Chozen Blood has made a candid confession about his longtime friendship with Winnie Nwagi, admitting he was once seriously attracted to the songstress but deliberately kept things from turning romantic.
Speaking during an interview with Galaxy TV’s Rewind, the singer didn’t hold back, revealing that Nwagi’s beauty, confidence, killer dance moves, and toned gym physique had him feeling the chemistry.
“Honestly, I was sexually attracted to her. She’s a beautiful woman with how she dances, her gym body, she’s melanin and all that,” Chozen confessed.
But despite the attraction, Chozen says they made a mature decision to protect what they had instead of risking it all for romance. According to him, not every attraction has to end in a relationship, especially when there’s a genuine friendship and strong professional connection worth preserving.
The singer also opened up about the emotional bond they share, revealing that Nwagi became one of his biggest pillars during one of the darkest moments of his life. After losing a parent during the COVID-19 lockdown, he says she stood by him, offering support and helping him stay strong.
As if that wasn’t enough, Chozen credits Nwagi for completely changing his lifestyle. While she was dedicated to fitness, he admits he was busy enjoying champagne and ignoring his health. Watching her discipline inspired him to hit the gym, and the rest is history.
“She was already exercising and I wasn’t. I used to drink a lot of champagne and my body was weak. She was aggressive and I was lazy, but I got motivated in a way, and she was there for me through it all,” he shared.
Chozen Blood and Winnie Nwagi have had their fair share of ups and downs over the years, including a public fallout that briefly put their friendship on ice. Fortunately, the two later buried the hatchet and rebuilt their bond, proving that some connections are stronger than controversy.
Enock Mugabi aka iWitness is a Journalist, Seasoned Writer and Music Analyst with a passion for sports. Connect with him on social media using the links below in bio.
Electoral Commission chairperson Justice Simon Byabakama has revealed that despite the demands of his office, he is a passionate music lover with a special appreciation for gospel music.
Speaking during an interview on Sanyuka TV, Byabakama said his music taste is broad and includes both Ugandan and international artists.
However, he admitted that gospel music remains his preferred genre because of the inspiration and peace it gives him.
I listen to so many, and some are foreign, in West Africa, in Uganda… any artist singing gospel… I enjoy that. These other ones, I’m sorry, I don’t follow your music a lot.
I can travel from here to Gulu listening to gospel music. There are so many that I like from our local musicians. I don’t have any specific preference of an artist.
The Electoral Commission boss also spoke about his relationship with social media, saying he is not an active user because his busy schedule leaves him with little time to keep up with online trends and discussions.
“But I always tell people, even those that abuse me, I don’t care as long as you don’t destabilise the country with your content,” he said, stressing that he is more concerned about responsible use of digital platforms than criticism directed at him.
Away from his official responsibilities, Byabakama said he prioritises staying healthy through regular exercise. He also revealed that farming is one of his favourite activities, giving him a chance to unwind whenever he has free time.
I listen to all kinds of music, especially gospel. I don’t really follow other genres. As for social media, I’m not very active. People can make me the subject of jokes, but I don’t care as long as they don’t threaten the peace of the country.- Justice Simon Byabakama SanyukaUnCut SanyukaUpdates FfeBannoDdala
Chozen Blood has made a surprising revelation about his relationship with Winnie Nwagi, admitting that he was once sexually attracted to her despite the two never pursuing a known romantic relationship.
Speaking in a recent interview, Chozen said he found Nwagi attractive because of her beauty, confidence, and fitness, but chose not to let those feelings interfere with the friendship and professional bond they shared.
He explained that while attraction existed, they both had more meaningful things they could build together without crossing that line.
Honestly, I was sexually attracted to her. She’s a beautiful woman with how she dances, her gym body, she’s melanin and all that.
But sometimes you can be attracted to someone and there are other good things you can work on together without fronting the sexuality part that would damage the other good things.
He also used the opportunity to appreciate Nwagi for the positive impact she has had on his life. He revealed that she stood by him during one of the most difficult periods he faced after losing a parent during the COVID-19 lockdown, offering him comfort and support when he needed it most.
Chozen further credited Nwagi with inspiring his fitness journey. According to him, she was already committed to working out while he was living an unhealthy lifestyle, often drinking champagne and neglecting exercise. Watching her discipline motivated him to hit the gym and transform his lifestyle.
She was already exercising and I wasn’t. I used to drink a lot of champagne and my body was weak. She was aggressive and I was lazy, but I got motivated in a way, and she was there for me through it all.
Chozen Blood and Winnie Nwagi previously experienced a fallout that strained their relationship before eventually reconciling.
