Rapper Navio has opened up about what he truly misses from the early days of the music industry, offering a rare reflection on how things have changed over time.
During his appearance on 21 Questions, Navio looked back at a period when artistes like Bebe Cool, Bobi Wine and Jose Chameleone were peaking.
Looking at that era, he said one thing he does not miss is the fighting that often defined it.
He went on to explain that the industry was more physical back then, while today’s artistes tend to rely more on words than confrontation.
Definitely not the fighting. The industry we come from is very physical. That is why sometimes you have to behave now because the boys talk a lot, but they do not want to fight, which is good. But even the talking, there has to be a point where people manage themselves and show respect. I do not miss the fighting.
Shifting to what he actually misses, Navio pointed to the absence of gadgets during performances.
What I miss about those days, I think, was no gadgets. Sometimes you come for a performance and people are on their phones. Before we used to see their faces, now we see their phones. As soon as you come on stage, people want to record. I think that is one thing I would change about the industry, the gadgets.
Reflecting further, he admitted that while the change can feel frustrating, he understands why fans behave that way today.
But, you know, we also want to capture the moment. That is the person you love, that is the person whose music you listen to, so I understand it.
Early bird registration for the 2026 Tusker Lite Mt Rwenzori Marathon is now officially open, offering runners a discounted opportunity to secure their place in one of the fastest growing international sporting events.
The fifth edition of the marathon, set to take place on August 22 in Kasese, is already attracting significant local and global interest just a week after registration opened, with organizers confirming entries from runners across several countries by press time.
Under the early bird offer, Ugandans and other East African Community (EAC) citizen, including those from Kenya, Tanzania, Burundi, and Rwanda, can register at a fee of UGX 50,000, while international participants pay USD 50. These discounted rates will run until July 1, 2026, after which standard registration fees of UGX 60,000 for EAC residents and USD 60 for international runners will apply.
Registration is currently ongoing via rwenzorimarathon.com/registration
Sandra Againe, Tusker Lite Brand Manager, said the launch of early bird registration is intended to give runners ample time to prepare for the event.
“We are encouraging runners to take advantage of the early bird window not just for the cost benefit, but also to give themselves enough time to train and prepare adequately for this unique marathon experience,” Againe said.
Againe added that the brand has remained committed to growing Uganda’s running culture year-round through various Tusker Lite Runs held across the country, initiatives designed to build a strong and active community of runners.
The Tusker Lite Mt Rwenzori Marathon, which sold out last year, continues to build on its international appeal, having attracted participants from 36 countries in the previous edition, with organizers expecting even broader global representation this year.
As part of its international activation campaign, the marathon is making appearances at major global running events. A recent engagement at the Kilimanjaro Marathon in Tanzania featured a shake-out run and on-site registration. Additional activations are scheduled at the Two Oceans Marathon in Cape Town on April 11, the London Marathon on April 26, and the Comrades Marathon in Durban on June 14.
At each of these events, the organizing team is collaborating with international running influencers, hosting expo booths, and leading pre-race community runs aimed at boosting visibility and engagement. The organizers are also working closely with Uganda’s Ministry of Foreign Affairs to coordinate activations with Ugandan embassies in host cities.
Now officially listed on the World Athletics Calendar and having attained Label Race status, this year’s event is expected to deliver greater impact and international recognition.
If you are a second, third, or fourth year university student looking for a high-profile internship that will add serious weight to your CV, the East African Crude Oil Pipeline project has just opened applications — and the deadline is April 13, 2025.
The East African Crude Oil Pipeline (EACOP) is one of the most significant infrastructure projects on the African continent. When completed, it will operate a 1,443 kilometre long, thermally insulated crude oil export pipeline transporting oil from Hoima in Uganda to the Chongoleani Peninsula near Tanga Port in Tanzania for export to international markets. The project also includes a nearshore marine storage and export terminal. Getting your name on an EACOP internship certificate is not a small thing.
The company is now offering internship placements to university students currently in their 2nd, 3rd, or 4th year of study who require a work placement as part of their study programme. Internships run for a minimum of ten weeks from June 2026.
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The Available Positions
Seven internship positions are available across the following departments and locations: Legal and Compliance — Kampala (1 Position) This position is open to 3rd or 4th year students pursuing a Bachelor of Laws degree. If you are at Makerere School of Law or any other recognised law school in Uganda and you are in your third or fourth year, this is a direct fit.
Finance — Kampala (1 Position) Open to students pursuing a Bachelor of Commerce, Statistics, or Accounting, or a related field. Applicants must also hold an Advanced Certificate of Education with at least a principal pass in Mathematics or sub-Mathematics at Uganda Advanced level.
Environment — Kampala (1 Position) Open to students pursuing a Bachelor of Environmental Engineering, Bachelor of Environmental Science, or any related field.
