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As Kampala’s kicks off its 2026 social calendar, Baileys has partnered with the Old Skool RnB picnic happening this Sunday the 22^nd  of March at the Sheraton Hotel Gardens to pair the smoothest RnB classics with the world’s most indulgent adult treat.

At this soulful pairing the invitation to all tastemakers is very simple. Come for the music, stay for the treats.

All music and Baileys lovers alike will slow down and savour the moment with the Baileys treating experience made with the classic Irish cream or the flavorful Strawberries and cream.

These will offer a selection of grown-up creamy twist to all-time favorites, ranging from the Baileys Espresso Martini’ which combines Baileys Irish cream, vodka, and espresso shots to the Baileys White Russian or even Baileys enjoyed neatly by the rocks.

“The Old Skool RnB Picnic is a refined music themed experience designed to create deeper connections while staying truly present with those dear to us. This mirrors what Baileys stands for. Unwinding and finding pleasure in the small things. It is about the simple joy of adult indulgence-.” said Nancy Nansikombi, the Baileys Brand Manager.

At the heart of this edition is a carefully crafted music journey.  Baileys together with the organizers has curated an exciting music line up featuring live band from the legendary Myko Ouma and Joseph Sax while DJs; Nyowe, Pita, Anselm, Aludah, and Selector Jay will keep the rhythm going from back-to-back.

Step into the ultimate throwback experience by channeling the golden era of RnB and bring back the real nostalgia.

Dress-code calls for that easy picnic style with light sundresses, linen sets, sneakers, sandals, and soft pastel colors. Come comfortable, stylish and picture ready.

Tickets are on sale on MTN Momo and gates open at midday. So come ready to sip, sway, and stay a while for an afternoon of pure, unadulterated nostalgia and adult indulgence.

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Politician Fred Mukasa Mbidde has sparked fresh debate after alleging that Robert Kyagulanyi, also known as Bobi Wine, is in the United States pursuing citizenship.

Speaking in an interview with a local radio station, Mbidde claimed that the National Unity Platform (NUP) leader is working to secure American citizenship for himself and his family.

“Bobi Wine went to ask for citizenship in America. I was tipped off by someone with deep knowledge there. He sent his family first, and now he is following up on the process,” Mbidde alleged.

However, when pressed to provide evidence or further details, the legislator declined, stating that the information was classified.

The claims come shortly after Bobi Wine confirmed that he had temporarily left Uganda to engage international partners and advance his political agenda.

So far, there has been no official response from Bobi Wine regarding the citizenship allegations, leaving the claims unverified.

Musician Mansur Ssemanda, popularly known as King Saha, has claimed that Robert Kyagulanyi is actively working on a plan to bring political change in Uganda.

Speaking in an interview with a local television station, King Saha revealed that he remains in constant communication with the National Unity Platform (NUP) leader, who is currently abroad.

“I am always in constant communication with my President. He remains committed to the cause even in his absence. He is working to bring about regime change peacefully,” King Saha said.

According to the singer, Bobi Wine is using his time outside the country to push forward a strategy aimed at achieving change through non-violent means.

King Saha expressed confidence that the efforts will eventually yield results, noting that hope for a change in leadership remains strong among supporters.

His remarks come at a time when discussions around Uganda’s political future continue to dominate both public and entertainment spaces.

Controversial Ugandan singer Patrick Mulwana, popularly known as Alien Skin, has distanced himself from the ongoing excitement surrounding the Copyright Law Amendment.

While many artists have welcomed the move, Alien Skin has taken a different stance, making it clear he has no interest in the law.

Speaking in an interview with a local television station, the Fangone Forest boss dismissed the amendment, claiming it mainly benefits musicians who are struggling financially.

“I don’t have any interest in copyright law. I saw all the musicians celebrating, but I also remembered I beat them during campaigns with only two songs. It will work for those with no bookings, but me I’m not among them,” he said.

Alien Skin further bragged about his strong performance bookings, suggesting he relies more on live shows than royalties.

In a surprising revelation, he also hinted at stepping away from the music scene, stating that he is considering shutting down his Fangone Forest music group due to a growing loss of interest in the industry.