Uganda’s education system is preparing too many young people to earn qualifications instead of preparing them to solve problems, according to entrepreneur Julius Kyazze, who says employers should stop asking graduates what degree they possess and instead ask what they are actually capable of doing.
The Swangz Avenue co-founder believes the country’s conversation about education has become fixated on certificates at the expense of practical skills, leaving thousands of graduates struggling to fit into a rapidly changing labour market.
“We’re asking the wrong question,” Kyazze says during an interview reflecting on nearly two decades of building businesses in the creative industry. “The question shouldn’t be, ‘Do you have a degree?’ The question should be, ‘What are you able to do?’”
His comments come at a time when youth unemployment remains one of Uganda’s biggest economic challenges despite increasing numbers of university graduates entering the job market every year.
Kyazze says the mismatch between education and employment has become impossible to ignore. He recalls meeting a man in his village who was selling family land to finance his daughter’s education. Curious, he asked what course she intended to pursue.
The answer was nursing. Kyazze says he immediately began calculating whether the investment made financial sense. The value of the land being sold, he argues, could take many years to recover through the expected income from the profession.
To him, the issue was not the choice of nursing but whether families are making education decisions based on employment prospects, market realities and long-term value rather than social expectations.
He believes Uganda has normalised measuring education by the certificates students collect instead of the skills they leave with. That philosophy has shaped recruitment across the businesses he leads.
Whenever he interviews prospective employees, Kyazze says he is less interested in academic credentials than in whether candidates demonstrate practical ability, curiosity and the willingness to learn.
Those same beliefs informed the creation of Swangz Creative Academy, which trains young people for careers in content creation, production and other creative disciplines.
The results, he says, have surprised even him. After one graduation ceremony, he posted photographs of the graduates on social media. Within hours, companies had begun contacting him looking for content creators and production professionals.
When he passed the requests to the academy, he discovered most graduates had already secured employment. “They’re all employed,” he recalls being told less than a day after graduation.
To Kyazze, that experience demonstrates that employers increasingly value competence over credentials. He insists he is not dismissing higher education. Instead, he argues universities should become more responsive to changing industries and prepare graduates for opportunities emerging in sectors such as digital media, content creation, technology and the wider creative economy.
He questions whether some subjects taught today remain relevant to Uganda’s economic realities. “There are things we’re still teaching that don’t prepare young people for today’s opportunities,” he says, adding that education should evolve alongside the economy rather than remain anchored in outdated priorities.
The creative industry, he believes, represents one of Africa’s biggest untapped employment opportunities. Yet governments, regulators and even parents continue to underestimate its potential because they still view it primarily as entertainment rather than business.
Kyazze argues that while Africa has no shortage of talented young people, it lacks enough institutions capable of developing practical skills and connecting those skills to employment.
As artificial intelligence, digital platforms and content-driven businesses reshape global work, he believes Uganda cannot afford to continue measuring education only by graduation ceremonies and framed certificates. “The future,” he says, “belongs to people who can actually do something.”
Chozen Blood has stirred fresh controversy after revealing that he returned the Shs60,000 he received from the Uganda Performing Right Society (UPRS), saying the payout was too small to match his years of hard work.
Speaking during an interview with Galaxy TV’s Rewind entertainment team, the singer said he didn’t just reject the money… he sent it straight back, demanding that UPRS first explain how royalty payments are calculated before sending artists what he described as “questionable figures.”
“I received it and refunded it to their account. If they are not ready to openly explain the payment process to stakeholders, they should stop disbursing the money until everyone understands how it’s done,” Chozen Blood said.
Clearly frustrated, the singer argued that 15 years in the music industry cannot be rewarded with just Shs60,000, calling the amount an insult to his craft.
“I’ve been singing for 15 years. You can’t give me Shs60,000. It’s like cursing my business,” he added.
Chozen Blood also challenged UPRS to explain how they arrived at the figure, noting that his music catalogue speaks for itself. According to him, he has over 100 music videos on YouTube, with each one attracting at least 100,000 views, making the payout even harder to understand.
His remarks come just days after fellow musicians Weasel, Spice Diana and Lydia Jazmine publicly confirmed receiving royalty payments from UPRS, sparking widespread debate among fans and industry players.
The singer also called on UPRS to strengthen its communication with artists, saying transparency is the only way musicians will trust the royalty distribution system.
“We need each other. They shouldn’t make it seem like we need them more. Let’s get professional public relations officers,” he said.
With more artists questioning how royalties are shared, the pressure is mounting on UPRS to break its silence and provide a clear formula behind the payouts.
