything, even spiritually.

    Nakimera will take her independent music journey to Serena Kampala Hotel on September 11, 2026, for her upcoming concert.

  • AAYC general council meeting set for Benghazi, Libya, in October

    AAYC general council meeting set for Benghazi, Libya, in October

    By Andrew Ssebunya

    KAMPALA, UGANDA — The Afro-Arab Youth Council (AAYC) has announced that its next General Council Meeting will be held in Benghazi, Libya, from 19 to 22 October 2026.

    The four-day meeting will bring together members of the Council to review the organisation’s progress, strengthen its governance structures, consider strategic priorities and chart its direction for the period ahead.

    The Benghazi meeting is a key organisational and governance session rather than a public forum, providing an opportunity for the Council’s leadership and representatives from member chapters and organisations across Africa and the Arab world to assess progress and agree on priorities for the future.

    Why Benghazi?

    The choice of Benghazi carries historical significance for the AAYC. Libya was among the governments, alongside Sudan, that supported the establishment of the Council in 2004 under the patronage of the late Libyan leader Muammar Gaddafi and the Sudanese leadership at the time.

    Holding a major General Council meeting in Libya therefore represents a meaningful return to one of the countries associated with the Council’s founding and early institutional development.

    The meeting comes as AAYC continues to advance its institutional agenda, including the development of its permanent international headquarters in Uganda, strengthening partnerships and expanding its engagement across Africa and the Arab world.

    In preparation for the meeting, AAYC has directed members of its Executive Committee to mobilise delegates and coordinate with member chapters and organisations to ensure broad and effective representation.

    Regional coordinators have also been tasked with supporting mobilisation and logistical preparations ahead of the Benghazi assembly.

    The Council has called on all its branches across Africa and the Arab region to actively participate in preparations for the meeting and contribute to its institutional success.

    The October gathering will reaffirm AAYC’s founding vision of “Youth, Peace, Unity and Development,” which has guided the organisation since its establishment in 2004.

    About AAYC

    The Afro-Arab Youth Council is a youth-focused institution dedicated to strengthening cooperation, regional integration and partnerships among young people across Africa and the Arab world.

    Operating from Uganda with diplomatic-mission status, AAYC works to promote youth participation in peacebuilding, unity, development and regional cooperation.

     

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  • Nandor Love announces upcoming wildlife-themed concert

    Nandor Love announces upcoming wildlife-themed concert

    Nandor Love has opened up about the qualities she would want in her dream man, saying money is not her biggest priority as long as her partner is not completely broke.

    Speaking about relationships, Nandor said she believes money can be earned through hard work and should not be the main foundation of a relationship.

    However, she admitted that financial stability still matters, especially because she hopes to have children in the future.

    Money is not important because it is God that blessed us with it. We just look for the money and work to get it. It is not that important but he doesn’t have to really be very broke.

    I have to bring children into this world; I do not know how many but I have to give birth.

    Away from matters of love, Nandor also teased fans about her upcoming concert, revealing that the event will be heavily inspired by wildlife and the animals she often sings about.

    I’m soon doing my concert. Prepare to dress like animals; giraffes, zebras, leopards, lions and so on, because that’s what I sing about best.

    The singer said she will officially announce details of the concert soon, leaving fans to prepare for what promises to be a uniquely themed night celebrating her music and love for wildlife.

    The post Nandor Love announces upcoming wildlife-themed concert appeared first on MBU.

  • ANISHA BIRUNGI: The hustle generation: entrepreneurship, opportunity or survival?

    ANISHA BIRUNGI: The hustle generation: entrepreneurship, opportunity or survival?

    “Good things come to those who hustle.”

    What was once a casual phrase has become a defining philosophy for millions of young Africans navigating an increasingly uncertain economic landscape. From the streets of Kampala to the growing digital economy across the continent, young people are finding creative ways to earn an income, build businesses and pursue financial independence.

    But an important question remains: Are young people hustling because they are genuinely entrepreneurial and creating new opportunities, or because economic conditions have left them with little choice but to survive?

    For many young Africans, the answer is both.

    Across Africa, the informal economy remains a major source of employment. Limited formal job opportunities, rising living costs, skills gaps and economic pressures have pushed many young people to create their own sources of income.

    A young man selling imported smartphones outside a shopping centre, a woman running a small food business, a boda boda rider, a freelance graphic designer, a content creator or someone trading online may all be described as “hustlers.” But behind these activities are individuals trying to build livelihoods in an environment where secure employment is often difficult to find.

    What society calls a side hustle is, for many, their main occupation.

    Their offices may be streets, markets, homes, roadside stalls or digital platforms. They wake up every morning, go to work and return home with the hope that the day’s earnings will support their families.