Human Resource — Kampala (1 Position) Open to students pursuing a Bachelor of Human Resource Management or a Bachelor of Social Work.
Field Operations — Kampala (1 Position) Open to students pursuing a Bachelor of Business Administration, Project Management, Operations, Logistics, or a related field.
Social Economic Investment and CSR — Kampala (1 Position) Open to students pursuing a Bachelor of Civil Engineering, Construction, or a related area.
Projects — Site (1 Position) This position is based at the project site rather than in Kampala. It is open to students pursuing a Bachelor’s degree in Civil Engineering, Construction Management, or Mechanical Engineering, or a related field.
Who Qualifies
To be considered for any of the positions, you must meet the following general criteria. You must be pursuing a Bachelor’s degree programme at a recognised national university. You must be currently in your 2nd, 3rd, or 4th year of study. Your current academic scores must reflect a potential minimum of an upper second class degree. You must be available full time for the entire duration of the internship period. You must demonstrate excellent verbal and numeracy skills, problem-solving ability, and good communication skills. Female candidates and individuals with disabilities are highly encouraged to apply.
What You Need To Submit
Your application must include a Curriculum Vitae, a Cover Letter explaining why you are the suitable candidate for the specific position you are applying for, an introduction letter from your university, a copy of your student ID, and a partial transcript or copy of your academic scores to date. Applications will only be accepted through the official EACOP online portal. Do not submit applications through any other channel.
Ugandan music sensation Karole Kasita successfully held a high-energy dance audition at the Victoria University Auditorium on Sunday, bringing together hundreds of talented dancers from across the country.
The auditions were organized as part of preparations for her highly anticipated upcoming concert at the Serena Hotel.
The audition showcased an incredible display of talent, passion, and creativity, with participants delivering outstanding performances that highlighted the depth of Uganda’s dance industry.
Karole Kasita commended all participants for their dedication and effort, noting that the turnout and performance level exceeded expectations.
She also emphasized her commitment to nurturing and supporting emerging talent within the creative industry.
In a heartfelt gesture, Karole Kasita announced that all selected dancers will receive an extra ticket to the concert, allowing them to attend with a parent or guardian.
This initiative is aimed at giving families the opportunity to witness and celebrate their loved ones as they take their first major step onto a professional stage.
Following the success of this edition, organizers have confirmed that the next round of auditions will take place on 12th April 2026 at the same venue.
Aspiring dancers are encouraged to prepare and participate for another chance to be part of this exciting journey.
The auditions mark a significant step toward building a stronger, more inclusive platform for young dancers in Uganda, while setting the stage for what promises to be an unforgettable concert experience.
A Pass has publicly called out Kapeke over his recent on-stage conduct, warning that a lack of discipline could derail his growth in the music industry.
Speaking during a YouTube podcast hosted by Shalom Kaweesi and Frank Ntambi, A Pass weighed in on Kapeke’s controversial moment at the Roast & Rhyme concert.
Kapeke made headlines after storming off stage during his performance, reportedly frustrated by poor sound. The situation escalated when he appeared to threaten throwing a microphone, an act that left many in the crowd startled.
According to A Pass, while frustrations on stage are understandable, the way an artist handles them is what truly defines their professionalism.
You can be frustrated with something but maintain composure and say, ‘guys I’m very sorry I can’t continue because of this,’ and leave the stage instead of scaring people that you’re going to throw a microphone at them.
A Pass said that such reactions reflect poorly on an artist’s character, adding that discipline and good manners are essential for longevity in the entertainment industry.
Following the incident, which occurred on March 22, Kapeke issued an apology, acknowledging his behaviour and promising to handle similar situations better in the future.
Uganda’s music industry continues to thrive not just because of its talented artists, but also due to the creative minds behind the visuals that bring songs to life.
Over the years, a number of music video directors have played a key role in shaping the industry, blending storytelling, cinematography, and innovation to elevate Ugandan music onto the global stage.
This list mentions a mix of veterans and current heavyweights, directors who have not only defined different eras but also contributed significantly to the growth and international appeal of Ugandan music videos.
Top 10 music video directors in Uganda
1. Sasha Vybz
Sasha Vybz takes the top spot for his undeniable impact on the industry. He is widely credited for revolutionizing how music videos are shot and presented in Uganda.
His breakthrough came with “Stress Free” by Eddy Kenzo, shot in South Africa, and he has since gone on to deliver top-tier visuals both locally and internationally. Sasha has worked with big names like Bruce Melodie and Diamond Platnumz, consistently raising the bar.