Enock Mugabi aka iWitness is a Journalist, Seasoned Writer and Music Analyst with a passion for sports. Connect with him on social media using the links below in bio.
The Anti-Corruption Court has issued a warrant of arrest for Parliament Office Supervisor Stella Itute after she failed to appear in court to answer charges in the alleged Shs27 billion Parliament corruption scandal.
Grade One Magistrate Esther Asiimwe issued the warrant on Monday after prosecutors from the Inspectorate of Government (IG) told the court that Itute could not be traced despite repeated attempts to find her.
Brenda Kimbugwe, the IG’s Manager of Prosecutions, informed the court that all the other suspects had appeared, but Itute remained at large.
“We have made several efforts to locate her without success. We therefore pray for a warrant of arrest,” Kimbugwe submitted.
In response, Magistrate Asiimwe ordered all police officers across Uganda to arrest Itute wherever she is found and produce her before the Anti-Corruption Court on 10 August 2026, when the case will return for mention.
Although Itute is accused of embezzling Shs75 million—the smallest amount among the accused persons in the case—she is jointly charged with seven other Parliament officials over the alleged theft of more than Shs27.2 billion in public funds.
Investigators believe the money was diverted from funds meant for parliamentary donations and Corporate Social Responsibility (CSR) activities. Prosecutors allege the accused used their positions within Parliament to access and unlawfully divert the money, causing a financial loss of Shs27.201 billion to the Government of Uganda.
Court records show that Itute’s co-accused include Director of Communications and Public Affairs Chris Obore Ariko, Director of Human Resource Daniel Adilo, Executive Secretary in the Office of the Speaker Leonard Okema, Principal Research Officer Rajab Kaaya Ssemalulu, Principal Protocol Officer Emmanuel Emuron Okwi, Capacity Development Officer Vincent Otebata, and Uganda Parliamentary Cooperative Savings and Credit Society (SACCO) Chief Executive Officer Methods Murebe.
According to the prosecution, Adilo allegedly embezzled Shs14.609 billion, Obore and Otebata Shs5.253 billion each, Okema Shs3.489 billion, Ssemalulu Shs2.170 billion, Emmanuel Emuron Okwi Shs1.105 billion, while Itute is accused of taking Shs75 million.
Prosecutors have also slapped Obore, Adilo, Okema, Ssemalulu, Otebata and Murebe with money laundering charges, alleging that between January 2023 and April 2026 they processed, approved and received Shs10.893 billion knowing it was the proceeds of crime.
Meanwhile, the Anti-Corruption Court was informed that the High Court will hear bail applications filed by the accused officials on 3 August 2026.
Defence lawyers requested the magistrate to issue production warrants to enable prison authorities to present the accused before the High Court. However, Magistrate Asiimwe declined, explaining that only the High Court can issue production warrants for proceedings before it.
The accused officials, who have been on remand since 2 July 2026, were returned to Luzira Prison, where they will remain until the case comes up again on 10 August as investigations continue.
A suspended Catholic priest, Rev. Fr Dominic Alinga, has been sentenced to 21 years in prison after admitting to the murder of former Uganda Revenue Authority (URA) officer John Bosco Ngorok and the attempted murder of Moses Abigaba.
The sentence was handed down by the High Court in Entebbe on Friday, a day after Alinga pleaded guilty to both charges before Justice Flavia Nabakooza.
Alinga, who previously served at Iriiri Parish in Napak District, was charged in October 2024 over the fatal attack on Ngorok and the attempted killing of Abigaba.
The court heard that the crimes occurred on 2 August 2024 after Alinga suspected that Ngorok had revealed information that led to his suspension from the priesthood. Believing Ngorok was responsible for his troubles, Alinga invited him to a meeting.
According to the prosecution, the two were travelling towards Entebbe when Alinga attacked Ngorok, repeatedly stabbing him. As Ngorok tried to escape and seek help with the assistance of Abigaba, Alinga allegedly rammed both men with his vehicle before fleeing.
Ngorok, 30, later died from the injuries he sustained during the attack.
Chief State Attorney Jacquelyn Okui told court that Alinga later attempted to destroy evidence before escaping to Tororo. While there, he reportedly confessed to another Catholic priest before surrendering to the police.
The Office of the Director of Public Prosecutions (DPP) said Alinga formally admitted the charges when he appeared in court on 23 July 2026, leading to his conviction without a full trial.
Justice Nabakooza sentenced him to 21 years’ imprisonment for murder and 10 years for attempted murder. The sentences will run concurrently, meaning he will serve both at the same time. The court also ordered compensation to be paid to Moses Abigaba for the injuries he suffered.