    They are not simply looking for extra income. They are entrepreneurs in their own right.

    When survival becomes entrepreneurship:

    The African hustle culture has deep roots in the informal economy, where people have historically created livelihoods outside formal employment structures.

    This resilience is one of Africa’s greatest strengths. Young people are increasingly turning their skills, talents, hobbies and ideas into income-generating activities. Technology has made this even easier, opening opportunities in freelancing, digital marketing, online tutoring, e-commerce, content creation and other emerging fields.

    The traditional definition of a career — obtaining a degree, securing one stable job and working until retirement — is becoming increasingly difficult for many young people to follow.

    Instead, the Hustle Generation is creating multiple income streams and redefining what financial stability looks like.

    However, it would be misleading to romanticise the hustle.

    The hidden cost of the hustle:

    Behind the inspiring stories of young entrepreneurs are millions who hustle because they have no alternative.

    The pressure to constantly make money can lead to burnout, financial insecurity and uncertainty. Many informal businesses operate without access to affordable finance, insurance, reliable markets, business training or social protection.

    Some young people also enter risky or unregulated activities because they lack viable alternatives. In such circumstances, calling everyone an “entrepreneur” may conceal the deeper economic challenges facing society.

    There is a significant difference between choosing entrepreneurship and being forced into self-employment by unemployment.

    A young person who starts a business because they have identified a market opportunity is operating under very different circumstances from someone who starts selling goods simply because they cannot find a job.

    This distinction matters because policy responses must address both realities.

    Turning hustle into opportunity:

    The goal should not be to eliminate the hustle. It should be to transform it.

    Young people need access to practical skills, affordable finance, technology, markets, mentorship and supportive institutions. Informal businesses should have pathways to formalisation without being burdened by unnecessary bureaucracy or costs.

    Education systems must also prepare young people not only to look for jobs but to solve problems, identify opportunities and create value.

    Governments, financial institutions, private companies and youth organisations all have a role to play in building an environment where young people can move from survival to sustainable enterprise.

    The young person selling products on the street today could become tomorrow’s employer — if given the right support.

    From hustle to prosperity:

    The Hustle Generation is ambitious, creative and resilient. It is challenging traditional ideas about careers and demonstrating that opportunity can emerge from difficult circumstances.

    But resilience should not become an excuse for governments and institutions to ignore structural unemployment, skills gaps and economic inequality.

    Young people should not have to work three jobs simply to survive.

    The real measure of a successful economy is not how hard its young people are forced to hustle, but whether that hustle can eventually lead to stable livelihoods, thriving businesses and meaningful prosperity.

    The challenge for Africa is therefore clear: move from celebrating survival to building systems that turn youthful energy into sustainable opportunity.

    The hustle should be a stepping stone — not a life sentence.

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  • IGG Directs Interdiction of URSB Registrar General, Three other Officials Over Corruption Allegations

    IGG Directs Interdiction of URSB Registrar General, Three other Officials Over Corruption Allegations

    KAMPALA, UGANDA — The Inspector General of Government (IGG), Lady Justice Naluzze Aisha Batala, has directed the Minister for Justice and Constitutional Affairs, Hon. Norbert Mao, to immediately interdict the Registrar General of the Uganda Registration Services Bureau (URSB), Ms. Mercy Kainobwisho, as investigations into allegations of corruption at the Bureau get underway.

    The Inspectorate of Government (IG) said it has commenced investigations against Kainobwisho over allegations including embezzlement of government funds, abuse of office, institutional mismanagement, money laundering and maladministration at URSB.

    According to a press statement issued on Tuesday, August 18, 2026, the interdiction is intended to ensure that the ongoing investigations are conducted without interference and in the public interest.

    The IGG said the directive is anchored in Article 230 of the Constitution of the Republic of Uganda and Section 13(6) of the Inspectorate of Government Act, Cap. 32, which empowers the Inspector General of Government to issue orders and directions deemed necessary and appropriate in the circumstances.

    The Minister for Justice and Constitutional Affairs has also been directed, in consultation with the URSB Board, to put in place interim arrangements to ensure the uninterrupted discharge of the Registrar General’s functions during the period of interdiction.

    The Minister has further been directed to halt URSB’s scheduled residential Executive Training at the National Leadership Institute (NALI), Kyankwanzi, which was scheduled to run from August 16 to August 21, 2026.

    The training will remain suspended until the IG’s investigations are concluded or further guidance is issued.

    Three other URSB officials interdicted

    In a separate directive, the IGG has directed the Chairperson of the URSB Board of Directors, Rt. Hon. Butagira Francis, to interdict three senior officials of the Bureau pending completion of investigations into allegations of corruption against them.