2. Edrine Paul (Future Trends)
Edrine Paul stands out as one of the most celebrated directors today. As the creative force behind Future Trends, he has directed numerous trending music videos, including “Labisa” by Bobi Wine, “Cheza For Yesu” by Gabie Ntaate, and “Last Chance” by Acidic Vokoz.
His consistency and ability to deliver hits make him a dominant figure in the current scene.
3. Lukyamuzi Bashir (Badi Films)
A true pioneer in the industry, Lukyamuzi Bashir is one of the original architects of Uganda’s music video space.
Through Badi Films, he helped introduce artists like A Pass and Ykee Benda to a wider audience. His portfolio includes classics such as “Wuuyo” by A Pass, “Where You Are” by Blu*3, and “Vumilia” by Jose Chameleone.
4. Director Pest (Grate Make Films)
Director Pest has built a solid reputation for delivering clean, compelling visuals.
Under Grate Make Films, he has worked on projects like “Kansalewo” by Sheebah and “Nkubanja” by Lydia Jazmine, proving his ability to consistently produce quality work.
5. Aaronaire (Aaron Mutumba)
Aaronaire is among the most sought-after directors in Uganda today.
Known for his crisp and vibrant visuals, he has directed hits such as “Chekecha Remix” by Karole Kasita, Vinka, and Winnie Nwagi, “Ten Over Ten” by Azawi, and “Okwepicha” by Gravity Omutujju.
Zyga Phix has steadily cemented his place among top directors with visually appealing and engaging productions.
His work includes “Onkyabye Nyo” by Winnie Nwagi and “Singa” by John Blaq featuring Lydia Jazmine.
7. Triz Visuals
Triz Visuals has carved a niche with stylish and consistent output. He is known for directing “Your Ways” by Lydia Jazmine featuring Skales, as well as “Feeling” and “Kindekele,” further showcasing his creative range.
8. Mastermind Laray
Mastermind Laray has contributed significantly to the industry with a variety of notable projects. His credits include “Mukisenge” by Winnie Nwagi and Crysto Panda, and “Binkolele” by Kataleya & Kandle, among many others.
9. Darlington Kalenge (Zero One Media)
Darlington Kalenge has delivered several standout visuals through Zero One Media.
His work includes “Ebiseera Ebyo” by King Saha and “Onsanze Ndaba” by Kataleya & Kandle, alongside projects for artists like An-Known.
10. Marvin Musoke (Swangz Avenue)
Closing the list is Marvin Musoke of Swangz Avenue, a director who has played a key role in shaping the label’s visual identity.
He has directed videos like “Slow Dance” by Azawi and “Nothing” by Elijah Kitaka, among many other Swangz projects.
Media personality Viana Indi, whose real name is Vivian Ayesiga Kabahindi, has joined NRG Radio Uganda just weeks after exiting Next Media.
Viana Indi will host NRG Circle alongside Gaga and DJ VXFaisal, airing Monday to Thursday from 7:00 PM to 11:00 PM.
Her move adds her to a growing roster of youth-driven media personalities at the station, including Crysto Panda, Prim Asiimwe, Etania, Mr Henrie, Gaga, Evelyn Mic, Sheilah Salta, Eyo Mackus, Rick Man, and Winnie Mbabazi, among others.
Viana joined Next Media in June 2022 and quickly became a familiar face on both television and radio. She first stepped in for Sheila Gashumba on NBS After 5, before officially taking over as the show’s female host in 2023. On the programme, she worked alongside Douglas Lwanga, MC Kats, DJ Roja, and VJ Mercy.
During her time at the station, she also co-hosted Next Brunch on Next Radio, where she strengthened her connection with audiences and expanded her profile in the media industry.
Before joining Next Media, Viana worked with NTV Uganda and Galaxy FM, steadily building her reputation as one of Kampala’s most recognisable media personalities.
Off air, she remains active as a brand influencer, event MC, and club hype personality.
Music, culture, and international collaboration came alive in spectacular fashion at the Bridges & Beats Concert, held at Kingdom Kampala on Saturday, 28th March 2026.
As part of the global Francophonie Month celebrations, the event delivered an unforgettable evening, seamlessly blending diverse sounds, artistic expression, and cultural heritage from across Africa and beyond.
Organized by Talent Africa Group in collaboration with Alliance Française Kampala, Bridges & Beats is a dynamic music and cultural experience designed to celebrate the French language and the richness of Francophone cultures, while fostering meaningful exchange with Uganda’s vibrant creative scene.
Held under this year’s Francophonie theme, “Activating your Francophonie,” the concert invited audiences to engage with French culture in an immersive and contemporary way.
From the moment the gates opened, attendees were taken on a rich musical journey celebrating unity through rhythm. High-energy sets from DJ Rocky and DJ Lavet set the tone for an electrifying night.