His comments have sparked debate among fans and fellow artists, especially at a time when the Copyright Law Amendment remains a major talking point in Uganda’s music industry

Congratulations to the artists. But first, I pray that you really understood the detailing of the Bill because gauging from the kind of music some of you make, I highly doubt you picked anything besides the title of the Bill. But also, your salvation is beyond laws, you all need to make better music, otherwise nothing will change. For the longest time, being a creative in Uganda has felt like signing a lifetime contract with exposure. You show up, deliver magic, and in return you are paid in vibes, handshakes, and that famous promise “we shall call you for the next one”. In Uganda, when people say creatives, they mostly mean musicians, as if photographers, writers, designers, and filmmakers are just there for decoration, like flowers at a function.

But even the musicians themselves, the supposed frontlines of creativity have been surviving more than thriving. Uganda lives inside music. Kampala traffic hums to it, bars breathe it, bodas blast it at volumes that qualify as public announcements. Yet the people making it have been negotiating rent like the rest of us… sometimes with their own hit song playing in the background. That contradiction has been sitting quietly for years until recently, when silence itself started to feel embarrassing.

King Saha in a video on X told his truth loudly, emotionally, and without consulting anyone’s feelings. “How long will we wait?” he asked. A country where a song can shut down a wedding, but the artiste still cannot shut down their landlord? Then Kenzo entered the chat. He hinted that some MPs might be compromised. X for FBI did what we do best: connect dots that may or may not exist, but somehow feel very correct. WhatsApp groups became investigative committees. Suddenly, creative struggles were no longer industry gossip they were national tea.

At the centre of the drama sat Clause 9, a very simple but very dangerous question: should artists actually be paid? Because somewhere along the way, we convinced ourselves that exposure is legal tender. That airplay is equivalent to MoMo. If playing someone’s music is payment, then pirates are basically philanthropists doing charity work. And just when we were warming up our outrage, Parliament shocked us by doing something rare, the Copyright Amendment Bill was passed. Just like that. After years of postponing, debating, and probably misplacing files under ‘we shall see’, the bill finally showed up.

Stronger penalties, proper royalty systems, and a warning to broadcasters, bars, and telecom companies: vibes are no longer a valid currency. But here is the uncomfortable truth nobody wants to tweet; laws can force payment, but they cannot force people to listen. Ugandan artists do not just need protection; they need consistency because if the music does not connect, the audience will migrate sonically. Protection without connection is just paperwork. Of course, this is Uganda, so celebration came with a side of scepticism because passing a Bill here is step one; implementing it is a completely different sport that requires stamina, discipline, and even divine intervention.

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A Mukono court has further remanded a 21-year-old man accused of murdering former Uganda Christian University (UCU) Director of Student Affairs, Pamela Ruth Tumwebaze.

Grade One Magistrate Praise Ahurira on Thursday ordered that Dak Hussein Taewaiko remain on remand until April 8, 2026, as investigations into the case continue.

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Taewaiko appeared before the court for mention of charges that include murder and aggravated robbery. The prosecution, led by Senior Resident State Attorney Josephine Nanyonga, told court that inquiries into the matter are still ongoing and requested more time, which the magistrate granted.

The suspect was subsequently returned to Luzira Prison.

Unlike his earlier court appearance on February 20, when he was escorted under heavy guard by the Joint Anti-Terrorism Taskforce (JATT), Taewaiko was this time brought to court by routine prison warders. He briefly waited on the court veranda before being ushered into the magistrate’s chambers, where the charges were formally read.

The proceedings were attended by members of Tumwebaze’s family, who followed the session in silence, visibly shaken by the loss.

Tumwebaze, 46, was killed in the early hours of February 11, 2026, at her home in Gwafu West Cell, Goma Division in Mukono District. According to police reports, an assailant broke into the residence while she was asleep, overpowered her, and strangled her to death.

The attacker is said to have later confronted the house help, demanding keys and valuables before fleeing the scene. Items reportedly stolen include a mobile phone and a laptop bag. The suspect allegedly escaped while dressed in some of the victim’s clothing.

Tumwebaze was rushed to Mukono Namirembe Hospital but was pronounced dead on arrival.

Her killing sent shockwaves through Uganda Christian University, where she had served as Director of Student Affairs. Colleagues and students remember her as a dedicated administrator who played a key role in shaping student welfare, discipline, and campus life.

The case remains under active investigation.