    The affected officials are Mr. Aganya Alex, Deputy Registrar General; Mr. Kwesiga Arthur, Commissioner, ICT and Innovations; and Mr. Kule Walid, Assistant Commissioner, Business Registration.

    The URSB Board Chairperson has been directed to promptly make appropriate interim arrangements for the affected officials’ functions in accordance with applicable laws, ensuring continuity of URSB services and preventing any operational gaps.

    The Board, management and staff have also been directed to fully cooperate with the ongoing investigations and provide the necessary support to facilitate their completion.

    The IG reiterated its call for all public officials to uphold the principles of transparency, accountability and integrity in the execution of their duties.

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  • Kenneth Mugabi surprised during live rehearsal as V&A Sherry backs his 10th anniversary concert

    Kenneth Mugabi surprised during live rehearsal as V&A Sherry backs his 10th anniversary concert

    What began as an ordinary rehearsal morning quickly became a big surprise for singer-songwriter Kenneth Mugabi when V&A Sherry Brand Manager Roy Tumwizere walked into his live session at Marish Studio in Bukoto to announce the brand’s sponsorship of his 10th anniversary concert.

    The concert, set for September 12, 2026, at Ndere Cultural Centre, will mark a decade of Mugabi’s music and the journey that has seen him become one of Uganda’s most distinctive voices in soul music.

    More than 30,000 fans tuned into the live rehearsal, helping Mugabi curate his performance list as he reflected on a show he says is ultimately for the people who have listened, supported and grown with his music over the past 10 years.

    For Tumwizere, the partnership is about more than sponsoring a concert. It is about recognising a journey and giving people a reason to pause and celebrate how far one has come.

    “Kenneth Mugabi’s decade-long musical journey represents years of creativity, persistence and commitment to his craft, a story that V&A believes deserves to be recognised and shared,” he said.

    “I am excited about this partnership because, personally, I am a great fan of Mugabi, and V&A Sherry is made for moments like these. Celebrating 10 years is a milestone worth recognising and sharing,” he added.

    The partnership reflects V&A Sherry’s broader commitment to celebrating achievements and creating moments that bring people together, from personal milestones to cultural experiences, while supporting the Ugandan talent that continues to shape the country’s creative landscape.

    For Mugabi, however, the milestone carries a deeply personal meaning. 10 years of music have brought with them the highs, the difficult seasons, the growth and, above all, the people who stayed with him through the journey.

     “This concert is special because it doubles as my birthday and is my way of celebrating that journey with everyone who has been part of it from the days of the start of the Kibun’omu album. Having V&A Sherry on board makes the celebration even more special, and I am excited for us to share this moment,” Mugabi added.

    The rehearsal also offered fans a glimpse of what to expect on the night, with Mugabi revisiting the songs that have become part of the soundtrack of his career. From Sanyu and Nkwengomba to Naki, the music has travelled beyond the stage, finding a place in the lives and memories of the people who have listened along the way.

    And there is more to come. Mugabi revealed that he will share the stage with an East African music legend he has long admired, but stopped short of revealing the name.

    “V&A has surprised me this morning. I’m also keeping this as a surprise for my fans,” he remarked.

    That spirit of surprise will carry into the concert itself, which promises an evening built around Mugabi’s musical catalogue, his evolution as an artist and the people who have been part of his story. V&A Sherry is also curating an experience befitting the milestone, with picturesque settings, refined serves and special cocktails designed to give fans more than just a concert, but a moment to savour and share.

    After a decade of making music, Mugabi is not simply looking back. He is inviting the people who have walked with him to celebrate how far the journey has come; and to raise a V&A glass to what lies ahead.

    Tickets are selling out fast and can be secured at www.kennethmugabi.com, starting at Shs100,000.

  • Abba Marcus released from custody on conditional terms – Sqoop

    Abba Marcus released from custody on conditional terms – Sqoop

    Abba Marcus Mayanja, the 20-year-old son of Ugandan musician Jose Chameleone, has been released from custody in Minnesota after spending three days in jail following a misdemeanor domestic assault arrest.

    According to the Hennepin County Sheriff’s Office, Abba Marcus was released at 12:31 p.m. local time on August 17, 2026, under what court documents describe as a “Conditional Release.”

    The release came hours after Abba Marcus was scheduled to appear before the court at 9:30 a.m. at Ridgedale on the same day.

    Court records show that Mayanja had two possible release options.

    He could either post a $6,000 bail or bond, approximately Shs 22.3 million, without conditions, or be released on $0 with conditions.

    The court ultimately granted him the second option — a non-cash conditional release.

    The specific conditions attached to his release were not publicly available in the information reviewed.

    Abba Marcus’s release does not bring the case to an end. He remains subject to the ongoing court process, and the domestic assault charge remains pending.