The traditional performances by the Impundu Cultural Group and the Royal Drums (UNESCO Heritage ensemble) offered a powerful tribute to African heritage and storytelling.
The momentum continued with captivating performances from Doch Dodava and Blac Queen, followed by a dynamic fusion set from Ssewa Ssewa & Prof Joewi, blending contemporary and traditional sounds.
Aliddeki Brian and Tracy Melon delivered standout vocal performances that deeply resonated with the audience. The night reached its peak with a commanding closing performance by Elijah Kitaka, whose electrifying set brought the concert to a thrilling finale, leaving fans energized and inspired.
Speaking on the success of the event, Cecilia Ovonj, Cultural Project Manager at. Alliance Française Kampala, emphasized the importance of cultural exchange:
The energy at Bridges & Beats perfectly illustrated the spirit of this year’s Francophonie celebrations. It was inspiring to see music serve as a universal connector, bringing together diverse communities through a shared appreciation for rhythm, artistry, and culture.
Aly Allibhai, CEO of Talent Africa Group, added:
At Talent Africa Group, we are committed to creating experiences that go beyond entertainment to truly connect cultures and communities. Bridges & Beats reflects our vision of elevating African talent while fostering meaningful international collaborations. The energy we witnessed affirms the growing appetite for culturally diverse experiences in Uganda and across the region.
The concert attracted a vibrant mix of music lovers, cultural enthusiasts, media, and influencers, further cementing its place as a standout highlight on Kampala’s entertainment calendar.
Etania has revealed that she and Joshua Baraka have not been intimate despite being in a long-term relationship, as she has chosen to wait until marriage.
While appearing on the Executive Media YouTube podcast, Etania disclosed that despite being in a long-term relationship with Joshua Baraka, the two have not been intimate. She explained that she is intentionally choosing to wait until marriage before becoming sexually involved.
The revelation has had netizens talking, with some initially assuming she was joking. However, Etania made it clear that she is serious and fully committed to her beliefs.
I grew up being told that you can only have sex with a man after he has married you. Our parents raised us well and that’s it.
Etania said that her stance is rooted in how she was raised and that she has no plans of changing it, even while in a committed relationship.
In the same conversation, she also shared insights into her past relationships, noting that she considers Joshua Baraka her first “official” partner. She dismissed her previous relationships, bluntly referring to her exes as “useless.”
Etania didn’t shy away from discussing heartbreak either. She admitted to experiencing a painful past relationship that nearly broke her.
“There’s one that almost made me run mad,” she revealed, before opening up about meeting a former partner through Snapchat. Reflecting on that experience, Etania warned against finding love on the platform.
I have lived through these experiences and I tell you there’s no one who’s happily married on Snapchat, it’s problems on top of problems. The moment you accept a man from Snapchat, it’s the first mistake.
Etania added that she has since learned from her past and made a conscious decision to avoid such situations moving forward.
Etania discloses that she has not been intimate with Joshua Baraka and intends to wait until marriage before becoming sexually involved 😌 (Credit: @PatroUganda) pic.twitter.com/EDQTzQMlTk
As Ugandan music continues to evolve, a familiar debate has resurfaced—how to celebrate rising stars without diminishing the legacy of established artists.
Members of B2C Boys have now weighed in, cautioning against comparisons between fast-rising singer Joshua Baraka and industry heavyweight Eddy Kenzo.
Speaking out, Delivad Julio described the comparisons as “unfair,” arguing that they ignore the realities of time, experience and industry evolution.
Baraka’s growing international visibility has sparked conversations placing him alongside Kenzo—particularly because of milestones that mirror the latter’s earlier breakthrough years. But Julio believes such parallels risk oversimplifying two very different journeys.
For him, the issue is not about talent, but context.
Kenzo’s career spans close to two decades, marked by sustained relevance, global recognition and influence on Uganda’s music export story. Comparing that trajectory to an artist still within his first few years, Julio argues, creates unrealistic expectations and unnecessary pressure.
Mr Lee aslo a member of the B2C echoed this view, striking a more balanced tone.
“Baraka might even surpass Eddy, but let’s not discredit or compare them,” he said. “Eddy has done a lot, and that’s a fact. Let’s celebrate both for what they bring.”
The debate reflects a broader tension within the industry—how to measure success in an era where digital platforms accelerate visibility and compress timelines.
Unlike previous generations, today’s artists can achieve international reach much faster. However, longevity—the ability to remain relevant over time—remains a different benchmark altogether.
B2C also pointed out that established artists like Jose Chameleone are rarely subjected to similar comparisons, raising questions about how legacy is recognised and protected.
At its core, the discussion highlights a shifting industry—one where new talent is rising quickly, but where the foundations laid by earlier artists still shape the path.
For Julio, the solution is simple: appreciation over comparison.