On Sunday- July 26th, Meditterraneo restaurant and lounge turned into a scene straight out of ‘Cancun’.
It was Saxophones, good music, good food, the finest tequila, and great people; all gathered together to celebrate World Tequila Day.
The afternoon-into-night affair, dubbed the ‘Tequila Sundowner,’ was curated by the world’s first luxury tequila- Don Julio, and was attended by Kampala’s dons.
The experience was filled with sounds of ice against crystal; the hard hisses of a cocktail shakers, good music, conversations of friends and strangers cutting through till dusk.
Guests seemed to be on an exhibition of who best understood where tequila came from; they rocked sombreros, boots, and Mexican apparel, as had been demanded by the organisers.
At the centre of the experience stood an elegant Don Julio trolley, where the curious gathered in small circles around Reserve Ambassador- Steve Baguma. The trolley was an intimate classroom, where every guest got an opportunity to learn more about Don Julio, and then make their own cocktail from scratch, with guidance from Baguma.
Fresh pineapples were sliced with practiced precision, ice crackled into shakers, agave aromas mingled with bursts of citrus, while measured pours of Don Julio Blanco followed into ceramic cups.
Guests leaned in to learn the anatomy of a perfectly balanced Margarita, before discovering the refreshing lift of a Paloma and other tequila-forward creations that revealed the spirit’s remarkable versatility.
“Today, Don Julio is hosting its consumers to celebrate the World Tequila Day. Don Julio is crafted with incredible care, and every expression has its own personality. Once you understand the spirit, you begin to appreciate the craftsmanship behind every bottle,” Baguma said. “Our consumers have got an opportunity to create their own cocktails, enabling them to appreciate the complexity of tequila without overwhelming the palate,” he added.
And what is a good tequila experience without music? Latin Roots band, elevated the affair with a unique performance, that served Mexican vibes. Their set flowed effortlessly through Latin classics; each song carried by expressive vocals and a saxophone that invited movement almost instinctively.
One of the afternoon’s defining moments belonged to saxophonist- Daniel Oquiel, who repeatedly lowered his instrument mid-song and encouraged the audience to sing the next lines themselves. Hesitant voices would later become confident choruses, filling the venue with spontaneous joy, that blurred the line between performers and the audience.
“Latin music is everything for us, just like tequila,” said Jessica Abelo, a member of Latin Roots after their performance. “I am so happy to see Ugandans show love and appreciation for Latin culture. Sharing that feeling on World Tequila Day makes perfect sense, because- tequila, like music, brings people together around stories, celebration and community,” she added.
As daylight softened into evening, the celebration found a new pulse. Don Julio Core ambassador- DJ Dash eased the transition when he layered in vibrant EDM and Amapiano rhythms that drew even reluctant dancers onto the floor.
Then came DJ City Girl, who took over the decks with an eclectic blend of R&B and reggae, whose seamless mix stitched together genres and generations, creating a soundtrack where every transition felt effortless. The dancefloor remained full as cheers rose with every familiar chorus, glasses lifted in celebration.
When the night’s headliners- the producer and DJ duo- 2woBunnies, took to the decks, the night had reached its exhilarating crescendo. Their signature fusion of Amapiano and Afro-electronic set, wrapped around the venue with irresistible momentum, each beat inviting another wave of movement. Arms rose into the air, phones glowed as memories were captured, and no one seemed eager to acknowledge that the evening would eventually come to an end.
For Judie Nandekya the Senior Brand Manager for Tequila and Rum East Africa, the experience was the gist of celebrating World Tequila Day. “World Tequila Day is an opportunity to celebrate tequila and everything about it. It is an opportunity for us to introduce people to the traditions, craftsmanship and versatility behind tequila in a way that feels authentic and welcoming,” Nandekya said.
“Today is special because we have given our consumers new ways to understand and appreciate tequila. We know that when great cocktails, live music, meaningful conversations and responsible enjoyment come together, they create experiences that people genuinely remember,” she added.
As the final notes faded into the Kampala night, what lingered was the feeling of having travelled to Mexico, without ever leaving Kampala. In bringing together craftsmanship, culture, music and luxury celebration, World Tequila Day became areminder that the most memorable journeys are often not only measured in miles travelled, but in moments shared.
Horus (Nicolaj Coster-Waldau) has Bek (Brenton Thwaites) in a tight spot in “Gods of Egypt.”
Secret ending? No.