    He was charged with Domestic Assault — Misdemeanor, described in the court information as an act intended to cause fear of immediate bodily harm or death.

    READ: Jose Chameleone’s son Abba Marcus arrested on domestic assault charge in Minnesota

    The allegations are connected to a turbulent period in his relationship with his pregnant girlfriend, Angelica Becker, also known as Angel.

    Angel has previously accused Abba Marcus of physically assaulting her during her pregnancy. She has also pushed back against people who encouraged her to forgive him, saying she intended to pursue justice over what she described as alleged violence in the relationship.

    Abba Marcus has previously denied allegations of physical abuse.

    READ: Abba Marcus denies cheating, hitting pregnant girlfriend

    The contrasting accounts have since become part of a deeply personal dispute that has now entered the legal system.

    The couple announced earlier this year that they were expecting a child, making the latest development particularly significant for their young family.

    Their relationship had already attracted public attention, with Angel speaking publicly about the difficulties they had experienced.

    The domestic assault allegations have intensified that scrutiny, but the legal case is still unresolved. The allegations against Mayanja have not been established as fact, and he remains entitled to the presumption of innocence unless proven guilty in court.

    Abba Marcus is the eldest son of Ugandan music star Jose Chameleone, one of Uganda’s best-known entertainers. Unlike his father, whose career has largely been built in Uganda and across the African music scene, Mayanja has been living in the United States, where he has pursued both education and music.

    His arrest has therefore brought an intensely private family matter into the public spotlight.

    READ: Chameleone defends son Abba after becoming a father at a young age

    READ: Jose Chameleone takes humorous approach to Abba Marcus leaked video controversy

    For now, Abba Marcus is out of custody, but the legal battle is not over.

    The next stage will be determined by the court as prosecutors, Abba Marcus and the parties involved navigate the allegations. What ultimately happened between the couple will be a matter for the legal process to establish.

    Don’t want to miss out on any story? For updates on all Sqoop stories, follow this link on Telegram: https://t.me/Sqoop and Whatsapp: https://whatsapp.com/channel

  • Why Alex Mukulu’s ’30 years of Bananas’ was rejected on Ugandan school syllabus

    Why Alex Mukulu’s ’30 years of Bananas’ was rejected on Ugandan school syllabus

    The Ugandan theatre industry was thrown into mourning over the weekend following the death of veteran playwright, actor, director and educationist Edward Alexander Mukulu, popularly known as Alex Mukulu.

    Mukulu’s passing sparked an outpouring of tributes from colleagues, artists and audiences who remember him for his immense contribution to the development of Ugandan theatre through the plays he wrote, directed and performed.

    He is remembered for several notable works, including 30 Years of Bananas, Springs of Tears, The People’s President, Excuse Me Mzungu and Gwanga Mujje, among many others.

    In one of his interviews before his passing, Mukulu revealed that his 1991 book 30 Years of Bananas was once considered for inclusion on Uganda’s education syllabus but was ultimately rejected by authorities.

    According to Mukulu, authorities argued that the book could deepen divisions between northern and southern Uganda because of its portrayal of the country’s historical and political experiences.

    30 Years of Bananas was declined on the Ugandan syllabus because they said it segregated and divided the North and South. They claimed it had a bias because most of our leaders here came from the North. When you look at things here in Uganda, the major conflicts have been between the North and South.”

    He, however, noted that the book received a more positive reception outside Uganda, particularly in Kenya and some European countries.

    Mukulu explained that much of his work was inspired by real-life experiences and social issues affecting society. He said he always tried to ensure that his plays carried a meaningful message for audiences.

    I’ve written and directed very many plays, but most times when I do these plays, I first confirm that they will be helpful.

    Reflecting on 30 Years of Bananas, he explained that the story centred on a family that had several daughters, with one daughter’s marriage becoming more colourful than the others.

    He also cited Wounds of Africa as another work through which he explored the challenges and suffering affecting the African continent.

    Beyond theatre, Mukulu revealed that he had written hundreds of songs and produced a large body of theatrical work throughout his career.

    I have like 200 songs. I’ve written, directed and produced more than 50 plays, and there are others that I haven’t touched yet. I even have other plays that I’m currently writing.

    Mukulu also explained that his creative works continued to generate income, although payments were often channelled through a foundation he established with fellow creatives rather than directly to his personal phone.

    His passing marks the loss of one of Uganda’s most influential theatre figures, whose work helped shape generations of performers, writers and audiences while using drama to explore Uganda’s history, society and everyday experiences.

    The post Why Alex Mukulu’s ’30 years of Bananas’ was rejected on Ugandan school syllabus appeared first on MBU.

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