Running time: 127 minutes (~2 hours)
“Gods of Egypt” is a fantasy and adventure film about the gods of ancient Egypt. In this interpretation of Egyptian mythology, the newly crowned god-king Horus must team up with Bek, a mortal, to stop the dark god Set’s mad ambitions. It stars Nikolaj Coster-Waldau (Horus), Brenton Thwaites (Bek), Gerard Butler (Set), Chadwick Boseman (Thoth), Elodie Yung (Hathor), Courtney Eaton (Zaya), Rufus Sewell (Urshu), Geoffrey Rush (Ra), and Bryan Brown (Osiris). It is rated PG-13.
“Gods of Egypt” looks and feels like a video game come to life, with every god having his or her own special powers, mystical artifacts everywhere and a fixed set of rules on how magic works. It might not have the grand, epic scope that other mythological movies have, but it also doesn’t burden itself with unnecessary angst and pain. Instead, the film focuses on the fun and fantastical aspects of Egyptian mythology, giving us a modern take on the Egyptian gods. Best of all, it doesn’t feature a white-washed cast unlike recent mythical movies.
Highlights
Character development
Because the gods themselves are pinnacles of different ideals, and also because they exist on an entirely different scale from mortals, it’s difficult to write believable character development for them. That being said, if there’s no change in character then the story becomes meaningless. Even amidst this rip-roaring adventure, “Gods of Egypt” manages to lay the foundation for Horus’ character development, setting him on a believable and satisfying arc of personal growth.
Wonderful special effects
It’s the CGI that gives “Gods of Egypt” its video game feel. The graphics used reflect today’s depictions of superheroes, which is what the gods were to the ancient Egyptians. Each god has a theme to their appearance, powers and equipment, and even without them mentioning it, you can usually tell what their domain is. Their fights and transformations are also worthy to behold, and help us to understand why these gods are deserving of mortal worship.
Rich sets and costumes
Complementing the special effects are the intricate costume designs, which again, follow the theme of each god. The sets themselves are also evocative places of magic and wonder, showing us the full landscape of Egypt and the rest of the cosmos. It’s not just pyramids and deserts that Horus and Bek have to traverse. The structure of the universe also bears special mention, with a breath-taking sun ship serving as Ra’s domain.
Letdowns
Brenton Thwaites can’t act
While Brenton Thwaites is definitely likeable as the eager and optimistic Bek, there’s no covering up the fact that he can’t emote past a smile. There’s no differentiation between his emotions, and it’s obvious that he’s there as a pretty face and a plot device for Horus. He does get good lines and fulfills his role well as a sidekick though.
Set is cliched and underused
Set, played by Gerard Butler, had so much potential to be a villain of epic proportions. Unfortunately, his plans just aren’t that grand, and his motivations are murky at best. Set could have been a truly tragic antagonist that would have put all the characters in an ethical dilemma, given his circumstances. In this film, he’s just your run-of-the-mill megalomaniac.
After the celebrations at Meditterraneo restaurant, in Kololo, on Sunday evening, the party was extended to the Chop Life Sunday party- at Aura Lounge, where Sheila Gashumba aka Lil Stunner, together with Don Julio, gave tequila lovers a celebration to remember.
Guests stepped on to the red carpet to have their vogue worthy photos taken, against the Don Julio backdrop.
The air buzzed with energy, lit by the soft shimmer of gold accents, neon lights, and the unmistakable glow of Don Julio bottles glinting behind the bar.
Kampala’s beaus and big ballers had decided to have a toast to the finest tequila- Don Julio.
Globally known for its refined tequila heritage, Don Julio was at the heart of the celebration; right from the setup, to the delicious cocktails, and exciting bottle serves.
Guests swirled their glasses, laughed louder, and lived fuller, the Don Julio way.
“We are glad to celebrate World Tequila Day with our consumers at the Choplife Sundays. Tonight is special because we celebrate the art, craft and heritage of tequila with a city that knows how to celebrate life beautifully.” said Judie Nandekya, Senior Brand Manager, Tequila and Rum East Africa.
Music pulsed through the night courtesy of Kampala’s top DJs led by the 2woBunnies who spun a flawless mix of Afrobeats, Amapiano, Dancehall, and deep house anthems, which turned the tempo up and the dance floor into a blur of movement.
Those who attended found themselves immersed in a multisensory experience that felt like the very definition of ‘Chopping life’. Every detail- from the cocktails, to the lighting, to the bottle serves, told a story of celebration, confidence, and class.
As the night wound down and Kampala’s skyline flickered in the distance, one sentiment echoed among guests; this is how we celebrate tequila.
Don Julio and Sheila Gashumba created a moment where tequila was appreciated, and celebrated in style.
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